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What defines an architecture critic? These past few months, the discourse surrounding what an architecture critic is, who they have been, and why this role needs to be re-evaluated has circulated across several publications and architecture circles. While several critics come to mind, both past... View full entry
What will homes of the future look like? According to a recent UK housing competition, Home of 2030, selected winners have an idea. However, are these ideas all that new? The Guardian's Oliver Wainwright unpacks these winning design proposals and explains, "according to the winning architects... View full entry
Was Postmodernism ever popular? In 1986, at the height of the Po-Mo era, Newsweek's art and architecture critic Douglas Davis wrote a scathing review of Austin's newly built-up skyline, pinpointing his "disgust" towards the “riot of wretched excess” symbolized by the new Postmodern style... View full entry
Criticism: Everyone in architecture experiences it regularly. The importance of this consistent facet of the profession provides ongoing possibilities for discourse and improvement. However, like other areas where criticism plays a necessary part of establishing a significant impression or... View full entry
Where is architecture missing the mark when it comes to awarding praise to "successful" designs? In a recent piece by Charles Rosenblum from the Pittsburgh City Paper, he expresses concern for the lack of outside architectural critique from organizations like the AIA. "If we don't speak up... View full entry
Ishigami’s structure is a striking object, but it could have been so much better, and it is a frustrating outcome in what has been a troubled year for the Serpentine. [...] After almost 20 years of commissioning novelty structures to host summer parties for sponsors, it feels like the format could do with a rethink and look beyond the bounds of the gallery’s garden, and the collectors’ estates where the structures end up. — Oliver Wainwright, The Guardian
A few days before the opening of the 2019 Serpentine Pavilion, Oliver Wainwright of The Guardian wrote a piece calling for the Serpentine Galleries to consider rethinking the format of the yearly Serpentine Pavilion program (like appointing the architects earlier, for starters). It's been a rough... View full entry
A few weeks after being commissioned to design the 2019 Serpentine Pavilion, Junya Ishigami + Associates and the Serpentine Galleries are now under fire after it emerged that the big-name firm uses unpaid interns in Japan, the Architects' Journal reported today. An email sent by Junya Ishigami... View full entry
The idea of the “both-and” suggested a new pluralism, and maybe a new tolerance, in architecture. But the phrase turned out to have its limits. To the extent that Venturi was making an argument in favor of a kind of big-tent populism in architecture, it was a space for new styles instead of new voices, new forms rather than new people. In fact, tucked inside Complexity and Contradiction is an argument for a renewed insularity in the profession [...]. — The Atlantic
Christoper Hawthorne, former LA Times architecture critic and now Design Officer for the City of Los Angeles, dissects Robert Venturi's 1966 book, Complexity and Contradiction in Architecture (which famously scoffs at the Miessian classical Modernism with the "less is a bore" tagline), and argues... View full entry
The following examples show how gamespace can become the stage for a social, political and ethical critique: from a nondescript city under the effect of gentrification, to a barren luxury estate and a set of playful and absurd buildings for London. These examples suggest that, rather than allowing architects to indulge Piranesi’s power-hungry ideal, games could work as a means of showing how dysfunctional reality really is. — Failed Architecture
In her essay Gamespace Urbanism: City-Building Games and Radical Simulations for Failed Architecture, Federica Buzzi looks at a new crop of indie city-planning computer games that promise fresh potential for simulation and exploration of radical urban scenarios — and subsequent social... View full entry
[King Carl XVI Gustav] said the sprawling brass-clad structure, designed by the British architect David Chipperfield to house the Nobel Foundation and host its prestigious annual prize ceremony, would dominate Stockholm’s celebrated 19th-century waterfront...
‘The size of the building is determined by what is necessary for a Nobel Centre. It’s not exploiting the value of the land or something – it’s not a developer building, an office building or a hotel...’ [Chipperfield said.]
— The Guardian
King Carl XVI Gustav isn't favorable toward Chipperfield's dominating design plan for the Nobel Center, which inevitably has sparked opposition. But, supporters of the project beg to differ.Previously on Archinect:David Chipperfield wins Nobel Center architectural competitionNobel Center... View full entry
A recently completed restoration project [of Spain's Matrera Castle] has provoked an incredulous reaction from some locals and a Spanish conservation group...
However, Carlos Quevedo, the architect who oversaw the restoration of the castle...pointed out that the project had been painstaking, professional, and legal...'I do think that some basic, accurate information can help avoid some of the prejudices that spring from a simple image.'
— The Guardian
Spain is having another cultural kerfuffle over the recent restoration of the ancient Matrera Castle in Cadiz. While locals and preservation groups are mocking and criticizing the makeover, architect Carlos Quevedo says that it was done to prevent further structural collapse.More about historic... View full entry
You may recall an entertaining Twitter spat that broke out between ... Donald Trump and Pulitzer-winning Tribune architecture critic Blair Kamin. [...]
Kamin got off easy compared to his predecessor, the late Paul Gapp, who was also a Pulitzer-winning architecture critic for the Chicago Tribune. [...]
But [Gapp's] achievements were overshadowed by his run-in with The Donald: a $500 million lawsuit over one column, about Trump’s plan to build the tallest building in America in Manhattan.
— chicagomag.com
More news from Trump and the Windy City:Pulitzer Prize-winning architecture critic Blair Kamin on why his profession isn't deadOld Guy Fight! Tribune’s Blair Kamin vs. Donald TrumpBlair Kamin not impressed by Chicago's latest housing developmentsChicago Mayor blasts Trump sign as 'tasteless' View full entry
As controversy carries on over the notorious Garden Bridge by Heatherwick Studio proposed for London's South Bank, some opposers of the project are expressing their discontent with good ol' British satire in the soon-to-be-launched "Folly for London" competition. If you have a cheeky sense of humor, you'll have fun in this one. — bustler.net
Previously on ArchinectUPDATE, June 15, 2015: Will Jennings, artist and initiator of the "Folly for London" competition, sent us this statement to further explain the cause until the design ideas contest officially opens for entries.Details of the competition will be announced in due course and we... View full entry
'Architecturally, the ends of the bridge are abysmal: they are sort of hacked off. It’s not a good termination of the bridge – it’s inelegant – and the views of the ends of the bridge are particularly poor and ungraceful. It doesn’t look good. It isn’t a nice piece of work.' — Piers Gough — The Guardian
As the cherry on top for the widely dreaded Thames Garden Bridge, The Guardian rounds up a somewhat entertaining mix of critical reactions from prominent British architects, novelists, and artists on the proposed project, which faces an imminent judicial review.Previously:Further legal setbacks... View full entry
The review is about speculation as much as evaluation. Critics are not enemies, and they don’t know everything. Admitting a level of uncertainty that necessarily occurs within design education completely changes how one imagines the review moment. — sectioncut.com
