As the 14th edition of the Venice Biennale of Architecture prepares to open, the pavilions of the Giardini might be the perfect venue for an analysis of the architectural manifestations of national identity. [...]
Architecture is a curious world in which the things we hate might look very similar, to a less-inured eye, to the things we love. It is a question of degrees, of finesse. Koolhaas exemplifies the paradox. — ft.com
Montenegro's "Treasures in Disguise" exhibition for the 2014 Venice Biennale looks to the country's former Yugoslavic past to provoke discussion of bringing renewal and examining the future possibilities of Montenegran architecture. The exhibition focuses on four historic buildings constructed between 1960 and 1986 that are perceived as cultural models of late modernism architecture. Built with optimistic intentions, the buildings were neglected and have been left to decay ever since. — bustler.net
Check out the projects in their current and original states.(Pictured above) Dom RevolucijeArchitect: Marko Mušić Kayak Club “Galeb” Architect: Vukota Tupa Vukotić Hotel FjordArchitect: Zlatko Ugljen Spomen Dom Architect: Marko Mušić To learn more, head over to Bustler.
For Catalonia's second year exhibiting at the 2014 Venice Biennale as a Collateral Event, they will showcase the evolving state of local contemporary Catalan architecture in "Grafting Architecture: Catalonia at Venice." The proposal won in a juried competition hosted by the Institut Ramon Llull. The exhibition examines pivotal projects that blend the traditional and the contemporary throughout the last century of Catalonia's architectural history. — bustler.net
The 14th International Architecture Exhibition at the Venice Biennale wouldn't be complete without its International Jury. Just recently, the Board of Directors appointed this year's jury members upon the recommendation of Biennale Director Rem Koolhaas. — bustler.net
The 2014 jury features:Kunlé Adeyemi (Nigeria) is a prominent architect with experience in India, Korea, Africa, and Europe Francesco Bandarin (Italy) is former director of UNESCO's World Heritage Centre and now UNESCO's Assistant Director-General for Culture and has been instrumental in...
Cyprus took an allegorical approach with their 2014 Venice Biennale pavilion, titled the "Anatomy of the Wallpaper". Curated by architects Michael Hadjistyllis and Stefanos Roimpas, the Wallpaper symbolizes the reconstruction of the island's complex national identity that has been affected by outside influences throughout its history. To convey Cyprus' multi-layered history, the pavilion will be covered in the timeless and appropriate medium of collages. — bustler.net
In the Korean Peninsula's response to the 2014 Venice Biennale theme of rediscovering national identity through architecture, the "Crow's Eye View" pavilion explores the divided state of North and South Korea, and extends that discussion to the global state of architecture itself. The multi-themed pavilion uses architecture as a key to discovering new narratives of the peninsula's complex past, present, and future in an architectural and social perspective. — bustler.net
Our next featured pavilion for the fast-approaching 2014 Venice Biennale hails from Down Under in New Zealand, who will be participating in the keystone event for the first time. Curated by award-winning Auckland architect David Mitchell, the New Zealand exhibition is titled "Last, Loneliest, Loveliest" from Rudyard Kipling's The Song of the Cities poem. — bustler.net
As a response to Biennale Director Rem Koolhaas’s theme, "Absorbing Modernity: 1914-2014" that addresses the homogeneity of modernism, the New Zealand exhibition puts the country's distinct architectural scene in the spotlight -- from its traditional yet overlooked Pacific roots to dominant...
The Korea pavilion has been a part of the Venice Architecture Biennale since 1993, when the optimism of the post-Berlin Wall era made reunification between North and South Korea seem plausible. But getting equal representation from both Northern and Southern architects in 2014 has proved nearly...
After being selected in a juried national competition back in March, the Arctic Adaptations: Nunavut at 15 exhibition will represent the Canadian Pavilion in the upcoming 2014 Venice Biennale. The timely exhibition will also mark the 15th anniversary of Nunavut, Canada's youngest territory. — bustler.net
Curated by Lateral Office of Toronto, "Arctic Adaptations" will examine the complex relationship that modernism has had with Nunavut's indigenous communities throughout the last century, and the innovative ways they have responded to those changes.The exhibition will also showcase five themed...
Power to the people is the driving force behind the Austrian Pavilion for the upcoming 2014 Venice Biennale. The pavilion will include an exhibition that explores the concept of parliament and its architectural influence on the world's more than 200 national parliament monuments. — bustler.net
The pavilion was designed by a collective team including Commissioner Dr. Christian Kühn, Harald Trapp, Coop Himmelb(l)au, Auböck + Kárász Landscape Architects, Kollektiv/Rauschen, and the Vienna University of Technology - Institute of Architecture and Design.Here's a glimpse of the models in...
Provocative Dutch practitioner finally accepts offer to curate biannual exhibition, declaring it will 'sever all connections with contemporary architecture' — theguardian.com
“Places of Memory,” a medley of work by five contemporary artists from Turkey, will make up Turkey's first-ever showcase this summer at the Venice Biennale's prestigious architecture exhibition. [...]
Architect Murat Tabanlıoğlu, the curator of the Turkish pavilion, explained during Monday's news conference that they will be putting on a show delving into three areas of İstanbul: Taksim-Salıpazarı, Bab-ı Ali and Büyükdere Avenue, all of which marked a threshold in Tabanlıoğlu's life. — todayszaman.com
The Vatican’s presence at the Biennale is the brainchild of Cardinal Gianfranco Ravasi, an exuberant polymath who as president of the Pontifical Council for Culture since 2009 has tried to build bridges between the church and contemporary culture, two worlds that have often clashed. — nytimes.com
Documentary of the making of the first Angolan National Pavilion at the 2012 Venice Architecture Biennale.
Shot over the Summer of 2012, it goes to show how one simple (and brilliant) idea may very well change the future sustainability of developing countries. And maybe the rest of the world as well. — vimeo.com
Fundamentals will be a Biennale about architecture, not architects. After several Biennales dedicated to the celebration of the contemporary, Fundamentals will focus on histories – on the inevitable elements of all architecture used by any architect, anywhere, anytime (the door, the floor, the ceiling etc.) and on the evolution of national architectures in the last 100 years. — labiennale.org
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