The Albright-Knox Art Gallery in Buffalo, New York, is preparing to launch its first major expansion effort in more than 50 years. [...]
In 2012, the board commissioned the architectural firm Snøhetta to produce a master plan for future growth, but the details of this project have remained under wraps. Museum leaders told the Buffalo News that they are interested in holding an architectural competition for design proposals following their meetings with the public. — theartnewspaper.com
Built to house a vast archive of documents about the Cambodian genocide of the 1970s, in which two million people lost their lives, the Sleuk Rith Institute is to be a radical shift for its architect Zaha Hadid – who has gone from violent geometry to warm wood — theguardian.com
The Guggenheim plans to research “productive and hospitable office space designs”, staff will be glad to hear, and it is also considering whether to hold a competition to find an architect.
The expansion plan comes just over 60 years after the Guggenheim commissioned Frank Lloyd Wright to design its original space and more than a decade after it abandoned a scheme for a second, Frank Gehry-designed museum downtown. — theartnewspaper.com
The French architect Jean Nouvel has announced details of his design for the National Art Museum of China in Beijing. [...]
“The National Art Museum of China represents an incredible opportunity for the most ambitious materialisation of a place of expression… a place that witnesses the vitality of a civilisation, the civilisation of the greatest people on earth,” say the organisers. — theartnewspaper.com
The Garage Museum of Contemporary Art announced yesterday that its forthcoming permanent home inside the Soviet-era eatery in the capital’s central Gorky Park is due to open in June 2015. [...]
And Rem Koolhaas, who was tasked with transforming the abandoned restaurant's ruin for the museum, is leaving it largely untouched. — blouinartinfo.com
A Mexican federal agency has denied the environmental permit to allow the construction of the $105m International Baroque Museum in Puebla, less than a month after the groundbreaking ceremony.
The project, designed by the Japanese architect and 2013 Pritzker Prize-winner Toyo Ito, was deemed “not applicable” by Semarnat’s (the Secretariat of Environment and Natural Resources) General Directorate of Environmental Impact and Risk. — theartnewspaper.com
The Aga Khan Museum, which opens Sept. 18, offers a welcome antidote to these clichés through art that celebrates the rich cultural history of the Islamic world.
The building’s architect, Fumihiko Maki of Japan, has used geometric patterns inspired by the great mosques of classical Islam, repeating them in the inlaid floor of the courtyard, etched glass, and wood screens in the auditorium. — news.nationalpost.com
The Holocaust museum planned for Rome since 2005 could open next year in a new, bigger location at EUR, named after the Esposizione Universale Roma, in time to mark the 70th anniversary of the liberation of Auschwitz.
After almost a decade of delay and €15m spent to acquire a plot of land, the first Museo della Shoah quietly stalled before construction even started. — theartnewspaper.com
Jean-Luc Martinez, who was promoted to the directorship of the Musée du Louvre last year, is proposing the most ambitious renovation of the Paris museum since the Grand Louvre project of the 1980s. [...]
Planning the museum’s comprehensive renovation began in June and work is due to start on the main entrance this month. [...] Martinez also plans to devote 1,500 sq. m of space to major temporary exhibitions in the Napoleon Hall, which is beneath the museum’s I.M. Pei-designed entrance pyramid. — theartnewspaper.com
Friday, August 22:Zaha Hadid sues architecture critic Martin Filler over book review: Hadid is responding to allegedly defamatory comments made by Filler regarding her 2022 World Cup stadium in Qatar.The Demolition of 5 Pointz Has Begun: The "Graffiti Mecca" was slated for demolition last...
The hardworking Skyscraper Museum, in the belly of a condo complex on Battery Place, doesn’t have much space or much of a budget, but with admirable frequency its director, Carol Willis, stages smart shows that uncover telling moments of New York skyscraper lore and architecture history. The museum has just opened “Times Square, 1984: The Postmodern Moment,” about the battle 30 years ago for the soul of Times Square and the profession. — nytimes.com
The director of the Museo Reina Sofía, Manuel Borja-Villel, has just announced that Madrid’s main Modern and contemporary art museum will expand its permanent exhibition space by a total of 3,000 sq. m by the end of 2015. In an interview with EFE news agency, Borja-Villel said the project will “finally” join the Francisco Sabatini-designed building, which fully opened as an art museum in 1992, with the extension by Jean Nouvel, completed in 2005. — theartnewspaper.com
Culture officials in the Luhansk and Donetsk regions in eastern Ukraine have ordered museums to put their most valuable pieces into storage, and some institutions have closed to the public, as fighting continues between pro-Russian separatists and Ukrainian government forces.
Ukraine’s culture ministry has also asked that the media refrain from “emphasising objects of cultural heritage” to avoid their being targeted [...]. — theartnewspaper.com
Next Saturday at 5 p.m., after a week of member previews, the 35-year-old Aspen Art Museum in Colorado will open the doors of its new building to the public and then keep them open for a 24-hour celebration.
There is much to celebrate. The four-story building is the first American museum designed by the innovative Japanese architect Shigeru Ban. — nytimes.com
In the mid-20th century, certain Latin American cities looked like the most modern on earth. Not only was their architecture imaginative, but so was the thinking behind it: ideas, amounting to faith, that design could positively shape civic life across lines of money and class; that art and architecture were inseparable; that while Europe and the United States were the cultural powers of the day, South America had a shot at tomorrow.
Then the momentum broke. — nytimes.com
SUBMIT NEWS: submit in 60 seconds!