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For now, the austere structure—and everything it symbolizes about the African American experience—awaits for a buyer while it sits quietly in Guernsey’s storage facility in upstate New York. As of this writing, the home’s destiny looks promising if uncertain. “There are 1,500 monuments to the Confederacy, which is absurd,” Mendoza says. “There are 76 monuments to the civil rights movement. Let this be the 77th.” — Artnet
When Rosa Parks' Detroit home went up for auction a few weeks ago, the auction house Guernsey's struggled to find a buyer, despite the wide media attention the house has received. “If all else fails, theatre and visual artist Robert Wilson and his Watermill Art Foundation in Long Island, New... View full entry
Depending on who you ask, brutalist buildings like the FBI's J. Edgar Hoover Building in Washington, D.C., are little more than misshapen mounds of concrete. But architecture professor Mark Pasnik says the structures were built with a much deeper meaning in mind.
"People think of them as communistic or as alienating," says Pasnik, who came to brutalism's defense in a recent Boston Globe op-ed.
— wbur.org
Architecture professor Mark Pasnik makes the argument for preservation of brutalist buildings in an opinion piece for the Boston Globe. Pasnik's piece was in response to Trumps recent outcry to tear down the FBI headquarters. He explains the style's history of material honesty, along with reasons... View full entry
"Along with their monumental role in Rome's urban fabric, the architectural status of fountains has long been uncertain. It can be hard to determine when they ceased to be viewed as public water utilities, and came to be regarded as purely artistic objects." — Places Journal
In the same week in 2016, a group of tourists were denounced as trespassers for splashing around in one of Rome's historic fountains, while Fendi was praised for its tribute to Italy's artistic legacy by staging a fashion show across another. Anatole Tchikine is prompted by these contrasting... View full entry
How could an architect who had made the pursuit of lightness the essence of his design aspirations become one of the great form-givers of the aesthetics of weightiness? — Places Journal
In this rich examination of the work of Marcel Breuer, Barry Bergdoll explores the marked shifts between his early European and later American work, and finds a constant in the pursuit of lightness. In his efforts to reconcile vernacular traditions with modern expression and the conditions of... View full entry
For too long, the issues of gender, disability, and user-centeredness have been relegated to the far margins of architectural history. — Places Journal
Places columnist Barbara Penner uncovers a parallel narrative to the rise of flexible home design — often attributed to a handful of progressive postwar designers — in the history of home economics. She explores the flexible domestic spaces created by designers such as Lillian Moller... View full entry
During a time of heated debates on national borders, “Unbuilding Walls” — the German Pavilion now open at the 2018 Venice Biennale — revisits the era of the Berlin Wall, 28 years after it was dismantled. “Since February 5, 2018, the Wall that divided Germany for 28 years has been... View full entry
For the 2018 Venice Biennale, Estonia's pavilion, “Weak Monument”, explores the explicit representation of the monument and the implicit politics of everyday architectural forms. Curated by Laura Linsi, Roland Reemaa and Tadeáš Říha, the exhibition takes over the former Santa Maria... View full entry
Gill, for Christ's sake, get your hair cut.-FLW — Southern California Architectural History
If you think architecture has a dense web of characters and influences now, read So. Cal's arch historian John Crosse's account of the development of modernism in Los Angeles, going all the way to Adler & Sullivan's prestigious office in the Auditorium Building in Chicago.Front elevation... View full entry
There is a good case for listing Thomas Hardy amongst the greatest of all conceptual architects — the prophet, well before the fact, of a particular type of speculative, imaginary architectural project which would boom a century later. — Places Journal
The 19th-century author Thomas Hardy has never been considered much of an architect. Yet as Kester Rattenbury shows, his creation of Wessex was an architectural project - one that drew on the ideas of his time, but also predicted some of the most inventive architectural work of our own age. Hardy... View full entry
“Away with universal styles,” wrote Josef Frank. “Away with the idea of equating art and industry, away with the whole system that has become popular under the name of functionalism. Modernism," he was fond of saying, "is that which gives us complete freedom." — Places Journal
More than an architect and designer, Josef Frank was an “intellectual, who built ideas.” Christopher Long introduces Frank's 1958 essay, "Accidentism" — a humanist manifesto denouncing the banality of orthodox modernism and calling for a new pluralism in design. As Long explains, "the essay... View full entry
The council housing designed 50 years ago for a progressive London borough remains a potent symbol of the achievements of postwar social democracy. — Places Journal
Prompted by Mark Swenarton's recent book, Cook's Camden, Douglas Murphy looks at the radically experimental public housing estates built by the London borough from 1966 to 1975, and the reevaluation of these extraordinary projects currently underway in our own era of unaffordable cities and... View full entry
Long before foam insulation and concrete tower blocks, humans were finding ingenious ways to address their needs through architecture. Using local materials and inherited construction techniques, societies have ensured that buildings provide protection and comfort. In Tonga, traditional curved roofs offered aerodynamic protection against storms and cyclones. In the Uros islands of Lake Titicaca in the Andes, reeds were used in houses due to the insulating properties of their hollow stems. — cnn.com
A key issue in sustainability lies with imported building materials, leading architects to look for more ways to use local resources. As attention is turned towards existing materials, traditional design solutions must also be taken into account as each culture has its own history of building in a... View full entry
“Whether there is or is not a Northwest regional style of architecture is debatable,” said John Yeon in 1986, “but what is certain is that lot of people want to think there is.” — Places Journal
In "A Fortuitous Shadow," Keith Eggener is inspired by the Portland Art Museum's recent exhibition on John Yeon's life and legacy to explore the concept of regionalism in architecture, beginning with the doubts expressed by the architect long associated with Pacific Northwest regional modernism. View full entry
In other ways — in almost every other way — Wong’s career was a study in complexity. Political and ethnic complexity, mostly. And the complicated question of credit in architecture: Who gets it, who doesn’t and who has the authority to hand it out. [...] If not for the persistence of that narrative, Gin Wong’s contribution to postwar L.A. would be far better understood. It’s that simple. — Christopher Hawthorne, LA Times
In a recent column, Christopher Hawthorne highlights the quiet legacy of architect Gin Wong, who passed away September 1 at the age of 94. Wong worked as director of design for William Pereira in the 1960s before opening his own firm in 1973. Some of his projects include LAX's original design in... View full entry
It would be the decisive moment in Wilcots’ life. By saying yes, he ended up devoting more than 20 years to helping Kahn build the new capital...The meetings would cause him to move to Philadelphia, a place that at the time seemed to him far less welcoming to African Americans than Dhaka. When Kahn suffered a fatal heart attack in 1974...Wilcots would assume the awesome task of finishing a Louis Kahn masterpiece. — Inga Saffron for the Philadelphia Inquirer
This article sheds light on the story of Henry Wilcots (now 89 years old), the much overlooked architect who was responsible for completing Louis Kahn's Dhaka National Assembly masterpiece. Dubbed as the “Kahn whisperer” by fellow colleagues, the calm-and-collected Wilcots was able to have a... View full entry
