The tiny house is just one example of the lengths to which people will go to create a sense of home even when they lack the means for it. It’s just one symptom of a much wider and intensifying search for belonging, which makes home as important to politics as the idea of class or rights – especially now, when so many people feel displaced, both literally and figuratively, by life in innovation-driven, high-tech, networked capitalism. — Aeon
This should be Ando’s residence. But there is no bedroom. Or food in the kitchen. And a couple of years ago he told Japanese TV that he lives in a normal apartment. This is Tadao Ando’s house, but is it his home? [...]
Ando built it to be his home in 1995 but never moved in. You can find it listed in architecture books as the “Atelier” or “Studio Annexe”. “I wanted a fun place to live, a place where every day is thrilling, a quiet place to think,” he says. — ft.com
Ando, on the ultimate home, to Robin Harding for the Financial Times: “Please write this,” he says. “A church is a home town for the spirit, a place where the spirit lives. Big or small. It’s the home of the spirit so when you go there you feel relief. You feel the...
With a feature called HomeKit that's coming in iOS 8, iPhones will be able to start controlling smart devices, such as garage door openers, lights, and security cameras. It'll all be controllable through Siri too [...]
It's only a matter of time before major tech companies begin vying to be the thread that connects appliances and devices throughout your home, and this seems to be Apple's first step in the door. — theverge.com
“To me, this house is the ultimate modernity dream come true,” says Fernando Romero of the two-story, mid-century gem he calls home. “It is extremely flexible for all types of activities: for family, for socializing, for living.” Designed in 1955 by homegrown architect Francisco Artigas, the house is located in the leafy suburbs of Mexico City, adjacent to one of largest city parks in the Western Hemisphere, Bosque de Chapultepec. — nowness.com
Curator Francesca Molteni filmed each architect's home, and interviewed them about their lives and careers. Working alongside fellow architect and set designer Davide Pizzigoni, Molteni has recreated the private residences of Hadid and co., “by means of real-life videos, images, sounds, comments and reconstructions. The result is an interactive exhibition space that unveils the architects’ visions of living, their choices and their obsessions.” — phaidon.com
the show offers innumerable other examples of the housing industry’s braiding of mythic imagination and commercial calculation...It’s an epic, richly rewarding intellectual journey — NYT
Ken Johnson reviews the exhibition currently on view Grolier Club (running through February 7, 2014). The show explores how quintessential American traits are reflected within the pages of the builder’s guides, pattern books, catalogues, and other forms of architectural literature.
The above ground structure is just like any other– with the only hints being multiple air conditioning units, and emergency exits around the property. The underground interior is one that’s stuck in the hippy chic 1970′s days. Pink draperies, carpet and classic columns outfit the dated interior. Putting greens, a rock facade barbecue and natural style light settings make for an interesting setting that’s completely user controlled. — inthralld.com
The owner of Hill House is Scott Croyle, senior vice president of design at HTC. At two bedrooms, 2 1/2 baths and a study, the home is just large enough to share with his wife and son. Its modest scale allowed Bernstein to emphasize quality materials over quantity of space.
"It's almost a negative value in that (tech) community," said Bernstein of over-the-top homes. "There's a real emphasis on not seeking a mansion right away." — sfgate.com
Builder confidence in the market for newly-built single-family homes hit a significant milestone in June, surging eight points to a reading of 52 on the National Association of Home Builders/Wells Fargo Housing Market Index (HMI) released today. Any reading over 50 indicates that more builders view sales conditions as good than poor. — nahb.org
Taut concrete skin, structural glass, an escalator with nothing to hide, everything kinetic, a roof that rocks and rolls. Thom Mayne has given us the most exciting building in Dallas. Plastic cuckoo clocks, his wife Blythe, his dog Isis, his socks, his shoes, his Pritzker prize, the garden, the cereal, the coffee, showers you can see through, columns that could roll. This is where he lives. — fdluxe.dallasnews.com
Mr. Urbach, 49, until recently the curator of architecture and design at the San Francisco Museum of Modern Art, and his spouse, Dr. Hartman, 52, a psychoanalyst, have approached the design of their home as if it were a conceptual art exhibit for two.
The apartment’s many mirrors aren’t for checking for stray nose hairs. They “complicate spatial relationships,” Mr. Urbach says. — nytimes.com
Its owners are hoping to sell the house before Nov. 7, when the City Council is scheduled to vote on giving it landmark status, which they oppose. Though they agree that the house ought to be saved — “The property is gorgeous,” Mr. Sells said in its master bedroom one morning — they say they must first safeguard their investment, as well as their livelihood.
“If it becomes a landmark,” Mr. Sells said, “we’re out of business.” — nytimes.com
“Here is the most modern of modern houses I’ve ever seen and loved,” she wrote, describing the turquoise mosaic tile, the compact state-of-the-art kitchen, the distant views of city lights, the proximity to her daughter’s family and the circular stairway that she felt, sadly, too old to sail down.
“I guess you can’t expect to have too many dreams answered,” she concluded. “At least, I’ve had the opportunity to see the Morris House, to know it existed.” — nytimes.com
The house is the world’s first temple to “Acid Modernism,” the aesthetic the California-born Aitken conceived for himself and Gemma Ponsa, his companion of the last six years. “The goal was to create a warm, organic modernism that’s also perceptual and hallucinatory,” he said of the design. “We thought that would be a wonderful environment to live in.” — nytimes.com
The book answers questions like: Why did the flushing toilet take two centuries to catch on? Why were kitchens cut off from the rest of a home? And did strangers really share beds as recently as a century ago? (Yes, they did.) — npr.org
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