In Beijing, Ai Weiwei is back with a vengeance. The dissident Chinese artist has had four solo shows in the Chinese capital, ending an implicit exhibition ban that had been in place since his arrest in 2011. The fact that the shows, which opened in June, were permitted with minimal interference beyond one amended opening date surprised everyone, including Ai. “I never planned to have a few shows all at once,” Ai tells us. — The Art Newspaper
Adjaye is overseeing the newest installment of Cooper Hewitt, Smithsonian Design Museum’s “Selects” series, which spotlights the little-known West African textiles in the museum’s permanent collection. [...] It also offers the celebrated architect a chance to explore the surprising connections between textile making and building design.
“What’s interesting to me is this idea of fabric and weaving as a kind of abstraction of making places that people come together in,” he says. — Smithsonian.com
Seoul-based cinematographer and photographer Nils Clauss put together a new film highlighting the works of esteemed sculptor and installation artist Do Ho Suh. Suh's site-specific pieces play with the boundaries of identity and revolve around the physical and metaphorical malleability of space...
OMA returns to Venice once again in the debut of the Chinese Pavilion they designed for the 2015 International Art Exhibition of the Venice Biennale, "All the World's Futures", which opened to the public on May 9. Commissioned by the Beijing Contemporary Art Foundation, the multimedia exhibition...
Khôra exhibition curators Robert Trumbour and Aaron Willette organized the Bigger than a Breadbox, Smaller than a Building competition as a means to explore the medium of installation in the architectural realm, specifically the medium's increasing appeal among emerging architects and designers...
Since breaking ground last summer, the U.S. Pavilion -- titled “American Food 2.0: United to Feed the Planet" -- has opened to the public at the Milan Expo 2015, which is now in its first week. The U.S. joins the more than 140 participating countries that prepared exhibitions and pavilions that...
The Pompidou Centre in Paris has hit back at critics who say its Le Corbusier exhibition, which opened to the public yesterday, 29 April, glosses over recent accusations that the Swiss-born French architect was a militant fascist with links to the Vichy regime.
A spokeswoman for the Pompidou says the exhibition does not refer to Le Corbusier’s fascist past because “it’s about the proportions of the human body, which are present in his architecture and painting. [...]” — The Art Newspaper
“The Landscape Architecture Legacy of Dan Kiley,” an exhibition at the Center for Architecture, shows how modern landscapes often make a better case for modernism than the architecture itself.
Over a span of 60 years, Kiley (1912-2004), a founding father of modern landscape design, worked for the best architects around, among them Eero Saarinen, I.M. Pei and Skidmore, Owings & Merrill. He was fully versed in architecture’s modernist strategies and overriding focus on form and abstraction. — wsj.com
This lively effort — mapping — is the subject of a rich exhibition organized by the Brooklyn Historical Society (BHS) and BRIC [...] that pairs the work of 18 contemporary artists with 23 historical maps dating back as far as 1562. For Mapping Brooklyn, BHS opened its collection to the invited artists [...]. The goal of uniting these two components — map and art — is to uncover the common ground: to render, through judgment and artistic process, the world legible. — urbanomnibus.net
France's best-known 20th century architect, Le Corbusier, was a "militant fascist" who was far more anti-Semitic and a fan of Hitler than previously thought, two new books reveal.
[...] the latest, far more damning, revelations have shocked admirers and threaten to cast a shadow over commemorations of the 50th anniversary of his death. [...]
"Hitler can crown his life with a great work: the planned layout of Europe." — telegraph.co.uk
Karen Van Lengen, who created the installation with her husband, James Welty, says to really soak in a building, you need to listen to it.
'If you close your eyes, what you're going to hear are things that you can't hear with your eyes open,' says Van Lengen, an architecture professor at the University of Virginia. — npr.org
The WUHO Gallery in Hollywood was abuzz on the opening night of “Hélène Binet: Fragments of Light” this past Saturday, in celebration of Binet as the 2015 recipient of the Julius Shulman Institute Excellence in Photography Award. Co-curated by JSI Managing Director Emily Bills and Binet...
New York-based Thinc Design revealed their exhibition design for the USA Pavilion in the upcoming Milan Expo 2015 this May. Collaborating with Friends of the USA Pavilion, Thinc Design's exhibition highlights America's role in the future of the global food system, as a response to the Expo's...
As Charles Rennie Mackintosh’s drawings go on display at the RIBA, the search is on for the architect who might best restore the glory of his fire-damaged masterpiece, the Glasgow School of Art. [...]
But the list seems to have been compiled too much on the basis of who has been there and done what when it comes to restoring historic buildings, rather than a real desire to find architects with the right sensitivity for the job. — theguardian.com
Just a few days left to submit your ideas to the Bigger than a Breadbox, Smaller than a Building competition! Entries need to be received by Sunday, February 15, 2015 via the competition website btabb.archinect.com.Khôra exhibition curators Robert Trumbour and Aaron Willette are the organizers...
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