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The incurable optimist in me still wonders: could his yearnings about the built environment be more beneficially directed? Charles may have been at war with much of the architectural world for nearly 40 years, but might they not unite over what they have in common? They all want sustainable communities and good design. Architects and the monarch also have a shared enemy: the sacrifice of positive architectural qualities to housebuilders’ pursuit of profit. — The Guardian
Moore’s calls echo in some regard the statements made by housing secretary Michael Gove last year, in which he called for an openness to classicism given there is “no silver bullet to solve the housing crisis” domestically. Stirling Prize winners Mikhail Riches and Alison Brooks... View full entry
Welcome to Super Nintendo World, the closest thing you can get to diving head-first inside a video game and experiencing the likely effects of swallowing one of Mario’s magic mushrooms.
For Universal, it represents the first expansion beyond film- and TV-themed rides, and a step up in designing a total environment – with the opening timed to capitalise on the release of an animated Super Mario Bros movie this spring.
— The Guardian
The park expansion officially opens on February 17th. Visitors will find attractions like the overpriced Toadstool Cafe, a “sedate crawl” signature race experience (sans shortcuts), cuter small details, and Bowser’s Castle, which apparently includes a self-help library and bomb-making... View full entry
Playful, elegant additions to universities and colleges were the class acts to follow, while the newly opened Elizabeth line exceeded all design expectations. — The Guardian
Grimshaw’s long-awaited Elizabeth Line finished second (behind Grafton’s Marshall Building for the LSE). Moore said: “The Elizabeth line, when it finally opened in May, revealed an alternative universe of underground railway travel where everything is bigger, brighter and swisher. This is... View full entry
“In the 70s and 80s, my ideas were ignored. I was antagonistic to postmodernism [...] and I paid a price.” — The Guardian
The 84-year-old Habitat 67 mastermind sat down with Rowan Moore to discuss his career and new memoir If Walls Could Speak: My Life in Architecture. Among other topics, he said he had “no idea” that his 2011 Marina Bay Sands design would become “an instant icon” and that the political... View full entry
The project as whole also creates a highly managed territory of the sort that you tend to get in single-owner developments which, despite some funky moves by a Frank Gehry-designed apartment block, is fundamentally predictable. It threatens to cage the beast that is Gilbert Scott’s masterpiece, as might the array of retail logos inside. But, between the blandscape outside and the brandscape within, the power station is cussed enough to assert its own character. — The Guardian
The £9 billion final boss of Greater London adaptive reuse projects (along with the Barbican) is a story of inside and out for Moore, who sees the program’s housing element as an “awkward” mismatch when compared to WilkinsonEyre’s tastefully “sober” and restrained interior retail... View full entry
Poundbury, Paisley and Perspectives all ultimately failed to conquer the complex commercial and political challenges they faced. Their royal patron’s attempts to create human-centred townscapes have led to car-dominated suburbs. His efforts to uplift grand historic buildings have carved them into dreary flats. Our King is someone who sees the right problems but, ensconced in the very establishment that prevents meaningful solutions, he can only meddle around the edges of effecting real change. — The Guardian
The new British King is memorably the originator of the panned Poundbury estate that has failed to fall in line with its stated goals towards sustainability and car-free pedestrian orientation, according to Phineas Harper. He thinks the scion is hemmed in by a stolid commercial banking system and... View full entry
I’ve seen miracles happen. I’ve seen ordinary people do the most heroic things. When you’ve had the privilege of knowing so many great fighters and resisters, you can’t lay down the sword, even if things seem objectively hopeless. — The Guardian
The terminally-ill City of Quartz author sat down recently with The Guardian to discuss his waning health and look back at prescient early warnings of the state’s slow-motion social and ecological demise that has taken three decades to manifest. True to form, Davis was critical of... View full entry
It may now be seen as a dystopian nightmare, the far-flung folly of an autocrat desperate for global approval, but the idea of building a self-contained linear city has preoccupied the imaginations of architects and planners for generations. The Line might bill itself as a “never-before-seen approach to urbanisation”, but the principles behind it have been proposed many times over – though never successfully realised. — The Guardian
The Guardian critic writes that the outlandish NEOM project structure resembled a “habitable supercomputer” and cites a recent Bloomberg report that names Marvel Comics designer Olivier Pron as one of its many non-architect digital designers before pinning the massive project’s “ominous... View full entry
Heatherwick himself has become the puckish poster boy for the current bout of arboreal mania. He has even incorporated his trademark plant-pots-on-sticks into a range of office furniture. If in doubt, the studio mantra seems to go – just smother the design with a garnish of greenery. — The Guardian
The Guardian critic echoed colleague Rowan Moore's derisive critique of Heatherwick’s continued “abuse of metaphors” published in late April and added his own criticism that the 350-tree structure, just like the MVRDV-designed Marble Arch Mound, offers “yet another example of the... View full entry
Unlike the toxic culture of open international competitions, which see countless architects waste days of unpaid labour to compete in a beauty contest of novelty forms, the Open Call is focused – and paid. The democratic process has seen Pritzker prize winners drawn alongside recent graduates, unheard-of elsewhere. Unlikely as it may seem, the scheme has made this small part of northern Belgium home to some of the best new public buildings in the world. — The Guardian
The Guardian critic used Florian Heilmeyer’s new book, Celebrating Public Architecture: Buildings from the Open Call in Flanders 2000–2021, as a means of introduction to the system that was first enacted in 2000. Heilmeyer’s aim is to advance the notion that it “prove[s] that... View full entry
I’ll pass by the abuse of metaphors (do milestones have hearts?) but not of trees, this being another case of certain designers’ mania for picking them up, moving them around and putting them where they don’t want to be.
Those words from the studio also take liberties with the idea of art. They call the Tree of Trees a “sculpture”. Boris Johnson may once have compared Heatherwick to Michelangelo, but David it is not.
— The Guardian
The Observer critic joined a plethora of online commentators that picked apart Heatherwick Studio’s “Tree Of Trees” Earth Day announcement by comparing it to last year’s fiasco surrounding the MVRDV-designed Marble Arch Mound, which he described as a “cartoon version of nature is... View full entry
A trio of concerned letter writers replied to a March 31st opinion piece by The Guardian’s Owen Hatherley in which the critic declared that “hardline modern architecture is now something of a cult.” “A living city has to strike some sort of balance between avoiding the strangulation and... View full entry
What can be said of a world where one billionaire wants to build a giant tulip-shaped tower of little practical use and another wants to house thousands of students in windowless rooms in a block with all the charm of an Amazon distribution centre? — The Guardian
The Observer critic further continued his contrasting of Foster + Partner’s failed Tulip Tower with the Munger Hall development in California, claiming that each was the vanity project of a wayward billionaire. “Both projects seem driven by ego, but in the wide space between the brutal... View full entry
The £235m mega museum of the tormented Norwegian artist stands as an ominous grey tower on the Oslo waterfront, lurching out at the top like a military lookout post, keeping watch over the fjord. It is a location scout’s dream for the ultimate villain’s headquarters, an almost comically menacing structure, bent over the pristine white iceberg of the city’s beloved opera house with a thuggish hunch. — Oliver Wainwright
Recently on Archinect, "estudio Herreros' Munch Museum to open in October." Photo: Adrià Goula, courtesy estudio Herreros.The Munch Museum’s opening had been pushed back to this week following years of political holdup swelling from concerns the 11-story museum would, as Wainwright noted in his... View full entry
“I feel like I am atoning for some of what I did,” says Yasmeen Lari with an embarrassed chuckle. “I was a ‘starchitect’ for 36 years, but then my egotistical journey had to come to an end. It’s not only the right of the elite to have good design.” — Yasmeen Lari, in The Guardian
Oliver Wainwright talks with Yasmeen Lari, who was named the 2020 Jane Drew Prize laureate earlier this year. She looks back on her architectural career, which began with designing glitzy corporate monuments and then switched to humanitarian work after the devastating 2005 Pakistan... View full entry