Nine glassed-in, metal-fin bearing stories make up the new Deborah Berke Partners-designed Cummins Indy Tower, which officially opens this month. With its "projections and inflections," the building simultaneously juts and struts through the metropolis, creating a slender and ecologically...
Ash-har Quraishi reports on why some Chicagoans oppose a plan for a museum for the ‘Star Wars’ creator’s artwork — Al Jazeera
The undoing of the master narratives of modernism should not be taken as an opportunity for an architecture of spectacle and fantasy, but instead one that, utilizing the lessons of the past, speaks to the complexities of the present and the forces that shape us. It is crucial to deconstruct the idea that design can be universal and instead, to think in terms of an architecture that derives inspiration from the specificity of geography, culture and place. — huffingtonpost.com
Not long enough to be comfortably horizontal, the building was also too tall for its shallow depth and too wide to be reasonably vertical. Both horizontal (modern) and vertical (historic) orientations were on display in the surrounding Seton Hill neighborhood. This bastard was of neither parent. — Baltimore Business Journal
Charleston's Board of Architectural Review voted 4-2 Wednesday to allow what may be the most strikingly contemporary building ever placed before it.
Architect Brad Cloepfil of Allied Works Architecture said the board's approval of the proposed Clemson Architecture Center design may reverberate beyond its site at George and Meeting streets.
"What's exciting to me is it's a moment in this city. It's a pivot point," he said. "It just elevates the discussion of architecture [...]." — postandcourier.com
“Photography’s co-option by empirical systems is definitely of interest to me,” says Ryder. “I’m trying to use photography to recontextualize the built environment. The ability to reframe and give new meaning to things is photography’s best attribute as a medium.” — wired.com
Audience members sat on the floor and stood in the aisles in the packed third-floor conference room where the BAR holds its hearings. Numerous neighborhood associations and preservationists had come to weigh in on the design, but the size of the crowd was also partly due to College of Charleston professor David Payne, who brought his historic preservation and community planning class to observe the melee. — charlestoncitypaper.com
“We were hired to do the most important piece of contemporary architecture — or architecture of our time — that we can do in this city,” Cloepfil says.
The design for the 30,000-square-foot center at the northeast corner of George and Meeting streets includes three rectangular masses, not unlike grand three-story single houses in their approximate size. — postandcourier.com
I do not think the arena’s architecture should relate better to the context. The immediate context is the developer Forest City Ratner’s two cheaply clad, faux-historicist malls across Atlantic Avenue. The larger context is the lowrise brownstone neighborhoods of Fort Greene and Prospect Heights. To relate to the first would be depressing; to relate to the second, impossible. The real building is an exact analogue to the renderings of this site, which... blur and dematerialize the neighbors. — newyorker.com
Seung, who is the third Korean architect ever selected and the only one to get invited twice, says he hesitated to participate in the Biennale. This is because of the 64 star architects invited, there were only two from Asia: Seung and Japanese architect Kazuyo Sejima. “I thought the European architecture world doesn’t respect Asian architecture. After hesitating, I decided to go and discuss Asian architectural values that aren’t found in Western architecture.” — english.hani.co.kr
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