The US Army is looking to recruit the next generation of “Monuments Men and Women” to help preserve sites and cultural property in combat zones and to advise troops on heritage. [...] It is turning to museum directors, archaeologists and preservationists to fill these posts. [...]
With extremist groups such as Islamic State using the destruction of cultural heritage as a tool of war, such expertise is needed more than ever. — theartnewspaper.com
It's not going to look like 'Apocalypse Now' by any stretch of the imagination.
The Marine Corps has held similar training in recent years in Atlanta, Memphis and other cities. The military worked closely with the Los Angeles Police Department and notified property owners so no one will be caught off guard — CBS
This new, partly digital sand table interface developed for military planning would seem to have some pretty awesome uses in an architecture or landscape design studio.
Using 3D terrain data—in the military's case, gathered in real-time from its planetary network of satellites—and a repurposed Kinect sensor, the system can adapt to hand-sculpted transformations in the sand by projecting new landforms and elevations down onto those newly molded forms. — BLDGBLOG
Weizman has also made a name for himself as the chief proponent of “forensic architecture”, by which he analyses the impacts of urban warfare for clues about the crimes that were perpetrated there. To Weizman, buildings are weapons. When he looks out across the landscape of the occupied Palestinian West Bank [...] he sees a battlefield. “The weapons and ammunitions are very simple elements: they are trees, they are terraces, they are houses. They are barriers.” — theguardian.com
"It’s an attempt to really use architecture intelligence and design intelligence to unpack violations of international law," Weizman says of Forensic Architecture. Along with SITU Research, he and his team have developed a technique called video-to-space analysis to harvest spatial data from cell phone videos and photos, analyzing footage, sometimes from multiple sources, to model and recreate chaotic events to better understand what happened on the ground. — fastcodesign.com
Conceived as low-cost, mass-produced shelters that could comfortably accommodate a family of four, the units, known as D.D.U.s, were manufactured in the early 1940s and distributed to military bases around the world. [...]
Several institutions and individuals have expressed interest in acquiring Camp Evans D.D.U.s. “They’re important artifacts,” said Marc Greuther, chief curator of the Henry Ford Museum in Dearborn, Mich., who hopes to exhibit one of the units with Fuller’s Wichita House. — New York Times
When aircraft Shelter 610 opens its ruthless doors, a monstrous black behemoth slowly comes driving out. The object revives the mysterious atmosphere of the Cold War and its accompanying terrifying weaponry. At an almost excruciatingly slow pace, the artwork uses its caterpillar tracks to cross the seemingly infinite runway. — Rietveld Landscape
A military bunker in Brdy that reportedly housed Soviet nuclear warheads during the years of the Cold War has been turned into an Atom Museum. It opened to the public last week attracting military buffs and historians from far and wide. — radio.cz
“What I find so fascinating about the Presidio is that, in the heart of this military machine, there was a huge planting programme,” Goldsworthy says, referring to the fact that the park’s 300-acre forest was planted by the US military between 1886 and 1900. “They had quite a sophisticated sense of landscape,” he says. “They read the landscape in the way that sculptors do—or at least the way I do.” — theartnewspaper.com
The idea for my final project, an architectural defense against drone warfare, came from the realization that law had no response to drone warfare. My own understanding of the ongoing [War on Terror pseudonym] as a civil rights issue is irrelevant, we only learn civil rights as a historical happening, not a current struggle. But architecture has a proud anti-legal tradition. Architecture is a way to protect people when law chooses not to. — chapatimystery.com
a Danish architect and part-time aviation journalist is mapping each claimed shoot-down of Assad’s jets and helicopters, resulting in the first running tabulation of the cost — at least in terms of machinery — of the escalating Syrian air war. Bjørn Holst Jespersen’s map, sponsored by journalist David Cenciotti’s blog The Aviationist, marks 19 possible “kills” by rebel forces, as reported in the press or seen in YouTube videos. — wired.com
Architecture for Humanity has just recently announced the winners of its latest Open Architecture Challenge, [UN]RESTRICTED ACCESS. The prestigious, bi-annual humanitarian design competition focused on re-imagining former military sites. — bustler.net
Unlike conventional concrete, Iranian concrete is mixed with quartz powder and special fibers - transforming it into high performance concrete that can withstand higher pressure with increased rigidity.
Due to its combination, the new Iranian-made concrete is an excellent building material with peaceful applications like the construction of safer bridges, dams, tunnels, increasing the strength of sewage pipes, and even absorbing pollution. — presstv.ir
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