“I think it’s definitely derivative of the Gardens by the Bay concept,” Chris Wilkinson, one of the British architects responsible for the “super-trees” in Singapore’s Marina Bay, told The Daily Telegraph.
“You’d have expected them to have come up with something a bit more original.” — telegraph.co.uk
Here at Archinect, we receive countless submissions of people's work, hoping to be published. Within recent memory (exactly when it began is uncertain), a particular type of work started popping up frequently."Saltworks" from Washington University in St. Louis.The pieces were recognizable as...
Blocks that were once sleepy, with single-story ranch houses from the 1940s set comfortably back from the street, are now lined with bloated villas pushed near the front of their lots [...]
What's happening in Arcadia is less about big new houses and startling sales figures than how new patterns of immigration are transforming the architecture of Southern California. [...]
The architectural landscape is being remade not to displace [Chinese immigrants] but as a magnet for their money. — latimes.com
And do you live with as much of the collection as you can?
Absolutely. I never keep fewer than five bronzes in my bedroom. It’s incredible that I have these things. I have them all round my bed—my little friends. I have very little money in the bank. I’m a hyper-materialist; enjoy it while you can. So many of my friends collect money in the way I collect art, but I don’t see the point. — theartnewspaper.com
SelgasCano of Madrid will be designing the fifteenth Serpentine Galleries Pavilion in London's Kensington Gardens. For the past 15 years, the Serpentine Galleries has invited architects like Sou Fujimoto, Jean Nouvel, Herzog & de Meuron with Ai Wei Wei, Peter Zumthor, SANAA, Zaha Hadid, and most recently Smiljan Radic to design the temporary outdoor structure, which continues to be an anticipated summer event every year. — bustler.net
Like every year, the outdoor structure must be a flexible multi-functional social space with a cafe. SelgasCano have yet to submit their design plans.Here's a glimpse into some of their previous works:Plasencia Auditorium and Congress Centre, Cáseres, Spain 2005/2013Factory Mérida, Badajoz...
The current, temporary trade center station serves... only 10,000 more than use the unassuming 33rd Street PATH terminal in Midtown Manhattan.
In fact, the hub, or at least its winged “Oculus” pavilion, could turn out to be more of a high-priced mall than a transportation nexus, attracting more shoppers than commuters. The company operating the mall, Westfield Corporation, promises in a promotional video that it will be “the most alluring retail landmark in the world.” — nytimes.com
One World Trade Center is by far the world's most expensive building, coming in at $3.9B, nearly double the second-most expensive buildings, Vegas' Palazzo casino and London's The Shard, which both cost $1.9B to build. Perhaps even more surprising, Dubai's dizzying Burj Khalifa, currently the world's tallest building, comes in at number five — curbed.com
In the tents of Syrian refugees, stories abound and tragedies surround them daily... With the passage of time, a tent becomes a home and shelter, their only place in this limited world. When rain exhausts the roof of the tents and wind uproots them, the refugees agonize as much as they did over the destruction of their houses in al-Raqqa or Aleppo. “We may have grown accustomed to our tent. Some of us like it, and others still cannot stand it. Do you know how the world can become a tent?” — Al-Akhbar
When Times architecture critic Christopher Hawthorne looks at L.A., he sees the city shaped by immigrants. Landmark buildings in Koreatown that adapt and evolve with a new generation. Houses in Arcadia that allow Chinese homeowners a proud, conspicuous place in a new country. Street life across the region that takes its cue from the way Latino neighborhoods blur the line between public and private. — latimes.com
INsite by Chicago-based Luftwerk put Mies van der Rohe's Farnsworth House in the public eye yet again this past October in Plano, Illinois. Spectators got to see the Miesian landmark transformed into a structure of light and sound through site-specific digital video projections directed by Liviu...
At the end of a cul de sac near the Hollywood Bowl, park your car in a garage carved into the hill. Walk through a gated tunnel to a private elevator where you'll be taken up 6 stories through the hill to the top of a Tuscan tower. Nestled in a quiet walk street enclave high above the bustle of Hollywood Blvd.
1bed, 1 bath includes the aforementioned private parking garage (remote door opener). Washer/Dryer, hardwood floors and terrace. — Craigslist
The apartment was featured in Robert Altman's 1973 "The Long Goodbye." In the neo-noir film, Elliot Gould plays Phillip Marlowe, a private eye living in a tower high up in the Hollywood Hills. The apartment was also featured in Kenneth Branagh's Dead Again. According to the craigslist ad...
Tate Worlds are exciting Minecraft ‘maps’ that present virtual environments inspired by artworks from Tate’s collection. The maps allow players of Minecraft to explore a range of paintings and sculpture, undertaking various activities and challenges that relate to the themes of the artworks, or exploring how they were made. Tate has teamed up with some of Minecraft’s best known mapmakers to create these virtual artworks, offering a unique combination of art, history and adventure. — Tate.org
The first two maps were released by the museum on November 24th and were based on two famous paintings of urban settings: Andre Derain’s 1906 painting of London, The Pool of London, and Christopher Nevinson’s 1920 painting of New York, Soul of the Soulless City.André Derain, the...
Until now the Amsterdam museum has usually presented its Van Goghs in a simple chronological sequence, set against white walls. This display originally seemed appropriate for the building’s architecture, a series of stark white galleries designed by Gerrit Rietveld, the leading Modernist architect of the De Stijl movement. The white-cube spaces have now been transformed by coloured walls, varying according to the artist's different periods [...]. — theartnewspaper.com
[...] British architect Sir David Chipperfield has said that he regards private investment’s hold over new architecture in London as an “absolutely terrible” means of building a city.
In Berlin, where he employs an office of 90, “there is still an idea of the public realm. We have given that up in London. We have declared the public realm dead; the question is how to get stuff out of the private sector. We are unbelievably sophisticated at that.” — theguardian.com
Can billionaires remake the Manhattan shoreline? Apparently so, in light of the news that a new park will be just offshore in the Hudson River, largely financed by the media mogul Barry Diller and situated, conveniently, a short walk from his office in Chelsea.
The new park will also be near the High Line, allowing for an easy tour of how private wealth is remaking the city’s public spaces. This trend isn’t unique to New York [...] — NY Times
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