From the outside, not much has changed. After a three-year, $69m renovation, the East Building of the National Gallery of Art (NGA) in Washington, DC, looks about the same as it did when it first opened in June 1978. [...]
Step inside and the differences become clear. The gallery, which reopens to the public on 30 September, has managed to carve out more than 12,250 sq. ft of additional exhibition space without expanding its physical footprint. — theartnewspaper.com
Standing assertively in the middle of a 15-acre lawn, between the sharp white obelisk of the Washington Monument and the colossal stone shed of the National Museum of American History, the latest arrival to this hallowed parade ground certainly holds its own. The Smithsonian National Museum of African American History and Culture erupts from the ground, an inverted pagoda of three angular bronzed tiers on an all-glass base, departing from its neighbours’ sombre palette...with joyous glee. — the Guardian
Like the exhibitions inside it, the museum building embodies its complexities and contradictions, charged as it is with a brief and a site as impossibly fraught as the history it is telling. Despite some clunks, the result has a compelling, spiky otherness, standing on the Mall as a welcome rebuke...
With its colorful facade, arched windows, spires and rotunda, the A&I (as it's often called) is a festive relief...But despite the perky building's popularity, its reopening was hardly grand. Why so little fanfare? Lack of funding seems to be one explanation
...the building's "unfinished character is one of its charms...It hasn't always been as gently used as we would like. But that's an important part of our history — Smithsonian history and American history." — NPR
The idea behind Turncoats is for people to relax, slough off their more cautious professional selves, and engage in full-throated (yet respectful!), rapid-fire debate on a broad range of topics. Audience members are encouraged to speak up, Powerpoints are strictly forbidden, and alcohol is served liberally. — washingtoncitypaper.com
Walk into the Great Hall of Washington D.C.'s National Building Museum right now and you'll find a glacial landscape of geometric "icebergs" floating before you. Landscape architect James Corner worked alongside the NBM to design the chilling scene, as part of the museum's 2016 Summer Block Party...
“It’s about architecture, but also about memory and history,” Adjaye says when we meet at the site on a cloudy afternoon in mid-May. “I got exactly what I wanted on the exterior, which was a dark, brooding, bronzelike building.” Before going inside, he points out what he calls the “oculus,” a circular raised platform at the west entrance through whose glass windows you can see the room below. “We found out that this spot was once a slave market, right on the Mall,” he says. — Vogue
Transportation Secretary Anthony Foxx said Tuesday he seriously considered ordering a shutdown of the entire Washington Metro subway system last week and may still do that if local officials don't follow Transportation Department safety directives.
"We have the ability to withhold (federal) funds from Metro. We have the ability to shut Metro down, and we're not afraid to use the authority we have," Foxx said told reporters. "This is serious business." — AP
The train will not come because the track does not exist, says the voice on the loudspeaker. You must believe as hard as you can.
Everyone on the platform ignores him. Your belief is not enough. It has never been enough.
Construction has just begun on the new Fuchsia Line, which Metro management says will solve all the system’s problems, and which is the only thing that anyone has allocated any funding for. It is entirely under water and plated in gold. It will be completed in 18 years. — The Washington Post
[Project leader Zena] Howard focuses on all of the aspects of the National Museum of African American History and Culture, but hones in on the porch, which happens to span 200 feet and it serves as an transitional space between the outside and inside of the museum.
“I think that the porch is…quintessential America,” [...]
“This project—not only given the scale, the complexity, the political and contextual sensitivities—is an amalgam of all the problems that we, as architects, love to solve” — blackyouthproject.com
"And to me, as an African American, just realizing that this has actually come to be, that there's an actual National Museum for African American History and Culture on the Mall of Washington, D.C., and this museum should have happened years and years ago, but the realization that finally in America we're at a place where we can accept it ... It's one of the most prominent sites on the Mall. It's not somewhere tucked away. — Zena Howard, on Curbed
“The one thing that everybody's sort of excited about is this idea that the stadium is designed as much for the tailgating, the pre-game, as for the game itself,” Ingels says in the 60 Minutes promo. — CityLab.com
After officials announced that Metro, Washington’s subway system, would be shut down for 29 hours, riders began preparations for another problematic travel day in a city already well known for its cramped and sometimes dangerous train commutes.
The controlled chaos began early Wednesday and will continue until 5 a.m. Thursday, affecting 91 Metro stations that provide 700,000 rides each day in the city and its suburbs. — the New York Times
As the cityscape of Washington D.C. continues to evolve, another project is in the works at the National World War One Memorial at Pershing Park. Today, the U.S. World War I Centennial Commission announced that 25-year-old architect Joseph Weishaar of Brininstool+Lynch and New York veteran sculptor Sabin Howard won the Centennial Memorial design competition with their proposal, "The Weight of Sacrifice". Not a bad start for Weishaar's professional career, no? — Bustler
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