Gone is the “Art Bay,” with a glass garage-like door that would have allowed visitors to enter galleries straight from the street.
Gone, too, is the fourth-floor “Gray Box,” with acoustic absorption panels through which passers-by could have peered up at performance art in progress.
And there will be no new public entrance to the sculpture garden on 54th Street.
The Museum of Modern Art has eliminated these polarizing elements of its sweeping redesign, museum officials said on Tuesday... — the New York Times
MoMA officials also released more information on the construction, slated to begin in February with total costs estimated between $390 million and $400 million.The Diller, Scofidio + Renfro-led renovation is the second major redesign for the influential museum in recent memory. Just over ten years...
Artist and animator Sam Grinberg revisits the fight over the future of the American Folk Art Museum. — ny.curbed.com
[...] MoMA has said it would detach and preserve the facade’s 63 textured copper-bronze panels.
One might suppose that salvage is preferable to annihilation, but before we get too comfortable with such piecemeal preservation, it is worth noting that the panel-by-panel disassembly and storage of an architectural treasure’s metal facade has been tried before in New York City, with comically disastrous results.
Who around here remembers the Laing Stores? — nytimes.com
For the latest edition of the Working out of the Box feature Archinect talked with Emily Fischer, Founder of Haptic Lab. In the interview she explains how she started "The very first quilted map I made was designed to be a wayfinding tool for the visually impaired; my mother was diagnosed with...
The axe is set to fall on the American Folk Art Museum -- after months of controversy and protest, MoMA initiated its expansion and began preparing the FAM for demolition this past Monday. As per prior concessions by MoMA, the museum's distinctive façade will be preserved, but it's unlikely to...
The Museum of Modern Art’s controversial decision to demolish a neighbor, the former American Folk Art Museum, is about to become reality.
On Monday, scaffolding and protective netting will begin to go up around the folk art building, at 45 West 53rd Street, the museum confirmed on Friday. [...]
The building’s facade will be removed first, panel by panel, and taken to storage. Its future remains uncertain. Demolition is expected to continue through the summer. — nytimes.com
Contrary to what you may have read lately, the Museum of Modern Art is intent on carefully preserving the former American Folk Art Museum next door.
At least, the part of it that is most recognizable to the public: an 82-foot-high sculptural ensemble of 63 panels, cast in a gorgeous copper-bronze alloy [...]
“We will take the facade down, piece by piece, and we will store it,” Glenn D. Lowry, the director of the Museum of Modern Art, said in an interview last week. — nytimes.com
For the latest edition of Working out of the Box, Archinect talked with Miguel McKelvey, Co-Founder & Chief Creative Officer at WeWork. He just so happened to study architecture at University of Oregon with Paul Petrunia, Archinect's founder!Mr. McKelvey explains "I have applied what...
As reported last week by Archinectors Ayesha Ghosh and Alex Stewart, a discussion regarding MoMA's expansion plan and the intended demolition of the American Folk Art Museum took place at the New York Society for Ethical Culture, an appropriate venue for a conversation rife with implications for...
The controversial plans to demolish the American Folk Art Museum in service of MoMA's expansion rumbled along last night, at a panel discussion hosted jointly by the Architectural League, the Municipal Art Society, and the AIA's New York chapter.Catch-up on news surrounding MoMA's expansion...
“All of us who knew them thought this was going to be pretty much a slam dunk — that they would save the Folk Art Museum,” said Peter Wheelwright, a former chairman of the architecture program at Parsons, the New School for Design. “I knew they were capable of doing it and that, because of their friendship, that they would make a sincere, genuine, wholehearted effort.” — NY Times
"I think that the press has been too fast to reduce the conversation to heroes and villains and martyrs, and to suggest that what MoMA is doing is necessarily bad. We want to get more information out. We want to share the problem with others and invite them to really take a hard look" - Elizabeth Diller — LA Times
They discuss the almost uniformly negative reaction to the announcement as well as the details of DS+R’s proposal for MoMA, which is still in an early design phase. In response Michael Kimmelman tweeted "Her answers are deeply unsatisfying".
The latest edition of ShowCase highlights CRAB Studio’s Abedian School of Architecture in Queensland, Australia.Plus, the fourth installment in Screen/Print (Archinect’s experimentation in translation across media) features "fruity labors" from the quarterly journal MAS Context's 20th...
Yesterday, DS+R announced in their proposal for MoMA's redesign that the American Folk Art Museum would have to be demolished. Backlash from the #folkMoMA community quickly arose: architects and critics called the choice callous and unsustainable, outraged not only by the Folk Art Museum's...
[Diller] had great respect for the Folk Art Museum, calling it a “bespoke” design tailored to the needs of the museum. She went through several scenarios on how to integrate the museum in the expanded footprint. [...]
Adapting the Folk Art Museum building, however, would basically compromise the building’s interior beyond recognition. [...]
The architects would have had to destroy the Folk Art Museum building in order to save it. — Architect Magazing
In what looks like the kiss of death for the #folkMoMA movement, Diller Scofidio + Renfro's design for MoMA's expansion will necessitate the destruction of the neighboring American Folk Art Museum, as proposed today in a MoMA press conference. The initial threat to the Folk Museum was made last...
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