News Robin Pogrebin reported that following wide-ranging protests, the Museum of Modern Art has selected the design firm Diller Scofidio & Renfro to re-examine it’s planned expansion including whether to keep any of the existing American Folk Art Museum. Scott Gustafon was... View full entry »
AFTER impassioned protests from prominent architects, preservationists and design critics, the Museum of Modern Art said on Thursday that it would reconsider its decision to demolish its next-door neighbor, the former home of the American Folk Art Museum, to make room for an expansion. — nytimes.com
In a board meeting on Thursday morning, the directors were told that a board committee had selected the design firm Diller Scofidio & Renfro to handle the expansion and to help determine whether to keep any of the existing structure. View full entry »
The Modernism worth pursuing — worth protecting — is the one where Gregor Samsa wakes up transformed into a large insect, and ends up with an apple embedded in his carapace, which is exactly what the Folk Art Museum is to the Museum of Modern Art, right now, right where it is. — Places Journal
On Places, David Heymann presents an incisive critique of MoMA's decision to raze the Folk Art Museum building, by Tod Williams Billie Tsien Architects. From a quiet beginning — "Here is why I think the American Folk Art Museum is a great Modernist building" — Heymann works his way to... View full entry »
MoMA’s plan can hardly be a surprise, because its entire history since 1937 is based on demolishing potential landmarks. — nytimes.com
The Architectural League calls on the Museum of Modern Art to reconsider its decision to demolish the American Folk Art Museum. The Museum of Modern Art—the first museum with a permanent curatorial department of architecture and design—should provide more information about why it... View full entry »
Barry Bergdoll, chief curator of MoMA's architecture and design department, told AN that the decision was an administrative, rather than a curatorial one. He called the decision “painful” for architects and others who appreciate Williams and Tsein’s work, and acknowledged that museums have a responsibility to the art in their care—including architecture. — archpaper.com
He says the building “was designed as a jewel box for folk art,” and could not reasonably be altered to fit a different collection and a different purpose. View full entry »
MoMA officials said the building’s design did not fit their plans because the opaque facade is not in keeping with the glass aesthetic of the rest of the museum. — NYT
Robin Pogrebin reported that MoMA expects to have the building demolished by the end of this year. h/t Donna Sink over at TC, who commented "It's tragic. We need to start a thread on it and call for a boycott of the new project by all architects. If MOMA moves ahead with this I will never step... View full entry »
If all goes as planned, the New Museum’s five-year-old building on the Bowery will become something of an amusement park beginning Oct. 26, with visitors hurtling through a giant plastic tube from the fourth floor to the second — New York Times
Each fall High Desert Test Sites invites artists to create experimental projects adjacent to California's Joshua Tree National Park. This year HDTS invited Ball Nogues Studio to create a structure in a remote region of the Mojave Desert. This presents a unique opportunity to make an intervention upon an unfettered landscape at a grand scale. — unitedstatesartists.org
Because MoMA is looking to expand, speculation is rife that the 30,000-square-foot folk museum on West 53rd St. is targeted for demolition. — archrecord.construction.com
Previously: MoMA to Buy American Folk Art Museum Building View full entry »
The folk art museum’s building was designed by Tod Williams Billie Tsien Architects and opened in 2001. It was not clear whether it would be torn down. The folk art museum took on $32 million of debt to construct the 53rd Street building. But attendance never met expectations, and after sustaining investment losses in the financial crisis, the museum defaulted on its debt. — NYTimes.com
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