Is architecture a trade or an art?For Alvin Boyarsky, the answer was clear. As longtime chair of the Architectural Association (AA) in London, and one of the most influential figures in 20th-century design education, Boyarsky argued that architecture was not only a profession but also an artistic...
The recent "TALL DC: New Monumentalism" exhibition took a critical approach to how outdated urban building standards -- specifically in D.C. -- can affect the built environment and the field of architecture, even as social demands and technology progress. Graduate students of Emerging Technologies and Media at The Catholic University of America proposed three skyscrapers among D.C.'s historical monuments to further encourage the questioning of this notion and the definition of "a monument". — bustler.net
This year's Venice Architecture Biennale, an international showcase of trends and research, showcases the work of a number of Princeton faculty and students. It marks the greatest number of invitations Princeton has received to participate in the Biennale, reflecting the University's strength in pioneering research.
"Much like other art biennales, its purpose is to present the current panorama of the discipline," said Alejandro Zaera-Polo, dean of Princeton's School of Architecture. — princeton.edu
In the mid-20th century, certain Latin American cities looked like the most modern on earth. Not only was their architecture imaginative, but so was the thinking behind it: ideas, amounting to faith, that design could positively shape civic life across lines of money and class; that art and architecture were inseparable; that while Europe and the United States were the cultural powers of the day, South America had a shot at tomorrow.
Then the momentum broke. — nytimes.com
The "Fair Enough" exhibition of Russia's 2014 pavilion at the ongoing Venice Biennale gives a clever response to the Absorbing Modernity: 1914-2014 theme that Biennale director Rem Koolhaas assigned to curators. Curated and designed by the Strelka Institute, Russia received one of three Special Mentions out of 84 national pavilions during the 2014 Biennale awards ceremony. — bustler.net
"The Russian pavilion's 'Fair Enough' exhibition responds to Koolhaas’ curatorial theme by the concept itself: 20 Russian architectural ideas are presented, using the universal language of the international trade fair...'Fair Enough' is not a fair of products, but an Expo of ideas."Read more...
Many in the art world were staggered by recent reports that the Italian curator Germano Celant is being paid €750,000 to organise a pavilion for the Milan Expo 2015. Celant’s fee, and the incredulity it provoked, raises questions about how much curators are typically paid for organising biennials and large-scale international exhibitions.
The Art Newspaper surveyed around 40 international curators and biennial organisers [...]. — theartnewspaper.com
In need of a fresh perspective on sustainable design that goes beyond the ooh-ing and ahh-ing at all things deemed as green? The book Behind the Green Door - A Critical Look at Sustainable Architecture through 600 Objects could help with that. And Archinect is giving away five copies to our...
The exploration of new ways of thinking about the built environment is at the heart of a new exhibition at St. Louis', MO Bruno David Gallery which opened June 27.Key piece of the show is M-velope by artist Michael Jantzen (read Archinect's 2009 interview with Jantzen here), an art retreat...
Got a day to spend in London this summer? Go and immerse yourself in the Royal Academy of Arts’ Summer Exhibition 2014 which opened to the public last month.
The annual event — held every year without interruption since 1769 — prides itself as the world’s largest open submission exhibition. The program aims to provide an international platform for emerging and established artists in various disciplines ranging from painting to printmaking, photography, sculpture, architecture and film. — bustler.net
A life-size maze like the one BIG installed in partnership with the National Building Museum will attract plenty of attention, regardless if people know who BIG is or not. Constructed in the museum's iconic Great Hall, the maze was set up as an interactive sneakpeek for BIG's exhibition scheduled to open at the museum in January 2015. — bustler.net
"Buildings in paintings have too often been viewed as background or as space fillers which play a passive or at best supporting role, propping up the figures that carry the main message of the picture. By looking afresh at buildings within paintings, treating them as active protagonists, it becomes clear that they performed a series of crucial roles." — online.wsj.com
"Louis Kahn: The Power of Architecture" is a multi-themed exploration behind legendary architect Louis Kahn that will be showcased at the Design Museum in London starting Wednesday, July 9. Until Oct. 12, 2014, the exhibition will feature architectural models, original drawings, travel sketches, photographs, and films – including interviews with famous architects like Renzo Piano, Frank Gehry, Sou Fujimoto, and Peter Zumthor who each describe how Kahn has influenced his own work. — bustler.net
Earlier this year, the AIANY Emerging New York Architects (ENYA) Committee revealed the winners of its biennial design ideas competition QueensWay Connection: Elevating the Public Realm (previously on Archinect). Now the public is invited to take a closer look at the winning entries at the...
If you're on the hunt for some Fourth of July plans, the Museum of Modern Art in New York will celebrate the opening of its "Conceptions of Space: Recent Acquisitions in Contemporary Architecture" exhibition tomorrow. Featuring recently acquired projects from international and emerging architects and artists, the exhibition highlights the evolving role of space through the context of architecture as an art form, and how it serves as a response to broader cultural issues. — bustler.net
The museum teamed up with international architecture firm BIG-Bjarke Ingels Group to construct a maze right in the Great Hall. [...]
The museum’s “ubergoal is that people walk out of here looking at their built world differently,” Frankel says. “We think this is sort of on the microlevel of that — forcing people to look up [as they navigate the maze] will make them look at our building differently.” — washingtonpost.com
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