Ceaseless experimentation was the root of Zaha Hadid's architectural practice, as depicted in her early drawings and paintings. The Serpentine Galleries and Zaha Hadid Design teamed up to showcase Hadid's artistic prowess in the exhibition, “Zaha Hadid: There Should Be No End To Experimentation”, which opened today at the ArtisTree gallery in Hong Kong. — Bustler
[Hadid] bequeathed a lump sum of £500,000 to her business partner Patrik Schumacher. Hadid also left a total of £1.7m to four nieces and nephews, as well as her brother Haytham Hadid, whose share was £500,000 [...] Her will, obtained by the Architects’ Journal, shows that the net value of her estate was £67,249,458. The calculation was filed in the high court dated 14 December 2016 [...] The will shows Hadid is leaving her architecture practice, of which she was the sole owner, in trust. — The Guardian
Tokyo has held a groundbreaking ceremony for a $1.5bn (£1.2bn) national stadium that will host the 2020 Olympic Games.
The prime minister, Shinzo Abe, Tokyo’s governor, Yuriko Koike, and other dignitaries attended the event on Sunday at the site of the demolished national stadium that was used during the 1964 Tokyo Olympics. [...]
The ceremony ended with a video showing how the stadium is expected to look and function once completed by November 2019. — The Guardian
Five different statues have been revealed, but only one - a depiction of Britannia with her hips to one side - will be handed out to winners at the February ceremony. [...]
Brit Awards chairman Jason Iley said: "We are delighted with the finished statues.
"Like Zaha, they are innovative and original and have gone well beyond our expectations to create something special that will progress the award into the future." — bbc.com
The perenially opinionated Patrik Schumacher, who gave a speech about his "urban policy manifesto" at the November 17th World Architecture Festival in which he called for an end to all social housing and privatization of public space, has attracted push-back from an unexpected source: the firm he...
“It’s my life’s work — to let that slip would be tragic,” Schumacher says, making clear his dedication to the firm. But as for his campaign against “the PC takeover of architecture,” isn’t there a chance his iconoclasm will alienate potential clients, when the firm can least afford to do so? [...] “My positions might be controversial, but they are the result of a careful, informed deliberation,” he demurs. “I think people who are frank are trusted.” — wmagazine.com
"The importance to Zaha was the layering, setting a new structure over the old one” that would both read at a distance and liberate ground for public space. And Patrik wanted the new structure to overshoot the fire station and land on a single point." — NYT
He calls critics “dismissive” and “disdainful.” He accuses architects of “misguided political correctness,” and says they are guilty of “confusing architecture and art.”
Schumacher has turned his criticism on his own practice, rolling out plans for what he calls “Parametricism 2.0,” to better address the human factors like productivity, social interaction, culture, and well-being that detractors used to say Hadid ignored. “I have to step up,” Schumacher says. “I will build my own star power.” — wired.com
[Schumacher] sees parametricism as the architectural style of capitalism, to which he is a relatively recent convert. “My early heroes were Marx, Lenin and Trotsky, people who wanted to make an impact”, but he now believes that free enterprise is the best means of the “human development of prosperity and freedom”. The innate logic of parametricism means that, in a truly free market, with “freer utilisation of land”, it would eventually triumph. — theguardian.com
Patrik Schumacher sits down with Rowan Moore, and share his plans to assert a parametricist future as Zaha Hadid's successor at ZHA. Moore isn't exactly convinced.More on Zaha and Patrik:The Salerno maritime terminal: Zaha Hadid's first posthumous project inaugurated in ItalyZHA after Zaha: Patrik...
An enormous, curvy, mushroom-like pavilion designed by the late architect Dame Zaha Hadid has been installed in the grounds of one of Britain’s grandest stately homes.
The pavilion was an unexpected addition to the roster of temporary pavilions commissioned each year by the Serpentine Gallery in London. When rising steel prices meant the 2007 pavilion coming from artist Olafur Eliasson and architect Kjetil Thorsen was delayed, Hadid offered to step in with a stopgap — theguardian.com
An exhibition of rarely seen paintings, drawings and digital works by Zaha Hadid is due to open at the Serpentine Sackler Gallery in London this winter (8 December-12 February 2017), throwing new light on the late British-Iraqi architect’s accomplishments as an artist and calligrapher. [...]
Sketches and paintings linked to major projects, both realised and unrealised, will go on show. — theartnewspaper.com
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