"You repress almost everything to produce a building," states Daniel Libeskind during a long and wide-ranging conversation with the architectural historian Gillian Darley in the context of the exhibition Childhood ReCollections: Memory in Design at the Roca London Gallery."Everything is repressed...
“We had to try to bring to the surface some sign of something that was absolutely invisible in Milan,” he continued. They didn’t want a traditional museum. Here “the content and the container coincide,” Mr. Morpurgo said. “You can’t put the Shoah in a museum under glass. It’s impossible.” — NYT
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