Russian officials have abandoned a flagship project to build of a new State Center for Contemporary Arts in Moscow.

[...] the head of the National Centre for Contemporary Arts (ROSIZO-NCCA), Sergey Perov, revealed to the Art Newspaper Russia earlier this month that the project had been officially scrapped due to a lack of funding.

He said the government had been unable to find the 16 billion rubles ($240 million) needed to back the project. — Calvert Journal

Hours after an immense fire consumed the National Museum in Rio de Janeiro, a crowd of protestors gathered in front of the wrecked institution on last night (3 September) to protest the financial neglect that led to its demise. The 200-year-old historical building lacked an efficient sprinkler system—a result of years of incremental budget cuts by the Brazilian government—and was quickly gutted when the blaze erupted shortly after the museum closed to visitors on Sunday (2 September). — theartnewspaper.com

In a vast expanse beneath the Finnish capital lies a soaring circus-top culture hub. Will the €50m Amos Rex art museum put the city at the forefront of Europe’s art scene? [...]

“It is as if the museum didn’t quite agree to go underground,” says Asmo Jaaksi of local architecture firm JKMM, which masterminded the project, “and it’s somehow bubbling up into the square.” — The Guardian

Tate St Ives has been announced as Art Fund Museum of the Year 2018, the largest and most prestigious museum prize in the world. Anne Barlow, director of Tate St Ives, was presented with the £100,000 prize by artist Isaac Julien and the ‘world’s best teacher’ Andria Zafirakou at an award ceremony at the V&A, London. — Art Fund

Students—as both learners and curators—are leading the way at Dartmouth College’s Hood Museum of Art, which is due to reopen on 26 January 2019 after a closure of nearly three years for an expansion and revamp by Tod Williams Billie Tsien Architects. The $50m project expands the museum’s space by 50% to over 62,000 sq ft, adds six new galleries and renovates the museum’s original 1985 Charles Moore building (which was “not healthy” [...] revealing rust and mould in the renovation process). — The Art Newspaper

At an impassioned four-hour public hearing [...] by the New York Landmarks Preservation Commission (LPC), around 50 members of the public, as well as Selldorf, the Frick’s director Ian Wardropper and members of the commission debated the proposed $160m Annabelle Selldorf Architects-designed expansion and renovation of the Frick Collection in New York. The LPC remains undecided on the project, which is due to break ground in 2020 [...]. — The Art Newspaper

With outposts and partnerships either launched or pending in Metz, Málaga, Brussels, the Gulf, Shanghai and possibly Latin America, is the Centre Pompidou turning into a new Guggenheim, eager to extend its influence globally? Encouraged by the success of its Málaga branch and of Louvre Abu Dhabi, the Pompidou’s president [...] steering it into a number of new ventures, which he believes will deepen the Parisian museum’s relationship with artistic centres it might otherwise be unable to reach. — The Art Newspaper

NEW YORK’S MUSEUM of Modern Art is under siege. Well, a virtual siege, at least. A group of renegade artists has co-opted the brightly-lit Jackson Pollock gallery on the museum’s fifth floor, turning it into their personal augmented reality playground. [...] those that have downloaded the MoMAR Gallery app on their smartphones, the impressionist's iconic paintings are merely markers—points of reference telling the app where to display the guerilla artists’ works. — Wired

The Frost Science Museum has been open for nearly a year, and it’s already been visited by almost 1 million people. But it’s not finished, and the nonprofit and the general contractor are fighting over who should pay to complete the work.

The museum faces a lawsuit from its main contractor claiming the nonprofit unfairly held back payments and left construction work undone as budget strains forced it to cut costs in the final months of building the mostly tax-funded $300 million project [...]. — Miami Herald

In March, the Bank of Canada unveiled a new $10 bank note [...] The laurel leaf signifies justice, and the Canadian Museum for Human Rights building, designed by New Mexico architect Antoine Predock, is featured prominently. To contrast its striking modernism, the Library of Parliament’s vaulted ceiling is reproduced with a metallic sheen, as is the Arms of Canada insignia. — azuremagazine.com

The Smithsonian Institution has confirmed that it will work with the Victoria and Albert Museum to set up a joint gallery and exhibition programme in East London, on the former Olympic site. Yesterday (9 April) the Smithsonian’s regents (trustees) gave formal approval for their first base outside the US. — The Art Newspaper

If you still haven’t been able to sneak your way into the newest museum on Washington DC’s National Mall, April may be your best bet. Last week, the museum announced that the month would feature Walk-Up Wednesdays, allowing people who haven’t scored entry passes to go into the museum on a first-come, first-served basis, a pilot program to test no-pass entry. — hyperallergic.com