IS THE NEW ARCHITECTURAL century still stuck in the end of the last one? Yes, but not for long. Asked to take stock of their discipline, architects largely agree that one era is winding down and another is beginning. [...]
“The time of the grand sculptural building is over,” says Mr. Sauerbruch, looking back on what he calls architecture’s “Mannerist period,” symbolized by figures such as Frank Gehry and Zaha Hadid. — online.wsj.com
They would lead me and two friends through a collection of new and old galleries, museums, neighborhoods, institutions and restaurants, as well as buildings of their own designs, to give me a sense of what stands out to Mexico City architects when they turn their gaze toward home. — NYT
Sam Lubell visited Mexico City recently, and was led on tours of the city's architecture (old and new) by Fernando Romero and Michel Rojkind.Also see previous - The chromatic feats..., wherein Guy Trebay rediscovers Mexico City and the houses of the great Mexican architect Luis Barragán.
Friday, August 15Farewell to the Old Okura: The famous Hotel Okura, built in the 1960s in a distinctive fusion of modern and traditional Japanese styles, is closing in response to prohibitive earthquake retrofits and larger, newer hotels in the area.Samsung Acquires SmartThings, A Fast-Growing...
For the latest edition of Student Works: Justine Testado spoke with project architect, Duncan Baker-Brown, about The Waste House, designed/built by faculty and students from the Faculty of Arts and City College Brighton & Hove. Olaf Design Ninja_ did some quick math "The numbers tell...
Readers respond to a letter by Peggy Deamer, an architect, calling for less arrogance and more collaboration in architecture. [...]
It is not only the public that is fed up with this idea of The Architect, but also the profession itself. Having watched ourselves increasingly backed into the corner of aesthetic elitism, we are now more interested in models of practice that do away with the egos and the glamorous buildings they are associated with. — nytimes.com
Frank Gehry once said that if we didn’t have starchitects, architects (and architecture) wouldn’t be in the media at all. But this kind of coverage, even when positive, we don’t need. It perpetuates a Howard Roarkian image that makes most of us architects cringe — not the least because of the uber-capitalist, Ayn Rand alignment — and also deflates a more productive optimism within the profession that sees these arrogant acts as old school. — mobile.nytimes.com
Witold Rybczynski, the architect and emeritus professor of urbanism at the University of Pennsylvania, complained recently about “starchitects” who often work in cities they are unfamiliar with, creating buildings that are out of sync with their surroundings. In an interview, he argued in favor of local architectural talent, or “locatecture.”
Are superstar architects ruining city skylines? — NY Times
In this "Room for Debate" at the New York Times, Allison Arieff, Vishaan Chakrabarti, Beverly Willis, and Angel Borrego Cubero all provide their opinions on the much-used and controversial portmanteau.
The Competition, which has its UK premiere at the Barbican tonight, follows the trials and tribulations of five stellar practices competing in a doomed bid to build a new national museum for Andorra, back in 2009. As the global financial crisis hit rock-bottom, no job was too small for architects whose dreams of dotting Middle Eastern deserts with their snazzy signatures had been revealed as a hopeless mirage. — theguardian.com
Curator Francesca Molteni filmed each architect's home, and interviewed them about their lives and careers. Working alongside fellow architect and set designer Davide Pizzigoni, Molteni has recreated the private residences of Hadid and co., “by means of real-life videos, images, sounds, comments and reconstructions. The result is an interactive exhibition space that unveils the architects’ visions of living, their choices and their obsessions.” — phaidon.com
The city has become a drop-off point for the migrant tribe of global super-rich, who feel the need to keep homes in London, New York, perhaps Moscow or an Asian city, and now Miami. [...]
At times, Miami seems to be following a London formula: property speculation + contemporary art + restaurant boom + cultural diversity = dynamic world city. It is easy to see where it all gets a bit shallow, starting with the sudden mania for collecting big-name architects. — theguardian.com
“It is amazing,” said Mr. Piano...“Looking back, I counted, and I said, ‘Is this true?’ ” — NYT
Ted Loos sat down with Renzo Piano to discuss his firm's design for an expansion to the Kimbell Art Museum in Fort Worth, opening on Nov. 27. They also discussed the firms history of 25 major museum projects either underway or built, and how Piano has seemingly become the go to "starchitect" for...
Articles like “A Star Architect Leaves Some Clients Fuming” shouldn’t make us architects defensive about our work. It gives a deserved death blow to the “starchitect” and all the unhelpful stereotypes that come with it.... The image that architecture is done by a single genius has never conformed to reality, but particularly in today’s practice — relying as it does on extended technical expertise — it is ridiculous to attribute the design to a single genius. — nytimes.com
There may be better terms but it seems we are going to be stuck with “starchitect” until everybody with a keyboard agrees to retire it. — Metropolis Blog
Architecture with capital letter A is a short movie, featuring Architects who might have shaped the concept of Architecture itself in the last decade. The movie combines excerpts of their interviews, speeches or documentaries over the last 70 years. This accumulation of scenes expresses somehow the condition of Architecture today - its moments of Glory and Misery. — viavili.com
"Irrational exuberance" seems to me an apt introduction to an understanding of Rem Koolhaas in the '90s and beyond; it foregrounds his great success in navigating the intersection of the pragmatic corporate sector, on the one hand, and the “delirious” and volatile realm of desire and possibility, on the other. ... Koolhaas has encouraged his followers to shed the crippling shackles of critical theory and pick up a surfboard upon which to ride the shock waves of the new economy. — Places Journal
For decades Rem Koolhaas has been not only a leading global architect but also a restless provocateur. On Places, in a chapter from the forthcoming book Architecture and Capitalism, Ellen Dunham-Jones explores Koolhaas's protean career, from the early fantastical projects to the big books...
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