The idea of the “both-and” suggested a new pluralism, and maybe a new tolerance, in architecture. But the phrase turned out to have its limits. To the extent that Venturi was making an argument in favor of a kind of big-tent populism in architecture, it was a space for new styles instead of new voices, new forms rather than new people. In fact, tucked inside Complexity and Contradiction is an argument for a renewed insularity in the profession [...]. — The Atlantic

The following examples show how gamespace can become the stage for a social, political and ethical critique: from a nondescript city under the effect of gentrification, to a barren luxury estate and a set of playful and absurd buildings for London. These examples suggest that, rather than allowing architects to indulge Piranesi’s power-hungry ideal, games could work as a means of showing how dysfunctional reality really is. — Failed Architecture

[King Carl XVI Gustav] said the sprawling brass-clad structure, designed by the British architect David Chipperfield to house the Nobel Foundation and host its prestigious annual prize ceremony, would dominate Stockholm’s celebrated 19th-century waterfront...

‘The size of the building is determined by what is necessary for a Nobel Centre. It’s not exploiting the value of the land or something – it’s not a developer building, an office building or a hotel...’ [Chipperfield said.] — The Guardian

A recently completed restoration project [of Spain's Matrera Castle] has provoked an incredulous reaction from some locals and a Spanish conservation group...

However, Carlos Quevedo, the architect who oversaw the restoration of the castle...pointed out that the project had been painstaking, professional, and legal...'I do think that some basic, accurate information can help avoid some of the prejudices that spring from a simple image.' — The Guardian

You may recall an entertaining Twitter spat that broke out between ... Donald Trump and Pulitzer-winning Tribune architecture critic Blair Kamin. [...]

Kamin got off easy compared to his predecessor, the late Paul Gapp, who was also a Pulitzer-winning architecture critic for the Chicago Tribune. [...]

But [Gapp's] achievements were overshadowed by his run-in with The Donald: a $500 million lawsuit over one column, about Trump’s plan to build the tallest building in America in Manhattan. — chicagomag.com

As controversy carries on over the notorious Garden Bridge by Heatherwick Studio proposed for London's South Bank, some opposers of the project are expressing their discontent with good ol' British satire in the soon-to-be-launched "Folly for London" competition. If you have a cheeky sense of humor, you'll have fun in this one. — bustler.net

'Architecturally, the ends of the bridge are abysmal: they are sort of hacked off. It’s not a good termination of the bridge – it’s inelegant – and the views of the ends of the bridge are particularly poor and ungraceful. It doesn’t look good. It isn’t a nice piece of work.' — Piers Gough — The Guardian

The review is about speculation as much as evaluation. Critics are not enemies, and they don’t know everything. Admitting a level of uncertainty that necessarily occurs within design education completely changes how one imagines the review moment. — sectioncut.com

The forest of elevator cores sprouting up around town tells us that we’re living in a once-a-century moment—a sugar rush of development unseen here since our parents’ parents’ time. But the dirty little secret behind Boston’s building boom is that it’s profoundly banal—designed without any imagination, straight out of the box, built to please banks rather than people. — bostonmagazine.com

What is 'serious criticism' in architecture? This is a vital topic, since architecture critics often shape public opinion as much as architects themselves do, if not more so. — Huffington Post

It's a big deal when Denver's top architect publishes an essay saying this city is failing at design downtown. That we are building one mundane apartment building after the next. That we are wasting the opportunity to become a national leader and ruining the urban landscape by putting profit above civic pride.

Jeff Sheppard said all that [...] in a guest editorial in last Sunday's Denver Post. And we'd be wise to hear him and do what he's suggesting: Knock it off immediately. — denverpost.com

Inga Saffron, who writes the "Changing Skyline" column for the Philadelphia Inquirer, won the Pulitzer Prize for criticism this week.

She talks with Dave Heller about the state of criticism today, and the changing attitudes towards cities. — newsworks.org

Inquirer architecture critic Inga Saffron on Monday won the Pulitzer Prize for criticism.

In its citation, the Pulitzer Committee cited Saffron "for her criticism of architecture that blends expertise, civic passion and sheer readability into arguments that consistently stimulate and surprise." — philly.com