Stern's architecture is always steeped in strategic references to past landmarks; there is no doubt he knows how to send, and shape, an architectural message. And the message the front entrance to the Bush Library delivers is clear: This is a building meant to honor a particularly blunt and plain-spoken kind of political power. — latimes.com

Kowloon Walled City, located not far from the former Kai Tak Airport, was a remarkable high-rise squatter camp that by the 1980s had 50,000 residents. A historical accident of colonial Hong Kong, it existed in a lawless vacuum until it became an embarrassment for Britain. This month marks the 20th anniversary of its demolition. — scmp.com

Over the last week, the architectural community has been all aflutter over the fate of the former American Folk Museum Building. A 12-year-old building that was opened just after 9/11, MoMA snatched it up for $23 million in 2011 and is planning to raze its critically acclaimed sculptural bronze facade. It's inevitable, the modern art juggernaut shrugs, because the floors of the adjacent buildings, plus the rest of MoMA uses lots of glass as its primary material rather than metal. — ny.curbed.com

Come to think of it, however, here’s another idea for the folk-art-museum building: maybe it should be used to display a small selection of MoMA’s extraordinary collection, so that people can experience some of its great works in a small-scaled space and have a tiny hint of the intimate, enticing museum that MoMA once was. — vanityfair.com

Architects and designers, responding to the news that the Museum of Modern Art intends to demolish a former museum, have some ideas for MoMA.Their concepts, some earnest and others tongue-in-cheek, are being compiled on a tumblr called #FolkMoMA, created to challenge MoMA’s assertion that the former American Folk Art Museum building is not compatible with its expansion plans. — blogs.wsj.com

Almost as soon as the news broke last week that the Museum of Modern Art planned to demolish the former American Folk Art Museum, a movement emerged to save it. Members of the design community—including the architects who designed the building—are registering their discontent with the decision. More than one petition is now circulating to rescue the Folk Art building as a result. — architectmagazine.com

When news broke this week that the Museum of Modern Art in New York intends on demolishing the former American Folk Art Museum building next door, a cry went up in the architectural and preservationist community. Now, a group of advocates is not only collecting protests to save the building, but also crowdsourcing design ideas for integrating the two adjacent museum structures. — nextcity.org

Do we save the American Folk Art Museum? As an architecturally significant monument, I believe MoMA should rethink its decision to raze the structure completely. If museums aren’t interested in saving the aesthetic heritage of our city, then we should be concerned about their role in our culture. — hyperallergic.com

Kennicott’s entry included several pieces published in the Style section last year. One was a review in June of an exhibit of creations by the architect Kevin Roche at the National Building Museum. — washingtonpost.com

Barry Bergdoll, chief curator of MoMA's architecture and design department, told AN that the decision was an administrative, rather than a curatorial one. He called the decision “painful” for architects and others who appreciate Williams and Tsein’s work, and acknowledged that museums have a responsibility to the art in their care—including architecture. — archpaper.com

Departing with the familiar tradition of producing a hefty physical volume, GSAPP offered its most recent Abstract in the form of an iPad app. In addition to (or on cover-like behalf of) this app, students received an object: It looks like a book, but turns out to be a book-shaped plastic box, and its contents consist of a URL, where the app can be downloaded. This object, as you can see, has not been universally embraced. — observatory.designobserver.com

The Russian avant-garde architect Konstantin Melnikov’s seminal cylindrical house in Moscow, which has inspired architects around the world for nearly a century, is gravely threatened by construction of a large multipurpose complex abutting its tiny backyard, Russian and international preservationists say. — artsbeat.blogs.nytimes.com

Atlanta and Rio are but two chapters in the long history of displacement that has accompanied mega-events like the Olympics. Similar dynamics reshaped London’s Clays Lane Estate, Beijing’s hutongs, the Marousi Roma settlement in Athens, Barcelona’s Poblenou and Seoul’s hanoks. . . . Today the people of Vila Autódromo are struggling for what housing scholar-activist Chester Hartman has aptly called “the right to stay put.” — Places Journal