Collecting the most important news of the past week – that is, from the recording date's perspective of March 30th, the day before Zaha Hadid's sudden death – this episode brings stories on: the winning below-grade skyscraper (sinkscraper?) of eVolo's Skyscraper Competition; a long-lost Le...
[Utzon] wrote to his idol, boldly sending his designs of the Opera House and asking Le Corbusier to contribute in the form of “decoration, carpets and paintings”. His idol wrote back, and by October 1960 the young Utzon was the proud owner of a striking tapestry [...]
The piece is now hanging behind glass in the far end of the Utzon-designed western foyer: a holding place while the Opera House continues the “decade of renewal” that will lead up to its 50th anniversary in 2023. — theguardian.com
Another look at the tapestry, as it was hung in Jørn Utzon's home in Denmark:Related on Archinect:The Sydney Opera House by Jørn Utzon Celebrates Its 40th AnniversaryJørn Utzon dead at 90Rare film of Le Corbusier in his Paris home and studioLe Corbusier in Color
Amelia Taylor-Hochberg, Editorial Manager for Archinect, traveled to Aedes Network Campus Berlin as a fly-on-the-wall, and reported back with 7 Lessons from the 3rd International Architectural Education Summit. These were; 1) The relevancy of the “Architect” is fleeting, 2) Kids...
If Jørn Utzon did not exist, we would have to invent him. His story, mostly the legend of that single and singular building, the Sydney Opera House, provides the enduring foundational myth for all contemporary architectural practice. Utzon is our sage Kenobi, our renegade Solo, our heroic Skywalker, all in one. He looked the part, too: an architect out of central casting in the Gary-Cooper-as-Howard-Roark mould, as tall as Rem Koolhaas, as beautiful as Jacques Herzog, as Danish as Bjarke Ingels. — architectmagazine.com
SUBMIT NEWS: submit in 60 seconds!