"You repress almost everything to produce a building," states Daniel Libeskind during a long and wide-ranging conversation with the architectural historian Gillian Darley in the context of the exhibition Childhood ReCollections: Memory in Design at the Roca London Gallery."Everything is repressed...
On this 13th anniversary of the 9/11 attacks, a shiny new skyscraper towers over what was once a smoldering pile. It’s touted as “an ever-present symbol of renewal and hope,” but the process to build One WTC, the tallest building in the Western Hemisphere, has been arduous and much-delayed. The project, which has had its share of critics, is finally set to open in early 2015. — qz.com
Antiterrorist paraphernalia litter parts of nine square blocks, or at least a dozen acres -- all to protect the New York Stock Exchange from attacks.
Where Broadway opens to Wall Street, jaw-like truck barriers and a plastic-tent guard booth block the street. A fence squeezes pedestrians into one narrowed sidewalk.
Concrete Jersey barriers posing as planters are particularly hideous, part of a new antiterrorist aesthetic that afflicts courthouses and City Hall. — bloomberg.com
Steven M. Davis, a partner in Davis Brody Bond, which designed the museum, said he and his colleagues had been guided by the principles of memory, authenticity, scale and emotion.
The museum will not open to the public until next spring, but officials have begun taking reporters through the unfinished galleries, confident that what was a construction zone a year ago, and a disaster area after Hurricane Sandy, now looks more like a museum. — nytimes.com
With the blank slate offered by a catastrophic attack, planners, soon joined by the mayor himself, saw a chance to re-establish a great crossroads: Fulton and Greenwich Streets, tying the second World Trade Center into New York — north, south, east and west.
Now, however, they see that vision slipping away, as security concerns trump urban planning. — cityroom.blogs.nytimes.com
The woman wrote “AE911” on the bottom right-hand corner of the painting before she was challenged by a security guard and a visitor.
A Louvre conservation expert cleaned off the writing yesterday and the unharmed painting will be on show to the public once again this morning.
“AE911Truth” is the name of a website for Architects & Engineers for 9/11 Truth, a group which claims that the official version of the terrorist attacks on Manhattan and Washington on 11 September 2001 is a cover-up. — independent.co.uk
Eleven years ago I made a modest proposal to create a series of three massively flat and empty superblocks (two in New York and one in Washington DC). I last showed these proposals as three large architectural site models, just six months before September 11th attacks. Because my proposals seemed to foreshadow the 16 acre gap left in Manhattan’s grid, I was urged to revisit the project. — rhizome.org
A real media storm has started and we receive threatening emails and calls of angry people calling us Al Qaeda lovers or worse.
MVRDV regrets deeply any connotations The Cloud projects evokes regarding 9/11, it was not our intention. — MVRDV, facebook.com
The Cloud was designed based on parameters such as sunlight, outside spaces, living quality for inhabitants and the city. It is one of many projects in which MVRDV experiments with a raised city level to reinvent the often solitary typology of the skyscraper. It was not our intention to create an...
The planned 2012 opening of the Sept. 11 museum at the World Trade Center is in jeopardy amid a dispute over hundreds of millions of dollars in unexpected costs related to redeveloping the site, people familiar with the matter said. — online.wsj.com
Live-blogging tonight from Piper Auditorium, where we have a new gold lamé curtain. Krzysztof Wodiczko, Erika Naginski, Mark Jarzombek, and Kirk Savage are talking in an event marking the 10th anniversary of 9/11. — Harvard GSD (Lian)
Marking the decade since the attacks of September 11, 2001, Lebbeus Woods offers reflections on the context for the tragedy, and the reconstruction's bitter sense of business as usual — domusweb.it
On September 11, 2010 fieldoffice launched an effort that will acknowledge lives lost during the tragedy of September 11, 2001 as well as reconstruct as many views of the city’s lost skyline. Thousands of glass plates, inscribed with a written dedication to a victim and an outline of the missing skyline, will populate New York City from anywhere in the city that the towers would have been visible. — dispersed-memorial.net
My idea in the master plan was that this was a place of the spirit. This is where people perished. It was not a piece of real estate any longer. You could not put a building there. — featuresblogs.chicagotribune.com
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