Following up from our news back in March this year about the selection of Ball-Nogues Studio as the architect for this year's Pavillon Speciale, we now bring you news and photos of the completed installation. Press release follows... The Ecole Spéciale d’Architecture in Paris this...
The Ecole Spéciale d’Architecture in Paris today announced Ball-Nogues Studio from Los Angeles as the winner of the 2012 edition of the “Pavillon Spéciale” competition. Now in its 2nd edition, the Pavillon Spéciale consolidates its role as an annual spring architectural series that gives young emerging international architects the opportunity to build with students a temporary project in the heart of Paris. — bustler.net
I've read that it's biodegradable, right? I ask Ball.
"It's degradable," he says. "I don't know about bio." — domusweb.it
Our friend Katya Tylevich covers Ball Nogues Yucca Crater installation in Joshua Tree National Park, CA. You may recall Katya's UpStarts feature on Ball Nogues that we published here a couple years ago.
If you would like to support Ball-Nogues' latest architectural installation, Yucca Crater, a public artwork and engineered oasis for the High Desert Test Sites series (previously on Archinect), you still have the opportunity for another 2 days, and currently all pledges are being matched by the...
But the real show is outside, where the garage includes a number of large-scale public-art installations, including pieces by Anne Marie Karlsen (along 2nd Street) and L.A. firm Ball-Nogues Studio (along 4th Street). The Ball-Nogues piece, called “Cradle,” features hundreds of stainless-steel spheres suspended from one of the garage’s exterior walls. The design is open-ended enough to suggest both sea foam and a Newton’s Cradle... — latimesblogs.latimes.com
Each fall High Desert Test Sites invites artists to create experimental projects adjacent to California's Joshua Tree National Park. This year HDTS invited Ball Nogues Studio to create a structure in a remote region of the Mojave Desert. This presents a unique opportunity to make an intervention upon an unfettered landscape at a grand scale. — unitedstatesartists.org
We typically start with a hypothesis about how a particular material could be used to make structure, space, and atmosphere. We then do a lot of research and testing of the material to determine its potential and economic feasibility. Once we believe we can successfully work with the material, we try to get a sense of how a space constructed from it might feel and what it might signify in a particular form. — dossierjournal.com
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