Richard Serra’s new sculpture, 'East-West/West-East,' is a set of four standing steel plates rolled in Germany, shipped via Antwerp, and offloaded, trucked, and craned into place in the middle of the western Qatari desert...the steel is the same that he’s used in his other pieces, and it will oxidize in the same way, albeit more quickly in the hot, salty conditions of the Brouq Nature Reserve. The plates will [ultimately] turn a dark amber—approximately the same color...as the Seagram Building. — The New Yorker
Related:Richard Serra is the first artist to receive the President's Medal from the Architectural League of New York“Serra Gate” salutes to Taksim Square protests in Istanbul, will tour city next year
Olafur Eliasson has tried something else. For his latest site-specific project, which opens on 20 August, the artist has transformed the entire south wing of the Louisiana Museum of Modern Art in Denmark into a convincing riverbed – a messy, stony accumulation of sedimentary rock and watery channels that threatens to silt up the white space of the gallery entirely. The result is an uncanny collision of manmade and natural views, and a Sublime reminder of the slow power of nature to erode [...]. — apollo-magazine.com
After a series of acclaimed installations around the world, Munro will be bringing his Fields of Light back to the project’s birthplace at Ayers Rock (Uluru) in the heart of the Australian red desert in 2013. The installation will be his largest to date, and it will be powered entirely by solar energy. — Inhabitat
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