The director of the Madrid heritage department, Jaime Ignacio Muñoz of the Popular Party, explained to EL PAÍS that Apple had been instructed to change the flooring of the basement so as to “symbolically” trace the outline of these newly discovered walls.
The walls themselves will then be covered up again so the floor of the new store can be placed on top. The actual original foundations of the hospital will not be visible. — elpais.com
If the design, by the firm of Tippets Abbott McCarthy and Stratton, wasn’t as sophisticated as Eero Saarinen’s TWA Terminal a few hundred yards away—surely one of the great buildings of its era, transportation hub or otherwise—the Pan Am terminal was the second-best piece of architecture at JFK, and in some ways it captured the feeling of the moment more directly. — vanityfair.com
"It was a place where you got your information, and served as a post office -- it had an integral role in the community," Moy said of the building, as well as other similar sites. "It's a unique structure, even though architecturally it's very utilitarian and doesn't represent any high style of architecture. It's more about the people and the work they did." — Los Angeles Times
The National Trust for Historic Preservation released its list of the 11 most endangered buildings in the country and making that list is Southern California’s very own Rancho Cucamonga Chinatown House. No, the Chinatown House is not a restaurant at Victoria Gardens Shopping Center. Yes...
Wright’s bijou, as he described it, was the architect’s first permanent work in the city, his first constructed automotive design, and one of his few interior-only projects. Realized during New York’s post-World War II commercial construction boom, it was the architect’s single gesture along the corporate corridor of International Style buildings designed by his rivals, the “glass box boys.” The showroom’s signature ramp was also one of Wright’s several design experiments with the spiral... — metropolismag.com
"There are certainly critical voices that doubt the building’s value. These begin with that of MoMA itself . . . While others claim the AFAM should be preserved because it’s a great Modernist building, and therefore part of the MoMA collection, rather than its campus, no one has unequivocally answered the question of why it is so. The discourse as yet remains one of opinions asserted as imperatives: I love it / I never liked it / it must be saved / tear it down." — Design Observer (Places)
David Heymann in his critical article explores the deeper issues at play in the American Folk Art Museum controversy. As he mentions, the stances taken for or against the AFAM are clear, however; too much attention has been paid to the object itself and not to reality that it sits empty as a...
The Walled City's gardens and squares are now obscured by illegal shops and businesses, the skyline cluttered by unplanned tenements and bundles of cables. For many of the 200,000 inhabitants crammed into these 4sq km, a fraction of Lahore's 7m population, drinking water is a rarity.
But last month the new Walled City of Lahore Authority met for the first time. The body oversees the ambitious plan to restore the past glory of the city's oldest neighbourhood. — guardian.co.uk
The modernist five-story glass and steel structure was an attempt by city leaders to shake off the city’s image as a retirement destination. Even more radical was its inverted pyramid shape, chosen by architect William B. Harvard to make the most use of the limited space at the pierhead without blocking views of the city and Tampa Bay. — tbo.com
Three skyscrapers are to be demolished in Istanbul's Zeytinburnu district for interfering with city's historical silhouette. Decision reached by the 4th. Administrative Court of Istanbul and the use licences of the buildings were revoked. Hürriyet
Civil society has to get things done here - Kurt Dillon, architect, Urbio — New York Times
"In recognition of its historic role in the development of modern international trade and transportation, as well as its cultural and environmental value, the Historic Center of Colon was declared a historic monument in 2002. Despite its protected status, the center continues to suffer the effect...
It’s perched atop the depressing, low-ceilinged maze known as Penn Station, daily hive for 600,000 scuttling commuters.
The Garden’s presence is one major impediment to the 25-year-old dream of turning the decrepit and overcrowded Penn station into a smoothly operating city gateway. — bloomberg.com
It’s a relief on the block, representing the diversity vital to healthy streets — not a perfect building, not even its architects’ best work. But its unembarrassed, luxuriant materiality, its small scale and vulnerability, all qualities that the Modern now seems to reject, belong no less than the glass tower to the messy story of Modernism and city life. — nytimes.com
AFTER impassioned protests from prominent architects, preservationists and design critics, the Museum of Modern Art said on Thursday that it would reconsider its decision to demolish its next-door neighbor, the former home of the American Folk Art Museum, to make room for an expansion. — nytimes.com
In a board meeting on Thursday morning, the directors were told that a board committee had selected the design firm Diller Scofidio & Renfro to handle the expansion and to help determine whether to keep any of the existing structure.
MoMA’s plan can hardly be a surprise, because its entire history since 1937 is based on demolishing potential landmarks. — nytimes.com
Three of the most important modernist houses in the Northeast, including the 1964 house Robert Venturi designed for his mother, have been (or will soon be) put up for sale by their long-time owners, two of them without covenants that would ensure their preservation. — archrecord.construction.com
Barry Bergdoll, chief curator of MoMA's architecture and design department, told AN that the decision was an administrative, rather than a curatorial one. He called the decision “painful” for architects and others who appreciate Williams and Tsein’s work, and acknowledged that museums have a responsibility to the art in their care—including architecture. — archpaper.com
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