“brave new color, for a brave new world.” — The LACMA Blog

The salesclerk at a Belgravia clothing boutique, who also spoke on the condition of anonymity because she did not want to get in trouble, said that at some times of the year the area was virtually abandoned. “We’ll shut for the whole of August,” she said. — NYT

Whole Foods is teaming up with rooftop garden company Gotham Greens for its next New York location. When the lettuce only has to come down a staircase from the roof, that’s about as local as you can get. — fastcoexist.com

In 1967, his architectural firm, Warner Burns Toan Lunde of 724 Fifth Avenue in Manhattan, won a contract to advise the Grumman Corporation of Bethpage, N.Y., for what would eventually be Grumman’s bid to construct an orbiting space station. Mr. Toan worked on the project for the next 20 years, until Grumman was bypassed as a prime contractor by the National Aeronautics and Space Administration. — cityroom.blogs.nytimes.com

"Irrational exuberance" seems to me an apt introduction to an understanding of Rem Koolhaas in the '90s and beyond; it foregrounds his great success in navigating the intersection of the pragmatic corporate sector, on the one hand, and the “delirious” and volatile realm of desire and possibility, on the other. ... Koolhaas has encouraged his followers to shed the crippling shackles of critical theory and pick up a surfboard upon which to ride the shock waves of the new economy. — Places Journal

But for lovers of contemporary architecture, Paris can be a surprisingly rich place. The latest crop of French architects is producing some of the best new work the city has seen. They are an eclectic group comfortable taking large risks while still melding the work into an august context. — travel.nytimes.com

The Watts Towers in South Los Angeles will be the subject of a new study conducted by experts from UCLA to determine the stability of the historic sculptures, which were completed by Simon Rodia in 1954. The study, now underway, is expected to be completed by early next year. — latimes.com

What made Michael Asher extremely relevant to architecture has to do with his work’s spatial concerns and their contextual narratives, particularly site specific and situationist manipulations of space often in a dialog with the viewer via the sculptural platforms. As Duchamp did with his readymades, Michael Asher also sought to connect art with people. Except in Asher's case they were decidedly engaged more direct interdependencies between art and architecture — Architect's Newspaper

"They felt some of those things were too flashy and not in keeping with the kind of the culture of Facebook, so they asked us to make it more anonymous. Frank (Gehry) was quite willing to tone down some of the expression of architecture in the building." — gawker.com

At least 15 Syrian students were killed on Thursday when rebel mortar bombs landed on the canteen of Damascus University's College of Architecture, state-run media reported. — Al Arabiya

The wizards at Electronic Arts seem to understand cities as market-driven algorithms. Input people, rules, and resources, and the results are stability, growth, and wealth...SimCity’s engineers have repeated the same mistake made by countless potentates, forgetting that cities are forged both by master builders and the people who hack their grand plans. — NY Magazine

This means that the architect, a leader in sustainable development, has started filming all of his meetings and recording all of his phone conversations. He will send them in something close to real time to Stanford, which will be making much of the material immediately accessible on the Internet. Even presidents are not observed so closely and so continuously. — bits.blogs.nytimes.com

As the commercial art world in America rides a boom unlike any it has ever experienced, another kind of art world growing rapidly in its shadows is beginning to assert itself. And art institutions around the country are grappling with how to bring it within museum walls and make the case that it can be appreciated along with paintings, sculpture and other more tangible works. — nytimes.com