Follow this tag to curate your own personalized Activity Stream and email alerts.
The Observer's architecture critic Rowan Moore recently gave a cursory look at the 131 winning projects selected for RIBA Regional Awards to pick a quintet of designs he feels offer the best chances at receiving this year’s Stirling Prize, which will be announced later in the fall. Given... View full entry
The incurable optimist in me still wonders: could his yearnings about the built environment be more beneficially directed? Charles may have been at war with much of the architectural world for nearly 40 years, but might they not unite over what they have in common? They all want sustainable communities and good design. Architects and the monarch also have a shared enemy: the sacrifice of positive architectural qualities to housebuilders’ pursuit of profit. — The Guardian
Moore’s calls echo in some regard the statements made by housing secretary Michael Gove last year, in which he called for an openness to classicism given there is “no silver bullet to solve the housing crisis” domestically. Stirling Prize winners Mikhail Riches and Alison Brooks... View full entry
It is the centrepiece of the Central Vista Project, an ambitious plan to make over the city’s British-built administrative centre. Critics of the new building say that it is an unnecessary replacement of the existing parliament, that short cuts were taken with its procurement and the obtaining of permissions, and that there was minimal consultation with parliamentarians and the public. — The Guardian
The Prime Minister’s Bharatiya Janata Party has maintained the US$150M project is a “necessity” and expects its inauguration to take place soon after previously redying for a debut by the end of October. Modi appeared encouraged on a “surprise” hour-long site visit last Thursday... View full entry
It’s a fact that Africa stands for something that comes from outside. But Africans share something that is 100% there. There is a sense, particularly among the young, that the time has come to define that something on their own terms. There is a sense that it is our time. — The Guardian
The woman tasked with leading the 18th International Architecture Exhibition in Venice this summer told The Guardian critic about the ideas involved in producing the Biennale, which promises a packed slate highlighting the untapped potential Africa contains. She also spoke to Africa’s... View full entry
Playful, elegant additions to universities and colleges were the class acts to follow, while the newly opened Elizabeth line exceeded all design expectations. — The Guardian
Grimshaw’s long-awaited Elizabeth Line finished second (behind Grafton’s Marshall Building for the LSE). Moore said: “The Elizabeth line, when it finally opened in May, revealed an alternative universe of underground railway travel where everything is bigger, brighter and swisher. This is... View full entry
“In the 70s and 80s, my ideas were ignored. I was antagonistic to postmodernism [...] and I paid a price.” — The Guardian
The 84-year-old Habitat 67 mastermind sat down with Rowan Moore to discuss his career and new memoir If Walls Could Speak: My Life in Architecture. Among other topics, he said he had “no idea” that his 2011 Marina Bay Sands design would become “an instant icon” and that the political... View full entry
The project as whole also creates a highly managed territory of the sort that you tend to get in single-owner developments which, despite some funky moves by a Frank Gehry-designed apartment block, is fundamentally predictable. It threatens to cage the beast that is Gilbert Scott’s masterpiece, as might the array of retail logos inside. But, between the blandscape outside and the brandscape within, the power station is cussed enough to assert its own character. — The Guardian
The £9 billion final boss of Greater London adaptive reuse projects (along with the Barbican) is a story of inside and out for Moore, who sees the program’s housing element as an “awkward” mismatch when compared to WilkinsonEyre’s tastefully “sober” and restrained interior retail... View full entry
The problem is that the proposed new work is something else altogether to Venturi and Scott Brown’s playfulness and personality. It has curving glass balustrades, white walls and oak-clad pillars, and expanses of plain paving outside. It is an architecture of near-emptiness, the default style of international art-world good taste. — The Guardian
Moore ran through the litany of changes Annabelle Selldorf is making in replacement of the current iteration’s “bum notes,” which the critic pinned on a rift between the original expansion's benefactors and what was then called Venturi, Scott Brown and Associates. Related on Archinect... View full entry
I’ll pass by the abuse of metaphors (do milestones have hearts?) but not of trees, this being another case of certain designers’ mania for picking them up, moving them around and putting them where they don’t want to be.
Those words from the studio also take liberties with the idea of art. They call the Tree of Trees a “sculpture”. Boris Johnson may once have compared Heatherwick to Michelangelo, but David it is not.
— The Guardian
The Observer critic joined a plethora of online commentators that picked apart Heatherwick Studio’s “Tree Of Trees” Earth Day announcement by comparing it to last year’s fiasco surrounding the MVRDV-designed Marble Arch Mound, which he described as a “cartoon version of nature is... View full entry
This megalopolis of engineering currently lies there, pristine, unspotted by gum or pigeon, with its 319-tonne trains gliding quietly through every few minutes, empty, so that those operating the system can familiarise themselves with the choreography of all that heavy metal. Electronic indicator boards announce their coming with white digits, a notch classier than the orange ones on the old tube. — The Guardian
Moore described the nearly empty £18.33 billion ($23.84 billion) project as an “alternative universe” before likening the transition between the new Elizabeth line and older Central Underground to a scene from (attempted architecture critic) Lewis Caroll’s Alice in Wonderland. The... View full entry
What can be said of a world where one billionaire wants to build a giant tulip-shaped tower of little practical use and another wants to house thousands of students in windowless rooms in a block with all the charm of an Amazon distribution centre? — The Guardian
The Observer critic further continued his contrasting of Foster + Partner’s failed Tulip Tower with the Munger Hall development in California, claiming that each was the vanity project of a wayward billionaire. “Both projects seem driven by ego, but in the wide space between the brutal... View full entry
In fact, America has beautiful and popular non-traditional structures – the Guggenheim Museum in New York, the Vietnam Veterans Memorial in Washington, the Walt Disney Concert Hall in Los Angeles – and it has crude and soulless classical buildings. Unfortunately, the authors of the order are not completely wrong when they say that some architects have ignored public feeling. — The Guardian
Rowan Moore, architecture critic at The Observer, responds to last week's presidential executive order that makes classical and traditional architecture the preferred style for federal buildings. "If architects don’t want to give ammunition to the repressive thinking behind this order," Moore... View full entry
Shield House is just one example of “permitted development”. It is an outcome of a government experiment in deregulation, which allows homes to be made out of old offices and shops without planning permission, that has been going on for some years. An estimated 65,000 flats have been made in this way. — The Guardian
The Observer's architecture critic Rowan Moore highlights in his latest Guardian piece the failed outcome of a government program that seeks to speed up the conversion of old commercial properties into residential spaces. "The experiment has been catastrophic in several significant respects, but... View full entry
“I came away blindsided [by Eisenhower's legacy]. It brings tears to my eyes. How his accomplishments as a general and as a president match anything, all without the fanfare that’s going on around the president now. The opposite. He was modest but strong. A staggering accomplishment.” — The Guardian
Rowan Moore, architecture critic at The Observer, interviews architect Frank Gehry for The Guardian regarding the soon-to-open Dwight D. Eisenhower Memorial in Washington, D.C. The contentious memorial, which drew the ire of conservative architecture critics, was developed by Gehry Partners... View full entry
[...] tall buildings are still sold on the basis that they are good for the environment. Mostly the argument is about density – if you pile a lot of homes or workplaces high on one spot, it is said, then you can use land and public transport more efficiently. There’s some truth in this, but you can also achieve high levels of density without going above 10 or 12 storeys. — The Guardian
The Observer's Rowan Moore dissects a list of the usual arguments in favor of ever taller buildings around the world and concludes that not much of it passes the reality test of urgent climate crisis, resource scarcity, wealth distribution, city planning, global pandemic, and ultimately, good... View full entry