New to Archinect, Julia Ingalls penned an essay, titled Material Witness: Insanity in the walls of '"True Detective" and "Twin Peaks". Olaf Design Ninja_ offered a complement "A good visceral read like a true detective watch...This would almost suggest the inert quality of this line between...
Not long enough to be comfortably horizontal, the building was also too tall for its shallow depth and too wide to be reasonably vertical. Both horizontal (modern) and vertical (historic) orientations were on display in the surrounding Seton Hill neighborhood. This bastard was of neither parent. — Baltimore Business Journal
The houses in Ben Marcin’s project ‘Last House Standing’ seem oddly misplaced, lost and forgotten. The series reads like a homage to the forgotten solo row house. The Baltimore based self-taught photographers interest ‘in these solitary buildings is not only in their ghostly beauty but in their odd placement in the urban landscape. Often three stories high, they were clearly not designed to stand alone like this’. — ignant.de
Behnisch Architekten, in collaboration with Ayers Saint Gross, completed the John and Frances Angelos Law Center for the University of Baltimore this past April. The structure began construction in 2009 after the firm, which was developed under the leadership of Günter Behnisch's son Stefan, won first place in the university's international design competition back in 2008. — bustler.net
We tend to think of architecture as solid, stable, enduring, something that at its best will outlast us and possibly say something about us to future generations. Demolition makes powerfully evident the vulnerability, the mortality, of all things standing. — Places Journal
"When does architecture, once started, stop?" asks Keith Eggener. "Does it end when human occupation or attention terminates, when function or fabric are removed?" What is the connection between civic buildings and collective memory? Just in time for the World Series, Eggener recounts the saga of...
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