Commissioned to convert an abandoned printing plant into a university art museum, Diller Scofidio + Renfro took inspiration from fresh fruit. The architects left the original building intact, stretching a sleek skin around it, split open at the front. The new Berkeley Art Museum will open next week with an exhibition that historically contextualizes Diller Scofidio + Renfro’s design process, and provides a formidable storehouse of ideas for future architecture. — forbes.com
Los Angeles-based designers Sofia Borges and Susan Nwankpa recently collaborated in a photo exhibition titled "HOME(less)". Currently at the University of Southern California, the exhibition spotlights L.A.'s ongoing homelessness crisis in an interestingly positive manner. Borges and Nwankpa took...
Canada's national theme for the 2016 Venice Architecture Biennale will be a multimedia investigation of the country's resource extraction industry, as announced earlier this week by the Canada Council for the Arts. Titled "Extraction", the project profiles and "radically rethinks" Canada's rise as...
The [British] museum announced a six-month show that will tell the remarkable story of two lost cities at the mouth of the Nile – Thonis-Heracleion and Canopus – which by the 8th-century AD had been swallowed completely by the sea. [...]
the loans will range from the enormous, a 5.4-metre-high granite statue of the Nile flood god Hapi, to the domestic. [...]
It represents Egypt’s first major loan of antiquities since the country’s revolution in 2011... — theguardian.com
Mr. Adjaye’s public architecture often poses questions about the value systems historically associated with building types. [...]
His explorations into African textile patterns, tribal mythologies, the legacy of slavery and postcolonial modernism are far from predictable sources for architecture. [...]
...the collection of images provides a fascinating look at the transmogrification of European ideas into African shapes. — wsj.com
Built in 1962, the People’s Bank has distinct glossy, off-teal bricks and a sawtooth, vaulted rooftop. The building is not only one of the finest remaining examples of Googie commercial architecture in Kentucky — it is one of the finest examples in the nation. However, after years of neglect, locals are working to ensure that the building isn’t leveled into a movie theater parking lot. — hyperallergic.com
Selldorf and the curators were forced to strategically navigate the strict installation stipulations attached to each piece — and still create a dynamic space for viewing. [...]
“We wanted a very calm background,” Selldorf says. “It is the quality of the work that makes the show exciting, so rather than creating additional noise, we really focused on making spaces that were quiet and measured in such a way that the focus of attention was on the paintings.” — nytimes.com
“Pedagogy and Place: Celebrating 100 Years of Architecture Education at Yale”... will present YSoA alumni work and archival documents tracing the development of architecture education at Yale and the buildings that have housed the architecture program. [...]
An auxiliary installation ... depicts more than 30 architecture schools from around the world to further illuminate the evolution of architecture education and the relationship between pedagogy and place. — news.yale.edu
As a new exhibition at the Barbican in London shows, by the mid 1950s [Charles and Ray Eames] were producing films and multimedia presentations that are as much part of their formal and intellectual legacy as their furniture or the glass-walled Eames house itself. [...]
the Eameses never conceived of the hundred or so films they made as movies per se, or even as experimental films. “They’re just attempts to get across an idea,” Charles claimed — theguardian.com
Cook’s artwork of over four decades is being exhibited for the first time in India. [...]
“I want to make it uncomfortable — for the philistine, for the boring architect, for the person who wants his building to be predictable,” says Cook [...]
“Architecture is what you do with the potential of life.” — indianexpress.com
Rumors have been circulating around the internet for a few days, but later this week Banksy is now set to open a new pop-up exhibition entitled "Dismaland" at in Weston-Super-Mare, UK.
The venue is called "Tropicana", a 10,200-square-foot site to be transformed into "Dismaland", a probable attack on American entertainment giant Disney. [...]
As usual with Banksy, the details are very scarce, but earlier this morning Iain Brimecome and Jon Goff were able to fly their drone above the site [...]. — streetartnews.net
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