In the upcoming 2nd Istanbul Design Biennial, "The Future Is Not What It Used To Be" questions the role of design, its relationship to society, and how it can potentially bring change. Curated by Zoë Ryan and spanning all five floors of the Galata Greek Primary School from Nov. 1 to Dec.14, the biennial will showcase a designers' exhibition of over 50 projects that ask who defines the future and how it is defined. But the crucial aspect it explores is whose future could be affected. — bustler.net
In an area of approximately 2,300 square meters at the Galata Greek Primary School, the exhibition will feature more than 50 projects by designers worldwide. The event will also host various creative academic workshops, panels, and film screenings.N°40 Workoutcomputer by Desireee Heiss and Ines...
In a cultural twofer that makes it Frank Gehry week here, the Louis Vuitton Foundation, a private cultural center and contemporary-art museum designed by Mr. Gehry, had its official inaugural ceremony on Monday, attended by the French president, François Hollande. At the same time, the Pompidou Center across town is giving Mr. Gehry, based in Los Angeles, a major career retrospective, his first in Europe. — nytimes.com
Immersed in a neon bubblegum pink shell, walking through the Situation Room gives viewers a fascinating perspective of the digital and physical environments. Designed by MARC FORNES / THEVERYMANY in collaboration with sound artist Jana Winderen, the installation was created by 20 spheres of various sizes fused by boolean operations. Storefront for Art and Architecture NYC commissioned the project for the WorldWide Storefront initiative launch. — bustler.net
Throughout the past decade, Portuguese artist VHILS – born Alexandre Farto [Lisbon, 1987] – has been making a name for himself by taking apart and reassembling found objects. He uses a multitude of materials and formats to voice his stance on the city, which he bases on his experience of...
At 85, the architect Frank Gehry has neither stopped building nor started repeating himself and this month offers plenty of proof. Besides the unveiling of the Fondation Louis Vuitton in Paris, which he designed for the billionaire Bernard Arnault, the explosively coloured Biomuseo in Panama opened on 2 October followed by a retrospective at the Centre Pompidou, which opened on Wednesday, 8 October (until 26 January 2015). Gehry dispels some common misconceptions about his museum designs. — theartnewspaper.com
Hacking an architecture exhibition through augmented reality? Yes, there's an app for that. "Project Source Code" is a digital guerrilla-style exhibition created by architect/artist/researcher Güvenç Özel that lets mobile-device users "hack" key works in Rem Koolhaas' "Elements of Architecture"...
Movies can be great. Art can be great. But put them together in a museum exhibition, and the combination can be not-so-great. [...]
A new exhibition of early 20th-century cinema at the L.A. County Museum of Art (LACMA), however, rethinks that equation. [...]
Designed by Amy Murphy, a professor of architecture at USC, and Michael Maltzan of Michael Maltzan Architecture, the exhibition design is the antithesis of the traditional framed-stuff-on-a-wall model. — latimes.com
Welcome to prison, and a celebration of liberty. Ai Weiwei, the big man of Beijing, has spent years discovering pockets of freedom in the most straitened circumstances, resisting every effort by the Chinese government to shut him down.
This week he opens a major new exhibition in a place that makes that resistance literal: on Alcatraz [...]. The United States has the highest incarceration rate on the planet. But this prison is decommissioned, and Ai is using it to extraordinary effect. — theguardian.com
The São Paulo Biennial, which opened on September 6, is traditionally a contemporary art festival, but this year’s event puts new emphasis on architecture. Chief curator Charles Esche commissioned nearly 70 percent of the exhibition’s artworks, collaborating with a five-person curatorial team that included an architect for the first time in the biennial’s 63-year history (fun fact: it’s the world’s second-oldest contemporary art biennial). — blouinartinfo.com
Google's satellite imaging allows us to virtually tour remote or inaccessible locales the world over, and with recently improved resolutions and initiatives from the Google Cultural Institute, our gaze can go farther and more intimately into places we may never physically visit. Google's interest...
I can’t think of a more fitting a place for an exhibition of art and representation that aims to capture the breadth of the world than the Queens Museum. [...]
The title of Bringing the World into the World, on view through October 12th, is inspired by Italian artist Alighiero Boetti’s assertion that art and the world contain and are contained by each other. As conceived, the exhibition couldn’t happen properly anywhere else. — urbanomnibus.net
Friday, August 22:Zaha Hadid sues architecture critic Martin Filler over book review: Hadid is responding to allegedly defamatory comments made by Filler regarding her 2022 World Cup stadium in Qatar.The Demolition of 5 Pointz Has Begun: The "Graffiti Mecca" was slated for demolition last...
The hardworking Skyscraper Museum, in the belly of a condo complex on Battery Place, doesn’t have much space or much of a budget, but with admirable frequency its director, Carol Willis, stages smart shows that uncover telling moments of New York skyscraper lore and architecture history. The museum has just opened “Times Square, 1984: The Postmodern Moment,” about the battle 30 years ago for the soul of Times Square and the profession. — nytimes.com
Olafur Eliasson has tried something else. For his latest site-specific project, which opens on 20 August, the artist has transformed the entire south wing of the Louisiana Museum of Modern Art in Denmark into a convincing riverbed – a messy, stony accumulation of sedimentary rock and watery channels that threatens to silt up the white space of the gallery entirely. The result is an uncanny collision of manmade and natural views, and a Sublime reminder of the slow power of nature to erode [...]. — apollo-magazine.com
In late May of 2012, my friends and I travelled up to Montreal from upstate New York for the first time, only vaguely aware of the escalating student demonstrations there. When we arrived, we found ourselves in a sea of red. The students we stayed with all had little red felt squares pinned to...
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