Poundbury, Paisley and Perspectives all ultimately failed to conquer the complex commercial and political challenges they faced. Their royal patron’s attempts to create human-centred townscapes have led to car-dominated suburbs. His efforts to uplift grand historic buildings have carved them into dreary flats. Our King is someone who sees the right problems but, ensconced in the very establishment that prevents meaningful solutions, he can only meddle around the edges of effecting real change. — The Guardian

Traditionalist lunatics have succeeded in taking over the asylum. Reactionary ideas hostile to the cosmopolitan, to Modernism, to modernity itself, are in the ascendant. — The Art Newspaper

Now, his first Chicago skyscraper, Streeterville’s One Bennett Park, is nearing completion. [...]

“It has a very special site,” he said. “It will be a building that is memorable, I hope. I think it has already made an impression on the skyline. I would describe it as a building that has roots in the skyscrapers of New York in the 1920s and ‘30s, which people generally call Art Deco, but maybe that’s a kind of sloppy term.” — WTTW

Eunpyeong Hanok Village was selling locals hanok, the traditional Korean tile-roofed residences that have, after hundreds of years, increasingly been destroyed and replaced by towering steel structures; indeed, not since the 1930s have hanok been constructed in significant numbers.

The decline of vernacular architecture in the face of global urbanization is, of course, hardly new, though traditional Korean hanok are a particularly stark contrast to modern city living. — The New York Times

Wang Shu and his wife, Lu Wenyu, of China’s Amateur Architecture Studio want to protect Chinese culture and history by returning to artisanal building techniques and the use of materials such as natural stone, wood and bamboo. Wang Shu’s rejection of what he calls “professional, soulless architecture” has almost become a war cry. That kind of architecture, he believes, is ruining China. — South China Morning Post

Thanks to the overwhelming clarity of [Le Corbusier's] positions, the bewitching nature of his epigrammatic style and the already-powerful international movement for Modernism, the impact he had on a rising generation of Japanese architects would prove to be immense. But it would be the nature of that impact to be felt only in conditions of overwhelming ambivalence. — The New York Times

But recently, a generation of homeowners and architects...have started not just ignoring, but defying the Law of Jante....From cast-concrete bunkers to glass-framed aeries, the new houses shock, subverting long-established order with a cool blast of modernity, while also paying homage to the island’s chilly dignity. — T Magazine

The dominant theme is that of the expression of identity, the overwhelming preference in British mosque design being for traditional elements and decoration – especially dome, minaret and arches – applied to sometimes basic box-like structures. From time to time the cry goes up, including in Jonathan Glancey’s introduction to this book, that a “contemporary” Islamic British style should be developed. — The Guardian

Long before foam insulation and concrete tower blocks, humans were finding ingenious ways to address their needs through architecture. Using local materials and inherited construction techniques, societies have ensured that buildings provide protection and comfort. In Tonga, traditional curved roofs offered aerodynamic protection against storms and cyclones. In the Uros islands of Lake Titicaca in the Andes, reeds were used in houses due to the insulating properties of their hollow stems. — cnn.com

So what does the taste for Hogwarts-style dormitories say about the Yale or the USC of 2017? It says that the primary job of residential architecture on campus is to provide a sense of consistency and familiarity for donors and incoming students alike — to soften the edges of the college experience. — Los Angeles Times

At a ceremony last week to mark the opening of the $700-million USC Village, C.L. Max Nikias, the university’s president, spoke at some length about the architecture of the new complex and what he called “USC’s extraordinary physical metamorphosis” in recent years. [...]

Then came his ringing conclusion: “And let’s always remember, the looks of the University Village give us 1,000 years of history we don’t have. Thank you, and fight on!” — latimes.com

Scott Merrill, an architect known for his originality and creative application of architectural precedents, has been named the recipient of the 2016 Richard H. Driehaus Prize at the University of Notre Dame. Merrill, the 14th Driehaus Prize laureate, will be awarded the $200,000 prize and a bronze miniature of the Choregic Monument of Lysikrates during a ceremony on March 19 (Saturday) in Chicago. — University of Notre Dame School of Architecture

New York has seen twenty-first-century buildings in early-twentieth-century drag before, but 30 Park Place stands out, both for its size [...] and for its location—cheek-by-jowl with some of the most ambitious buildings to emerge from the current high-rise boom [...]

“We’re transposing a nineteen-thirties language to lower Manhattan, which has gotten overrun with glass and abstraction,” the architect said in a recent interview. “People want to look at buildings and make connections.” — newyorker.com