The 6.2 magnitude earthquake that hit central Italy on August 24 reduced the medieval towns of Amatrice, Accumoli and Pescara del Tronto to ruins, and has claimed the lives of at least 290 people. With over 3,000 people displaced by the quake's damage, Italy's prime minister Matteo Renzi called on...
On March 18, when the Metropolitan Museum of Art opens an annex at Madison Avenue and 75th Street in Manhattan, it will be attempting to shrug off the ghost of a museum past.
The specter is the Whitney Museum of American Art, which called the iconic Marcel Breuer building on that corner home for nearly five decades. In an eight-year deal, the Met is leasing the Breuer building from the Whitney— which relocated to its dazzling new Renzo Piano–designed home last year... — Architectural Record
...the Paddington Place scheme – a huge development around the eponymous London station intended to include a 72-storey tower designed by Renzo Piano... [has] drawn the ire of Sir Terry Farrell, the famous architect and local resident who was also, slightly awkwardly, previously in charge of the developers’ masterplan for the area.
Farrell, known for designing the MI6 building on the Thames and Charing Cross station, made his views known in a dense, 1,500-word objection... — the Guardian
A raft of museums, most backed by private money, are springing up in what is, for many, an unlikely cultural hub: Beirut, the capital of Lebanon [...]
The design competition launched on 1 October; the architect Zaha Hadid is on the jury along with Hans Ulrich Obrist and Julia Peyton-Jones of London's Serpentine Galleries.
Salamé, who founded the Aïshti fashion chain, invested $100m in funding a contemporary art museum, designed by the British architect David Adjaye, in Jal El Dib [...]. — theartnewspaper.com
Making sandcastles was my training in fantasy. Now, as an architect constructing buildings like the Shard, I have to think about the final result, but as a child making castles of sand I didn’t, they were ephemeral. — theguardian.com
Imagine the architect responsible for such momentous projects as the new Whitney Museum, The Shard in London, and reunified Berlin's Potsdamer Platz, on his hands and knees on a sandy beach. Imagine him digging a trench and piling buckets of wet sand into a mound with concerted precision, only to...
Renzo Piano's versatility continues to win the hearts of NYC developers, and it looks like the starchitect is finally getting his chance to flex his muscle in the residential realm. Piano—who just cut the ribbon to the new Whitney to rave reviews—has been chosen by Michael Shvo and Bizzi & Partners to design a brand new 290-foot tower at 100 Varick Street in up-and-coming Hudson Square bordering Soho. — 6sqft.com
May 1st will mark a new era for the Whitney when its brand new home along the High Line swings its doors open to the public for the first time. A project that has been decades in the making, the $422 million structure designed by Renzo Piano is a game changer for a museum that had long outgrown its Upper East Side space. — 6sqft.com
The Whitney Museum of American Art has yet to open its doors in a new location in the meatpacking district, but on Tuesday night it unwittingly played host to its first radical art exhibition. At 11 p.m., activists from groups including Occupy Museums and Occupy the Pipeline gathered on the street in front of the museum for a performance art-style demonstration about a natural gas pipeline that is adjacent to the $422 million building and its vast art collection. — NY Times
The galleries are immense, the Renzo Piano design is arresting and the views of the Hudson River are expansive. As it prepares to open its new $422 million Lower Manhattan home on May 1, the Whitney Museum of American Art is pulsing with anticipation as it plans the inaugural events, including a neighborhood block party.
But behind the scenes the museum is also preparing for the challenge of paying to operate a building that is three times as large as the old one. — nytimes.com
In the 1960s and '70s, like many of his contemporaries, Piano was involved in the battle to revive forlorn and decaying historic centers of cities. Now he's fighting to save their often desolate outskirts.
Unlike the suburbs of U.S. cities, which are often well off, the suburbs of many European cities tend to be the poorest parts of the metropolitan area. [...]
Piano believes "the suburbs are the place where energy is in the city — in the good, in the bad." — npr.org
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