Before yesterday's announcement that Moreau Kusunoki Architectes had won the highly contentious and big-budget Guggenheim Helsinki competition, the firm wasn't much used to the spotlight. Querying Google Trends for "Moreau Kusunoki" preceding the Guggenheim news, the firm barely blips twice since...
“Money is not an issue here” is the motto that leaps out at you in both the Prada and Vuitton Foundation museums, although in Paris it is thrown into high relief on the building’s facade by the almost vulgar silver logo of Louis Vuitton—the star company in the LVMH group. — The Art Newspaper
Vancouver architect Michael Green is proposing to alter the iconic Parisian skyline — by building the world's tallest wooden building...'Just as Gustave Eiffel shattered our conception of what was possible a century and a half ago, this project can push the envelope of wood innovation with France in the forefront,' said Green in a press release. — cbc.ca
More about the project here.More:France Mandates "Green Roofs" for all new buildingsA New Use for the Eiffel TowerVancouver is the latest city to announce 100% green energy goalsCanadian Wood Council pushes for more wood architecture excellence in the latest Wood Design Awards2014 was the tallest...
The Pompidou Centre in Paris has hit back at critics who say its Le Corbusier exhibition, which opened to the public yesterday, 29 April, glosses over recent accusations that the Swiss-born French architect was a militant fascist with links to the Vichy regime.
A spokeswoman for the Pompidou says the exhibition does not refer to Le Corbusier’s fascist past because “it’s about the proportions of the human body, which are present in his architecture and painting. [...]” — The Art Newspaper
France's best-known 20th century architect, Le Corbusier, was a "militant fascist" who was far more anti-Semitic and a fan of Hitler than previously thought, two new books reveal.
[...] the latest, far more damning, revelations have shocked admirers and threaten to cast a shadow over commemorations of the 50th anniversary of his death. [...]
"Hitler can crown his life with a great work: the planned layout of Europe." — telegraph.co.uk
Jean Nouvel, the famed French architect, on Thursday lost a court battle against a £280 million Paris concert hall he designed but whose architecture he claimed had been "martyred" and "sabotaged".
Mr Nouvel boycotted the January opening of the Philharmonie de Paris, an ultra-modern building in the French capital's eastern Parc de La Vilette, accusing project managers of cutting corners to save money during its completion. — telegraph.co.uk
The Eiffel Tower, one of Paris's most visited attractions, welcoming almost seven million visitors per year, was completed 126 years ago today - and there's a Google Doodle to mark the anniversary. — telegraph.co.uk
Towns and cities across France will soon be able to boost their culture offerings by hosting pop-up branches of the Centre Pompidou. The Paris museum is expanding its empire, and aims to establish domestic temporary outposts. “We will soon launch an open call for candidates [to select a French city],” says a spokesman for the Centre Pompidou. These pop-ups will remain open for four years. — theartnewspaper.com
Hours before the official inauguration of the Philharmonie de Paris concert hall on Wednesday, its architect, Jean Nouvel, declared his intention to boycott the gala because he said the towering, 386 million euro (about $455 million) building is not ready to open. [...]
Mr. Nouvel wrote a column that appeared on the website of the French daily Le Monde denouncing the “contempt” of the concert hall managers for “the architecture, the work of the architect and the architect.” — artsbeat.blogs.nytimes.com
Alexandre Gady, conservationist, historian of French architecture and professor of modern architecture at the Sorbonne, argues that changing or “renewing” Paris diverts from its real need to look outwards. Paris, he says, is a “finished” city that does not need improving or anything more doing to it. “It’s not that we should be doing this or that – we should not be doing anything in central Paris ... any plan is a diversion from the need of the city to grow outwards,” [...] — theguardian.com
A two-year, 53.5 million euro makeover, or nearly $67 million, is underway in the vast reception area below I. M. Pei’s glass pyramid, where long lines of waiting visitors stream into a chaotic, open space that [the museum president] [Jean-Luc] Martinez likens to a noisy airport and that leaves many people disoriented and lost. He is also revamping the museum’s basic storytelling tools: almost 40,000 banners, wall text, signs and symbols... — nytimes.com
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