Atlanta and Rio are but two chapters in the long history of displacement that has accompanied mega-events like the Olympics. Similar dynamics reshaped London’s Clays Lane Estate, Beijing’s hutongs, the Marousi Roma settlement in Athens, Barcelona’s Poblenou and Seoul’s hanoks. . . . Today the people of Vila Autódromo are struggling for what housing scholar-activist Chester Hartman has aptly called “the right to stay put.” — Places Journal
As plans unfold for the 2016 Summer Olympics in Rio de Janeiro, MIT's Lawrence Vale and Annemarie Gray consider the case of Vila Autódromo, a former fishing colony on the Olympic site whose residents have organized to resist displacement. They compare ongoing events in Rio to the...
The NYT reported that Pedro E. Guerrero, a former art school dropout , died on Thursday at his home in Florence, Ariz. w. wynne A.I.A. offered up the following "Pedro has a wonderful book about his photographic work, and I am sadden to hear of his death. Mr. Wright called him ‘Peter’, but the story of his life with FLW is very nice and interesting account of the middle career of Mr. Wright."
News The NYT reported that Pedro E. Guerrero, a former art school dropout who showed up in the dusty Arizona driveway of Frank Lloyd Wright in 1939, boldly declared himself a photographer and then spent the next half-century working closely with him, capturing his modernist architecture on...
“Snøhetta’s extensive experience with ambitious waterfront projects and its world-class architects’ familiarity with San Francisco through their work on the SFMOMA expansion was a huge factor in our decision,” said Joe Lacob, Co-Executive Chairman and CEO of the Warriors. “All you have to do is look at what they’ve done for the new National Opera House in Oslo and the Great Library of Alexandria in Egypt to see what is possible at Piers 30-32.” — nba.com
In London's case the practicality of the architecture is a reaction to the economic rather than the political excesses of the recent past. The 2012 Games are shaping up, in fact, as one of the clearest signs yet that the architectural boom years of the last decade or so in the West have definitively ended. — latimes.com
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