The 30 buildings to be visited by the RIBA awards committee and under consideration for the inaugural RIBA International Prize have been announced today. This is the first RIBA award open to any qualified architect in the world and includes projects of varying size and budget. Consequently the...
RIBA is establishing their own award for the world's best new building of the year, naming it the RIBA International Prize. Launched today, the International Prize will be awarded to the building that best "demonstrate[s] visionary, innovative thinking and excellence of execution, whilst making a...
When Lord Rogers launched a campaign to save one of London’s most notorious housing estates from demolition, he was adamant that it was a desirable place to live. [...]
It is a claim he may regret. Unhappy residents of the estate have challenged the peer to be true to his word and swap his £12 million Chelsea townhouse for a few nights in one of their blighted flats. — telegraph.co.uk
This episode is a doozy. Paul and Amelia left the temperate sunshine of Los Angeles for Washington, DC's frigid monumentality, to interview Bjarke Ingels on the eve of his "Hot to Cold" exhibition at the National Building Museum. The 40-year old architect shared some quick-won wisdom about scaling...
The owners of the 222-metre (734ft) “Cheesegrater” building, the second tallest building in the City of London, are to replace dozens of long bolts on its structure after it was revealed that another one had fractured.
The bolts, among 3,000 on the building’s 15,000-tonne frame, are each just under a metre long. Two snapped in November, with some debris falling to the ground from the fifth floor. Nobody was hurt, but an area below the tower is still cordoned off. — theguardian.com
[...] a gallery dedicated to design and architecture will soon also be added the Centre.
Like the “Galerie de Photographies," which is housed in former technical facilities, the future design gallery will be located within the existing Piano + Rogers-designed building. “Eventually, there should be almost no offices in the building, and we'll keep only the technical facilities that are strictly indispensable," said Seban. — news.artnet.com
No-one was injured but an area around the 47-storey Leadenhall Building in the city has been cordoned off.
It fell from the fifth floor to the ground at the side of the building - another bolt also broke off but was contained within the skyscraper.
It is understood the bolts are about the size of an arm and the piece that fell was about the size of a hand. — bbc.com
Someone has told the bouncers to be nice. It is now standard for architectural anoraks like myself to find ourselves challenged by smile-less security as we go about our blameless business – no loitering, no photography, no looking, as if al-Qaida scouts would do their dastardly work in this way or as if, years after the invention of the camera phone, photography can be controlled as it could in the age of the tripod. But not at the base of the Cheesegrater. — theguardian.com
This, if it is a harsh way to describe the British Museum's attempts to update itself over the last two decades, with the help of the most famous architects in the land and hundreds of millions in generous donations, nonetheless reflects what's going on. Like large cultural institutions everywhere, the museum finds itself dealing with similar pressures to those of commercial players in the fields of leisure and entertainment [...] and it reaches for similar solutions.. — theguardian.com
The pre-fabricated, flatpack homes of Pritzker laureate Richard Rogers are a centerpiece for his 50-year retrospective, “Richard Rogers: Inside Out”, currently at London's Royal Academy of Arts until Oct. 13. The homes, which are an adaptation of his 2007 Oxley Woods housing...
Rogers's 1958 student report from the AA exhibited a remarkable level of consistency: Elementary Construction; Concrete Design; Specifications & Materials … he failed them all. As his tutor concluded, Rogers "has a genuine interest in and a feeling for architecture, but sorely lacks the intellectual equipment to translate these feelings into sound building. His designs will continue to suffer while his drawing is so bad, his method of work so chaotic and his critical judgment so inarticulate." — guardian.co.uk
“For us, it was really a blend of what’s the right concept for Park Avenue, a place that has not had a new building for almost 50 years, an avenue that is quite possibly the most important commercial boulevard in New York City, quite possibly the United States, and what is the place of a new build down the street from Seagrams and Lever House, two of the greatest buildings ever built,” Daivd Levinson said. — New York Observer
“We are grateful to each of the firms for the thoughtfulness and creativity they demonstrated throughout the process. There is no doubt that each group was fully capable of helping us realize our vision of a 425 Park Avenue tower that redefines the modern office environment while also respecting and enhancing the timeless allure of the Plaza district.” — New York Observer
In one of the most unusual assignments around, Foster, Rogers, Koolhaas and Hadid were asked to tackle a New York City office building on Park Avenue. A famous address with two famous towers, but really, the rest of them stink. The catch for 425 Park, one of those middcentury stinkers, is that...
The developer David W. Levinson could have set for himself the simple task of commissioning a better-designed tower for 425 Park Avenue than the one that’s been there since 1957.
But that would have been a very low bar.
He has engaged four of the world’s leading architects to compete for the job: Norman Foster of Foster & Partners, Zaha Hadid of Zaha Hadid Architects, Rem Koolhaas of OMA, and Richard Rogers of Rogers Stirk Harbour & Partners. — cityroom.blogs.nytimes.com
Richard Rogers's 1986 headquarters for the insurers Lloyd's of London has just been listed Grade I. This makes it, along with the Royal Festival Hall, one of the few 20th-century structures to be placed at the same level as, say, St Paul's. But, like the gothic cathedrals it so closely resembles, Lloyd's was not meant to be an entirely finished product. Look up to the top of its facade, and you'll find cranes are still there... — guardian.co.uk
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