Next Saturday at 5 p.m., after a week of member previews, the 35-year-old Aspen Art Museum in Colorado will open the doors of its new building to the public and then keep them open for a 24-hour celebration.
There is much to celebrate. The four-story building is the first American museum designed by the innovative Japanese architect Shigeru Ban. — nytimes.com
In the mid-20th century, certain Latin American cities looked like the most modern on earth. Not only was their architecture imaginative, but so was the thinking behind it: ideas, amounting to faith, that design could positively shape civic life across lines of money and class; that art and architecture were inseparable; that while Europe and the United States were the cultural powers of the day, South America had a shot at tomorrow.
Then the momentum broke. — nytimes.com
"Star Wars" creator George Lucas on Monday will announce an architectural team for his controversial planned museum on Chicago's lakefront: an avant-garde Chinese designer whose credits include Toronto-area skyscrapers dubbed the "Marilyn Monroe Towers" and Chicago's Jeanne Gang, shaper of the undulating Aqua Tower here. — chicagotribune.com
The Cranbrook Educational Community Board of Trustees announced today that after a comprehensive one-year search, Christopher Scoates has been named Director of Cranbrook Academy of Art and Art Museum. He begins his tenure August 1.
Scoates is a graduate of Cranbrook Academy of Art, having received his Master of Fine Arts degree in Photography in 1986. Scoates succeeds Reed Kroloff, who is stepping down after seven years in the position. — cranbrook.edu
The North Carolina Museum of Art on Tuesday received a $1.9 million grant from the State Employees’ Credit Union Foundation for art education research. The grant will establish a high-tech education center that will serve as a portal for accessing the museum’s collection, exhibitions and programs. — WRAL
On Cape Town's waterfront at the southern tip of Africa, the world's biggest museum of contemporary art from across the continent is being carved from a conglomeration of concrete tubes nine storeys high. The $50 million (36.7 million euro) project to transform the grim functionality of 42 disused colonial grain silos into an ultramodern tribute to African creativity is driven by an international team of art experts and architects. — Ahram Online
The project – the Zeitz Museum of Contemporary Art Africa – will be designed by British architect Thomas Heatherwick. "How do you turn 42 vertical concrete tubes into a place to experience contemporary culture?" the architect said. "We could either fight a building made of concrete tubes...
US museums are teaming up with the Syrian Interim Government’s Heritage Task Force to help protect Syrian museum collections and stem the loss of cultural heritage amid the country’s ongoing civil war.
Late last month, experts from the Smithsonian Institution in Washington, DC, and the Pennsylvania Museum’s Penn Cultural Heritage Center quietly organised a three-day training session for curators, heritage experts and civilians in an undisclosed location outside of Syria. — theartnewspaper.com
[...] the Crystal Bridges acquisition reflects an increasingly popular attitude toward architecturally significant homes among private collectors. Such buyers now see that historic homes can be collected, preserved, and appreciated much like fine art. — blouinartinfo.com
“I started to cry a bit when I saw the finished result for the first time this morning,” said architect Annabelle Selldorf at the June 27 press preview of the newly expanded Clark Art Institute in Williamstown, Massachusetts. [...] Visitors might have similarly emotional reactions to the results, including Pritzker-winner Tadao Ando’s multipurpose visitor center, which prioritizes circulation and the views of lush hills behind the Clark [...]. — blouinartinfo.com
It would be better to reconsider this wholesale demolition. Especially as the proposed replacement, designed by the Swiss architect Peter Zumthor, leaves much to be desired. [...] Or maybe it’s the quintessential Angeleno building? After all, replacing an aging faithful spouse with a younger, more stylish trophy wife is an established Hollywood custom. — Zócalo Public Square
City boosters in this Nordic capital dream of a Guggenheim museum of Finnish wood rising near the Baltic Sea and one day drawing millions of tourists and cruise passengers. But the huge costs of the proposed development are stirring a backlash here against an institution that is ordinarily accustomed to eager suitors. — nytimes.com
"We're working with the other owners of the property and with Metro," said LACMA Director Michael Govan. "There's good reason to build a major development there. You've got subway access and density on Wilshire. My dream is some beautiful piece of architecture with an architecture and design museum at the base, which would add to Museum Row."
If built, the tower would offer a dramatic vertical complement to the relentlessly horizontal LACMA gallery building by Swiss architect Peter Zumthor — latimes.com
How's this for a yin-yang in the new Los Angeles: if this goes through, the Los Angeles County Museum of Art (LACMA) would be responsible for two majorly different impositions on Wilshire Blvd., the city's foremost thoroughfare and itself an icon. One: a street-straddling horizontal art...
After 14 years of talking, of battles, and of construction, and in one of the more ambitious reimaginings of a regional museum ever, the art-rich Clark has opened a new building, plopped a lake behind it and expanded to a 140-acre campus.
It opens July 4, and it is magnificent—mostly—but we’ll get to that. — news.artnet.com
The Russian architect Yuri Grigoryan, and his firm Project Meganom, have been chosen for the long-delayed 22bn ruble ($640m) expansion of the State Pushkin Museum of Fine Arts, Moscow. The new design replaces a controversial proposal by the British architect Norman Foster that required the destruction of historic buildings, upsetting preservationists. Foster pulled out of the project last year. — theartnewspaper.com
This, if it is a harsh way to describe the British Museum's attempts to update itself over the last two decades, with the help of the most famous architects in the land and hundreds of millions in generous donations, nonetheless reflects what's going on. Like large cultural institutions everywhere, the museum finds itself dealing with similar pressures to those of commercial players in the fields of leisure and entertainment [...] and it reaches for similar solutions.. — theguardian.com
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