"They have strong architectural properties: they create space, they provide shelter and shade, they change the thermal and acoustical properties of the surrounding context and thus they enable new activities and programs to take place. But also, they can live empty without looking like empty buildings...” — The Creators Project
Land art installations stand majestically against the pristine Montana landscape at the Tippet Rise Art Center, a working sheep ranch turned art destination that opened in June about an hour away from Billings and 2.5 hours north of Yellowstone. Ensamble Studio principals Antón García-Abril...
I slowly became more and more of a storyteller and less and less of a painter until I embraced film-making as the only profession that really included everything I liked. It was photography and architecture, music and writing and acting—everything I liked together into one package that was called “film-making”. — The Economist
In an interview with The Economist, film director Wim Wenders speaks about the relationship of landscape and architecture in his work, and how focusing on a scene absent of anyone often amplifies the stories of everyone. "I try to make places tell their stories about us," he says. Indeed: from...
Richard Serra’s new sculpture, 'East-West/West-East,' is a set of four standing steel plates rolled in Germany, shipped via Antwerp, and offloaded, trucked, and craned into place in the middle of the western Qatari desert...the steel is the same that he’s used in his other pieces, and it will oxidize in the same way, albeit more quickly in the hot, salty conditions of the Brouq Nature Reserve. The plates will [ultimately] turn a dark amber—approximately the same color...as the Seagram Building. — The New Yorker
Related:Richard Serra is the first artist to receive the President's Medal from the Architectural League of New York“Serra Gate” salutes to Taksim Square protests in Istanbul, will tour city next year
Olafur Eliasson has tried something else. For his latest site-specific project, which opens on 20 August, the artist has transformed the entire south wing of the Louisiana Museum of Modern Art in Denmark into a convincing riverbed – a messy, stony accumulation of sedimentary rock and watery channels that threatens to silt up the white space of the gallery entirely. The result is an uncanny collision of manmade and natural views, and a Sublime reminder of the slow power of nature to erode [...]. — apollo-magazine.com
After a series of acclaimed installations around the world, Munro will be bringing his Fields of Light back to the project’s birthplace at Ayers Rock (Uluru) in the heart of the Australian red desert in 2013. The installation will be his largest to date, and it will be powered entirely by solar energy. — Inhabitat
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