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First with a white cover, then black, then grey, then red and then finally pink, Log Journal has carried itself as a unique voice in the architectural community for an astounding 15 years. Log Journal logoEdited by Cynthia Davidson, the magazine has been published three times a year, often as... View full entry
This week Ken, Donna and I talk about some topics in recent architecture news, along with a little discussion about dealing with criticism. Listen to episode 120 of Archinect Sessions, “Radical Candor”. iTunes: Click here to listen, and click the "Subscribe" button below the logo to... View full entry
In that spirit I set a challenge for myself: Could I come up not just with one but with 25 buildings that might have deserved the award this year? It took me a few days — and I was helped by some terrific suggestions from architects, critics and historians on Twitter and elsewhere online — but in the end finding 25 wasn't that difficult. — LA Times
LA Times journalist Christopher Hawthorne has penned, or passionately typed, an inquiry into the fact that this year's 25-Year-Award was awarded to—no one. In the article, Hawthorne walks us through the importance and aim of such an award and how to him, there are more than a few projects that... View full entry
Starchitecture is out of fashion these days, but it can still produce visual wonders. The look of the Louvre Abu Dhabi, designed by Jean Nouvel, might be described as Arabic-galactic. In the form of an immense, filigreed gray half-sphere resting on a low base infiltrated by water channels, it could pass as a spaceship, an unfinished mosque or a Venetian pavilion set on the edge of the Persian Gulf. — NYT
Holland Cotter reviews the new building and collection/inaugural installation, of the Louvre Abu Dhabi. View full entry
Jakarta is perhaps the truest realization of a post-colonial cosmopolis. Many former colonial capitals stage a rivalry between quaint traditional centers and desperation-driven peripheries. But Jakarta can be understood not as a dialogue with its former foreign overlords but rather as a fiercely insistent projection of Indonesian independence. — Places Journal
In his latest article for Places, Joe Day examines the contemporary architecture of Jakarta through the framework of the utopian terms of the Five Pancasilas, the founding principles of modern Indonesia. Day traces the development of Indonesian architecture from founding president Pak Sukarno's... View full entry
Yale has just completed two new residential colleges near the heart of campus: a superblock of neo-Gothic fantasy. This reversion to an archaic visual language exemplifies a troubling trend. With their new architecture, universities all too often abdicate leadership in promoting artistic innovation as they pander to plutocratic donors. — Places Journal
Columnist Belmont Freeman takes a critical look at Yale's RAMSA-designed Benjamin Franklin College and Pauli Murray College in his latest piece for Places. While Freeman marvels at their extraordinary evocation of tradition, he argues that their historicism represents a missed opportunity to... View full entry
“Whether there is or is not a Northwest regional style of architecture is debatable,” said John Yeon in 1986, “but what is certain is that lot of people want to think there is.” — Places Journal
In "A Fortuitous Shadow," Keith Eggener is inspired by the Portland Art Museum's recent exhibition on John Yeon's life and legacy to explore the concept of regionalism in architecture, beginning with the doubts expressed by the architect long associated with Pacific Northwest regional modernism. View full entry
This week we're joined by Inga Saffron, the Pulitzer Prize-winning architecture critic for the Philadelphia Inquirer. If you haven't read her latest piece on Henry Wilcots, the relatively unknown architect responsible for finishing Louis Kahn's masterpiece in Dhaka, go read it now. We talk with... View full entry
Kahn led a generation of architects away from the standard-issue modernism of glass and steel boxes, but his route was gentle, thoughtful, philosophical, and sometimes vaguely mystical, which is part of the reason that he never really became famous. Kahn’s semi-obscurity didn’t just extend to the cops at Penn Station: The Times obituary had to be written on deadline the night his death became known, because the obit editors hadn’t considered him important enough to merit one in advance. — The Nation
In his essay on Kahn, Goldberger examines methodologies of biographical writing, and explores the enigmatic aspects of the architect's identity and work. "You get his essence almost as much through his words as his buildings. Both are somewhat spare and cryptic, and both are rich in meaning. Who... View full entry
Rooting himself less in a strictly academic tradition and more in an observed, on-the-street context, architecture author and researcher Christopher Gray catalogued what he considered to be beautiful and surprising for The New York Times from 1987 to 2014 in his "Streetscapes" column. He also... View full entry
Blair Kamin, Pulitzer Prize-winning architecture critic for the Chicago Tribune, has had a tempestuous relationship with Donald Trump for years. As a developer working in Chicago, Trump's buildings have been critiqued by Kamin, and as often happens when Trump is criticized, he does not shy away... View full entry
The aptly named "McMansionhell" tumblr has taken the time to carefully note just what makes a McMansion an ugly, terrible, no good architectural atrocity. Skipping over frothy diatribe and going straight into meticulous point by point dissection, the tumblr notes that McMansions fail in four key... View full entry
He seems hungry for a serious discussion on everything from the refugee crisis – “a really bad combination of European arrogance and North African ignorance” – to the state of contemporary architecture – “the vast majority of architects are just filling up our society with trash” – and has a habit of speaking about his art in overwhelmingly conceptual terms. “Are we consumers of space?” he asks himself at one point. “Or are we in fact producers of space?” — telegraph.co.uk
Related stories in the Archinect news:Olafur Eliasson to storm VersaillesOlafur Eliasson wins a Crystal Award for "improving the state of the world"Olafur Eliasson opens ship-themed pedestrian bridge in Copenhagenand in a way: Frank Gehry gives the crowd a piece of his mind (and his middle finger) View full entry
What is the role of creative exploration in architecture? From the L.A. Times to The New Republic, this question is very much on critical minds. In a piece entitled "How to Make Architecture Human," Anna Wiener reviews Witold Rybczynski's latest collection of essays, Mysteries of the Mall, which... View full entry
The published renderings that accompanied the announcement were not terribly reassuring, as they depicted a very long curved terminal with gangly tentacles raised over plane taxiways that hinted at torsos of praying mantises: an awkward rather than a graceful vault. — 6sqft.com
Related: A new LaGuardia is the "airport that New York deserves", says Gov. Cuomo View full entry
