The US Army is looking to recruit the next generation of “Monuments Men and Women” to help preserve sites and cultural property in combat zones and to advise troops on heritage. [...] It is turning to museum directors, archaeologists and preservationists to fill these posts. [...]
With extremist groups such as Islamic State using the destruction of cultural heritage as a tool of war, such expertise is needed more than ever. — theartnewspaper.com
Two decades after civil war blew the Lebanese capital to rubble, the city centre boasts immaculately rebuilt streets lined with Gucci and Prada stores – but the whole place is strangely deserted
[...] the resulting place feels less souk than Duty Free airport lounge. It is a monotonous world of more swanky high street brands, from Burberry to Tag Heuer, staffed by idle shop assistants awaiting the promised customer footfall that has yet to arrive. — theguardian.com
It is a cruel irony that a region so blessed with the treasures of early human civilizations is also among those most troubled by conflict. As the violence threatens to annihilate some of history's greatest monuments, we count the cost of our irreplaceable losses — edition.cnn.com
... post-conflict response often disregards the potential of shared spaces to foster reconciliation, the importance of urban plans in managing turbulent population dynamics, and the need for a public realm that enables normal life to continue. "The absence of any architect or planner or designer in the negotiating room is something that has to change,"... — foreignpolicy.com
Culture officials in the Luhansk and Donetsk regions in eastern Ukraine have ordered museums to put their most valuable pieces into storage, and some institutions have closed to the public, as fighting continues between pro-Russian separatists and Ukrainian government forces.
Ukraine’s culture ministry has also asked that the media refrain from “emphasising objects of cultural heritage” to avoid their being targeted [...]. — theartnewspaper.com
While the civil war in Syria has killed tens of thousands of people, it has also destroyed countless of the country's ancient treasures. Now a number of Syrians are trying to save what artifacts they can -- and are risking their lives to do so. — spiegel.de
Leading British archaeologist and member of the House of Lords, Colin Renfrew, says the destruction of historic mosques in Mosul, northern Iraq, by Islamic state militants (Isis) “is a disaster for the cultural heritage of Iraq, and indeed of Islam”. The Prophet Jirjis mosque and shrine in Mosul was destroyed on 27 July, according to unconfirmed press reports. The 14th-century mosque was the latest in a series of holy sites targeted by the jihadist group. — theartnewspaper.com
The mosque was built on an archaeological site dating back to 8th century BC and is said to be the burial place of the prophet, who in stories from both the Bible and Qur’an is swallowed by a whale.
It was renovated in the 1990s under Iraq’s late dictator Saddam Hussein and until the recent militant blitz that engulfed Mosul, remained a popular destination for religious pilgrims from around the world. — arabnews.com
a Danish architect and part-time aviation journalist is mapping each claimed shoot-down of Assad’s jets and helicopters, resulting in the first running tabulation of the cost — at least in terms of machinery — of the escalating Syrian air war. Bjørn Holst Jespersen’s map, sponsored by journalist David Cenciotti’s blog The Aviationist, marks 19 possible “kills” by rebel forces, as reported in the press or seen in YouTube videos. — wired.com
Unlike conventional concrete, Iranian concrete is mixed with quartz powder and special fibers - transforming it into high performance concrete that can withstand higher pressure with increased rigidity.
Due to its combination, the new Iranian-made concrete is an excellent building material with peaceful applications like the construction of safer bridges, dams, tunnels, increasing the strength of sewage pipes, and even absorbing pollution. — presstv.ir
Architecture in Uniform: Designing and Building for the Second World War documents the extensive contribution of architecture to the war between the bombings of Guernica in 1937 and Hiroshima in 1945, and considers how this questioned architectural methods and construction technologies, and lead to the supremacy of modernism. — CCA
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