“I started to cry a bit when I saw the finished result for the first time this morning,” said architect Annabelle Selldorf at the June 27 press preview of the newly expanded Clark Art Institute in Williamstown, Massachusetts. [...] Visitors might have similarly emotional reactions to the results, including Pritzker-winner Tadao Ando’s multipurpose visitor center, which prioritizes circulation and the views of lush hills behind the Clark [...]. — blouinartinfo.com
It would be better to reconsider this wholesale demolition. Especially as the proposed replacement, designed by the Swiss architect Peter Zumthor, leaves much to be desired. [...] Or maybe it’s the quintessential Angeleno building? After all, replacing an aging faithful spouse with a younger, more stylish trophy wife is an established Hollywood custom. — Zócalo Public Square
City boosters in this Nordic capital dream of a Guggenheim museum of Finnish wood rising near the Baltic Sea and one day drawing millions of tourists and cruise passengers. But the huge costs of the proposed development are stirring a backlash here against an institution that is ordinarily accustomed to eager suitors. — nytimes.com
"We're working with the other owners of the property and with Metro," said LACMA Director Michael Govan. "There's good reason to build a major development there. You've got subway access and density on Wilshire. My dream is some beautiful piece of architecture with an architecture and design museum at the base, which would add to Museum Row."
If built, the tower would offer a dramatic vertical complement to the relentlessly horizontal LACMA gallery building by Swiss architect Peter Zumthor — latimes.com
How's this for a yin-yang in the new Los Angeles: if this goes through, the Los Angeles County Museum of Art (LACMA) would be responsible for two majorly different impositions on Wilshire Blvd., the city's foremost thoroughfare and itself an icon. One: a street-straddling horizontal art...
After 14 years of talking, of battles, and of construction, and in one of the more ambitious reimaginings of a regional museum ever, the art-rich Clark has opened a new building, plopped a lake behind it and expanded to a 140-acre campus.
It opens July 4, and it is magnificent—mostly—but we’ll get to that. — news.artnet.com
The Russian architect Yuri Grigoryan, and his firm Project Meganom, have been chosen for the long-delayed 22bn ruble ($640m) expansion of the State Pushkin Museum of Fine Arts, Moscow. The new design replaces a controversial proposal by the British architect Norman Foster that required the destruction of historic buildings, upsetting preservationists. Foster pulled out of the project last year. — theartnewspaper.com
This, if it is a harsh way to describe the British Museum's attempts to update itself over the last two decades, with the help of the most famous architects in the land and hundreds of millions in generous donations, nonetheless reflects what's going on. Like large cultural institutions everywhere, the museum finds itself dealing with similar pressures to those of commercial players in the fields of leisure and entertainment [...] and it reaches for similar solutions.. — theguardian.com
Architect Peter Zumthor has dramatically revised his design for a new Los Angeles County Museum of Art, creating a new bridge-like section of the building that would span Wilshire Boulevard.
The new design is meant to address concerns that the original plan would encroach on, and potentially damage, the La Brea Tar Pits at the neighboring Page Museum, casting a shadow over the largest pit. — latimes.com
About $570 million, or 94 percent, has been raised by the San Francisco Museum of Modern Art for its 235,000-square-foot (21,800-square-meter) expansion and to add $245 million to the museum’s endowment. The $305 million wing designed by the Snohetta architecture firm is rising behind SFMOMA’s current home, opened two decades ago in the technology-heavy South of Market area, or SOMA. — bloomberg.com
Switzerland’s two largest art museums are building extensions, although Basel is moving faster than its neighbour and sometimes rival, Zürich. In Basel, construction is proceeding apace on the Kunstmuseum’s project, across the street from the original museum. [...]
Meanwhile Zürich’s Kunsthaus has become embroiled in a dispute which has halted work this month. The Swiss environmental group Archicultura is objecting, and permission to build is being withheld by a canton court. — theartnewspaper.com
Family-owned Swiss luxury watchmaker Audemars Piguet have chosen BIG, HG Merz, Luchinger & Meyer, and Muller Illien as having the winning design for a new expansion of their headquarters in La Vallée de Joux, La Brassus, Switzerland. Adding quite the literal twist to the timeline concept, BIG's proposal -- titled Maison des Fondateurs -- dons a 25,000 ft. spiral-shaped museum that tells the centuries-long history of Audemars Piguet. — bustler.net
Downtown Los Angeles’s historic core is about to get its first major museum, if that’s what you want to call it. Local developer Tom Gilmore and architect Tom Wiscombe are teaming up on the complex project, which they are calling the Old Bank District Museum. It will be dedicated to contemporary Los Angeles art and located in the sub-basements, basements, ground floors, mezzanines, and roofs of three interconnected buildings along Main and Fourth streets. — archpaper.com
The flagship museum of the billionaire financier and art collector Eli Broad, still under construction, has filed a $19.8 million lawsuit against a German company for what it describes as delays in fabricating the building blocks for its unusual latticed facade. — nytimes.com
Jersey City-based art center Mana Contemporary—the exhibition branch of the Mana Fine Arts art storage, shipping, and packing empire—is building a street art museum in a former ice factory in Jersey City [...].
In addition to a rotating program of special exhibitions inside the institution, MMUA will boast specially-commissioned murals on its exterior walls, a large billboard where artists will create new works, and a full range of educational and community outreach programs. — news.artnet.com
By most measures, the museum, designed by Davis Brody Bond and Snøhetta, has met the difficult challenge of telling the emotionally charged story of 9/11 at Ground Zero. The gift shop, however, has detracted from the achievement, with tabloids and blogs lambasting the “darkness” hoodies, toy firetrucks, “survivor tree” earrings, and 9/11 cheese plate for sale in the gift shop. — businessweek.com
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