For the latest edition of the Working out of the Box feature Archinect talked with Emily Fischer, Founder of Haptic Lab. In the interview she explains how she started "The very first quilted map I made was designed to be a wayfinding tool for the visually impaired; my mother was diagnosed with...
If Brougher and other academy leaders can compel the architects to reconcile the clear potential of the new wing's interior spaces with its unconvincing, unwieldy exterior, they may be able to salvage the design before construction begins.
If not, they may well have an architectural flop on their hands when the museum opens in 2017 — not to mention the third disappointing Piano building within a quarter-mile radius. — latimes.com
Designed by Louis Kahn in 1972, the Kimbell is considered the greatest American museum building of the 20th century. Understandably, the new $135-million addition by Renzo Piano, which at 101,000 square feet (9,383 square meters) just about doubles the Kimbell’s space, has been anticipated with trepidation. — bloomberg.com
“It is amazing,” said Mr. Piano...“Looking back, I counted, and I said, ‘Is this true?’ ” — NYT
Ted Loos sat down with Renzo Piano to discuss his firm's design for an expansion to the Kimbell Art Museum in Fort Worth, opening on Nov. 27. They also discussed the firms history of 25 major museum projects either underway or built, and how Piano has seemingly become the go to "starchitect" for...
Renzo Piano, the award-winning architect who gave London the Shard and Paris the Pompidou centre, has been granted one of his country's highest honours, being named a senator for life by the Italian president.
Giorgio Napolitano said the 75-year-old was among four distinguished Italians whose achievements in the cultural and scientific fields would allow them to contribute to the nation's parliament "in absolute independence of any party political considerations". — theguardian.com
The highly anticipated expansion to the Kimbell Art Museum, designed by the Renzo Piano Building Workshop (RPBW) and Kendall/Heaton Associates, opens to the public on Wednesday, November 27, 2013.
Renzo Piano’s colonnaded pavilion stands as an expression of simplicity—glass, concrete and wood—surrounded by elms and red oaks, some 65 yards to the west of Louis I. Kahn’s vaulted, luminous museum of 1972.
Similar in scale to the Kahn building, the 300-foot-long, 22-foot-high building is composed of two parallel wings stretching from north to south, connected by two glass passageways. To the rear, the west wing will have a green sod roof, which appears to rise out of the ground with berms on either...
Italian architect Renzo Piano, Los Angeles architect Zoltan Pali and officials from the Academy of Motion Picture Arts and Sciences unveiled preliminary designs Thursday for a $300-million film museum at Wilshire Boulevard and Fairfax Avenue.
The architectural centerpiece of the 290,000-square-foot complex, just west of the campus of the Los Angeles County Museum of Art, would be a giant glass-enclosed dome, which Piano refers to as the "sphere" and the "soap bubble." — latimes.com
Renzo Piano has been awarded the highest honor of the Architectural League of New York, the President's Medal. The prize is bestowed annually on individuals in recognition of extraordinary body of work in architecture, urbanism, or design. — bustler.net
The AIA today selected the Menil Collection Houston, designed by Renzo Piano, to receive the 2013 AIA Twenty-five Year Award. — bustler.net
Piano apparently sketched his idea on a restaurant napkin while meeting property developer Irvine Sellar in March 2000. According to Piano's architectural firm, RPBW, Sellar keeps the famous napkin in his offices. "He saw the beauty of the river and the railways and the way their energy blended and began to sketch in green felt pen on a napkin what he saw as a giant sail or an iceberg," Sellar recalled in a recent interview. — guardian.co.uk
He has split his time between London and the French capital for the past decade but next year will open a new office in the central London architecture hotspot of Clerkenwell where his neighbours will include Zaha Hadid Architects and Wilkinson Eyre.
Before he goes, Matthews has agreed to complete all his work on the Shard including the viewing gallery, due to open in February, and the restaurants on floors 31, 32 and 33 which are expected to open in the spring. — bdonline.co.uk
This year both parties met to begin working toward some sort of solution. Negotiations soon turned sour; squabbles ensued. The tower people wanted the museum to modify its roof. The museum replied by saying, essentially, "we were here first." Tom Luce, a local lawyer and civic leader, agreed to act as a mediator. Late last month he stepped aside in frustration.
Only 15 of the 126 apartments (priced at $1.3 million to $4.5 million, not including the $20 million penthouse) have sold. — online.wsj.com
In 2016, if all goes according to plan, Los Angeles will have a new architectural showpiece and yet another place of pilgrimage for movie buffs—the Academy Museum of Motion Pictures. Created by the organization thanked in Oscar acceptance speeches, and designed by Genoa-based architect Renzo Piano and Los Angeles–based architect Zoltan Pali, the museum is envisioned as a place to celebrate both the history and future of film, with galleries, screening rooms, and an interactive education center. — architecturaldigest.com
The tower, designed by Italian architect Renzo Piano, will contain offices, exclusive residences, a luxury hotel, restaurants and a viewing gallery across 72 floors which can be occupied.
There are a further 15 levels which make up the 'spire' - six of which have the potential to be used, with another nine exposed to the elements.
The 1,016ft skyscraper was inaugurated by the prime minister and minister of foreign affairs of Qatar, Hamad Bin Jassim Bin Jabr Al-Thani, and The Duke of York. — dailymail.co.uk
It has transformed the London skyline, but the giant Shard faced hostility all the way. Its Italian architect Renzo Piano meets Steve Rose on the eighth floor – and answers his critics — guardian.co.uk
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