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A new audit conducted by the city of Portland, Oregon presents an alarming view into the contentious renovations currently being undertaken for the Michael Graves-designed Portland Building. Among a flurry of critiques aimed at the project organizers, the report states that changes performed to... View full entry
Fifteen months ago the Miami City Commission shot down a recommendation to make the Babylon, the first multifamily building designed by renowned Miami firm Arquitectonica (and its second project ever), a historically protected building.
As a result, the 37-year-old Babylon [...] will be demolished sometime before July.
— Biscayne Times
Telling the history of the building and Miami's Brickell neighborhood, Biscayne Times senior writer Erik Bojnansky explains that "in 1978, Arquitectonica was still an up-and-coming Coral Gables firm. Babylon was its second building, the first being the 6900-square-foot single-family home known as... View full entry
As we announced earlier this week, Stanley Tigerman passed away at the age of 88. As a full life of work lies behind the Chicago architect, we look back on his uniquely playful and humane architecture, much of which was produced in collaboration with his wife, Margaret McCurry. 1. The Titanic... View full entry
“We are pleased to be able to preserve and share these important drawings, which document numerous projects and reflect Michael Graves’s manifold interests and talents, here at the museum, where he was known as family, and with our global audiences,” — Planet Princeton
The Princeton University Art Museum has acquired a collection of nearly 5,000 drawings created by postmodern-era architect Michael Graves. Graves, who died in 2015, was a prolific artist who sketched out many of his iconic building proposals using his signature yellow-, sienna-, and aqua-hued... View full entry
In a sign of the rising concern over the future of postmodern architecture in the American preservation community, the National Trust for Historic Preservation has named the 34-year-old Helmut Jahn-designed James R. Thompson Center in Chicago to its annual “America’s 11 Most Endangered... View full entry
The San Diego City Council voted unanimously to approve “Campus At Horton” on Monday. It's a redevelopment plan that would turn Horton Plaza into a tech hub.
Stockdale Capital Partners, an LA-based real estate firm, bought Horton Plaza from Westfield back in August with known intentions of redevelopment. When Stockdale announced the purchase, the firm said their new tech hub plan for Horton was expected to create 4,000 jobs, and generate $1.8 billion each year.
— KPBS
With the iconic Jon Jerde-designed Horton Plaza mall in San Diego poised for transformation, one of Southern California’s key works of postmodern urbanism is soon to be lost. Horton Plaza in San Diego, Image ©CoolcaesarIn designing the superblock mall in 1985, Jerde, who was referred to as the... View full entry
Illinois governor, J.B. Pritzker, plans on signing a state bill that would authorize the sale of the James R. Thompson Center, paving the way for its potential redevelopment. The postmodern building designed by Helmut Jahn has housed offices of the Illinois state government since opening in... View full entry
The city’s Landmarks Preservation Commission paved the way for Snøhetta to partially redesign Philip Johnson’s Postmodern skyscraper at 550 Madison Avenue Tuesday with a vote backing the contested plan. [...]
The biggest change to the property, which was granted landmark status in July 2018, is the privately-owned public space (POPS) at the ground level.
— Curbed NY
Image: SnøhettaSnøhetta's original proposal to renovate the, now landmark-protected, 1984 icon of Postmodernism at 550 Madison Avenue was met with fierce opposition from architects, preservationists, and critics. An updated design that incorporated much of the feedback was released a few... View full entry
With full theatrical trappings—nu-age Philip Glass music, smoke machines, mood lighting--the Eisenman team unveiled to the crowd a scale model of the building, which produced a light show to rival a Laser Floyd spectacular.
These dozen red-hued Death Star beams [...] were to be placed on the building and neighboring structures, flashing, blinking, sweeping across downtown like some insane city-scale laser security system.
Three years later, it was opened.
Sans lasers.
— Docomomo US
Nathan Eddy, architecture documentary director and most recently a driving force to save Philip Johnson and John Burgee’s AT&T Building in New York, pens a delightful review of Peter Eisenman's 1990 competition-winning proposal for the Greater Columbus Convention Center in Columbus... View full entry
Heading into their fourth and fifth decades, deep into midlife architectural crises, needing face-lifts, they’re now vulnerable and back again in the public eye, eliciting concern and attracting a second look — and sympathy — even from people who never liked them. But will these loved-hated structures be saved, and should they? — The New York Times
Joseph Giovannini writes about the historic vulnerability buildings entering their fourth or fifth decade encounter and how the public distaste may, potentially, turn into a sudden nostalgia for certain veterans of a not-so-distant architectural era. Citing recent controversial efforts to... View full entry
A year after Snøhetta’s first attempt at renovating Olayan America and Chelsfield’s office tower at 550 Madison Avenue ended in controversy and eventual landmarking, the architects are hoping their second attempt will be smoother. — The Real Deal
"The new proposal unveiled Tuesday features three stories of retail at the ground level and a new opening in the rear facade to allow sight lines from Madison Avenue into a new open-air garden that will replace the currently enclosed galleria," reports The Real Deal about Snøhetta's reworked... View full entry
Now, his first Chicago skyscraper, Streeterville’s One Bennett Park, is nearing completion. [...]
“It has a very special site,” he said. “It will be a building that is memorable, I hope. I think it has already made an impression on the skyline. I would describe it as a building that has roots in the skyscrapers of New York in the 1920s and ‘30s, which people generally call Art Deco, but maybe that’s a kind of sloppy term.”
— WTTW
"There are a lot of architects who seem intent on entertaining other architects," Stern says in his WTTW interview. "I would like the respect of my peers, but I would like the public to embrace my buildings."Image: Robert A.M. Stern ArchitectsImage: Robert A.M. Stern Architects View full entry
The idea of the “both-and” suggested a new pluralism, and maybe a new tolerance, in architecture. But the phrase turned out to have its limits. To the extent that Venturi was making an argument in favor of a kind of big-tent populism in architecture, it was a space for new styles instead of new voices, new forms rather than new people. In fact, tucked inside Complexity and Contradiction is an argument for a renewed insularity in the profession [...]. — The Atlantic
Christoper Hawthorne, former LA Times architecture critic and now Design Officer for the City of Los Angeles, dissects Robert Venturi's 1966 book, Complexity and Contradiction in Architecture (which famously scoffs at the Miessian classical Modernism with the "less is a bore" tagline), and argues... View full entry
In Miami, Arquitectonica took up these newfound freedoms with gusto, and did it differently than almost anyone else, deploying architectural elements in evocative, surreal, and highly charismatic ways that might have had little to do with the threadbare functionalist arguments of late Modernism, but functioned brilliantly upon the imagination of the press, Miamians, and clients alike. — citylab.com
Adam Nathaniel Furman takes a closer look at the meteoric rise of Laurinda Spear and Bernardo Fort-Brescia's firm Arquitectonica and the undeniable influence it has had on Miami's architecture since the late 1970s. Although the founders rejected the 'Postmodern' label, "these buildings came to... View full entry
With more and more buildings of the postmodern school regaining media attention—either by entering the realm of heritage protection or by getting contemporary makeovers (essentially taking the Po out of PoMo)—we've now learned about another threatened structure, designed in the late 1970s by... View full entry
