May 1st will mark a new era for the Whitney when its brand new home along the High Line swings its doors open to the public for the first time. A project that has been decades in the making, the $422 million structure designed by Renzo Piano is a game changer for a museum that had long outgrown its Upper East Side space. — 6sqft.com
With almost two weeks left before its public opening, the Whitney Museum of American Art’s new Renzo Piano-designed building is already shaping up to be one of the most talked-about buildings of the year. The 200,00 square-foot exhibition space is the long-awaited, and controversial...
The Whitney Museum of American Art has yet to open its doors in a new location in the meatpacking district, but on Tuesday night it unwittingly played host to its first radical art exhibition. At 11 p.m., activists from groups including Occupy Museums and Occupy the Pipeline gathered on the street in front of the museum for a performance art-style demonstration about a natural gas pipeline that is adjacent to the $422 million building and its vast art collection. — NY Times
The galleries are immense, the Renzo Piano design is arresting and the views of the Hudson River are expansive. As it prepares to open its new $422 million Lower Manhattan home on May 1, the Whitney Museum of American Art is pulsing with anticipation as it plans the inaugural events, including a neighborhood block party.
But behind the scenes the museum is also preparing for the challenge of paying to operate a building that is three times as large as the old one. — nytimes.com
In the 1960s and '70s, like many of his contemporaries, Piano was involved in the battle to revive forlorn and decaying historic centers of cities. Now he's fighting to save their often desolate outskirts.
Unlike the suburbs of U.S. cities, which are often well off, the suburbs of many European cities tend to be the poorest parts of the metropolitan area. [...]
Piano believes "the suburbs are the place where energy is in the city — in the good, in the bad." — npr.org
Renzo Piano Building Workshop will be the design architect for the new corporate headquarters of Midwest convenience retailer chain Kum & Go. The 120,000 sq.foot building will be located at the Pappajohn Sculpture Park in downtown Des Moines, Iowa.
After competing teams submitted written proposals, six finalists were interviewed last month before RPBW won the project. In the next few months, a local architect and general contractor will be chosen as the design process begins. — bustler.net
The Whitney Museum of American Art announced today that it will open its new home in Chelsea on 1 May 2015. With double the exhibition space of its "old" Marcel Breuer-designed building, the museum will be able to show far more of its collection of Modern and contemporary American art in its Renzo Piano-designed new space in the Meatpacking District. [...]
Weinberg told us that Piano saved the institution from making one decision that it would have lived to regret. — theartnewspaper.com
After six long years of laboring on the renovation and expansion of the Harvard Art Museums, lead architect Renzo Piano had but one simple message at the unveiling of the new complex to the press on Friday.
“There is very little an architect should say about a new building,” he said. “Just ‘Welcome.'” — bostonmagazine.com
[...] a gallery dedicated to design and architecture will soon also be added the Centre.
Like the “Galerie de Photographies," which is housed in former technical facilities, the future design gallery will be located within the existing Piano + Rogers-designed building. “Eventually, there should be almost no offices in the building, and we'll keep only the technical facilities that are strictly indispensable," said Seban. — news.artnet.com
The international jury choosing an architect to design a new National Gallery, which will also provide a new home for the Ludwig Museu in the Hungarian capital, has invited seven leading practices to take part in a new competition after a first competition did not produce a winning design. The seven architects invited to compete for the high-profile commission are: Jean Nouvel, David Chipperfield, Mecanoo, Nieto Sobejano, Renzo Piano, Sanaa and Snøhetta. — theartnewspaper.com
Sunday, October 12:A classic American look, feng shui notwithstanding: Investigating the impact of wealthy Chinese immigrants on suburban Seattle's real estate boom.Saturday, October 11:Indiana Ponders Abolishing Licensing for Architects: Part of a state-wide reconsideration of more than "...
A few minutes after sitting down to talk with Renzo Piano in his large, airy Paris studio Tuesday, I asked the architect about the progress of the film museum he is designing for the Academy of Motion Picture Arts and Sciences on Wilshire Boulevard.
"The academy?" he asked. "Ha. The academy is a good story.
"Look, I know you don't like that scheme," referring to my recent coverage of the design.
"I don't think it will be that bad. Actually, I'm struggling to do something good." — latimes.com
"And so, you know, having named my son after him, what was I going to do? Of course I said yes." — The Architect's Newspaper
The Architect's Newspaper has an insightful interview with Zoltan Pali about his firm's decision to "consciously uncouple" with Renzo Piano's firm on the design for the Academy of Motion Picture Arts museum project. It's not always easy when you get matched up with someone, even if you've named...
I really like it. I don't get the hate for the sphere. I think it will be a cool space to enjoy in person, vs. just looking at drawings. - reader comment (NeutraFilmmaker67) — Curbed
Not that LA is so pristine with its architecture, mainly disliked and condemned by the form gendarmerie, the Academy Museum of Motion Pictures is looking better. It might be the ever so missing link which will tie-in all the disparate parts of LACMA from Fairfax eastward, even Zumthor's blot if...
Outside a few rare examples such as Ronchamp, I sense that Modernism has failed to deliver an architecture that connects with most Catholics and other traditional Christians. Much of this has to do with fact that Modernism as a cultural movement is inherently atheistic as it is based on a secular materialist philosophy. — newgeography.com
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