Explaining his move, he said that, while it was ‘unorthodox in an academic setting’, the citations were removed to give the publication more relevance to the general public and less of an academic tone. [...]
In a letter to Princeton University, Koolhaas defended Zaera-Polo, saying that the publication was intended as a ‘polemic, not an academic document’. — architectsjournal.co.uk
Alejandro Zaera-Polo resigned from his deanship at Princeton University's School of Architecture back in October, amidst rumors of plagiarism in texts supplied to Rem Koolhaas' 2014 Venice Biennale. Now, in a letter published on his website, Zaera-Polo clarifies the rumors, and addresses the...
“I think it’s definitely derivative of the Gardens by the Bay concept,” Chris Wilkinson, one of the British architects responsible for the “super-trees” in Singapore’s Marina Bay, told The Daily Telegraph.
“You’d have expected them to have come up with something a bit more original.” — telegraph.co.uk
In July, Anasagasti hired a lawyer and filed a copyright-infringement lawsuit, accusing American Eagle of stealing his work and seeking monetary damages. If it sounds novel to apply copyright to graffiti art, that’s because it is: Lawyers who work in this area say it’s not clear anyone has ever tried this in court. Copyright law, as its name suggests, lays out the rules for when it’s okay to copy something. But does it extend to art that's on public walls? — theatlantic.com
[...] colleges in China are copying America’s copycat approach. There’s a university in Shanghai where faux English manor houses sit side-by-side with dorms modeled on Britain’s half-timbered homes. To the north, Hebei province boasts a university inspired by Harry Potter’s Hogwarts—itself fashioned on the traditional collegiate Gothic. Even specific colleges have been cloned. — theatlantic.com
That’s a nice photo of Paris, isn’t it? Nope! That’s not Paris and no, it’s not Disney World or even the Las Vegas Strip; it’s a replica Paris in China. What makes this clone of Paris even more weird is that it’s a ghost town. Only about 2,000 people live there, which means that those giant skyscrapers, with 700+ units tend to only have around 30 people living in each of them. This city has become a place to take wedding photos for Chinese citizens who can’t afford to travel to the real Paris... — mydesignstories.com
Chinese cities have recently become notorious for their sheer degree of copying and reproduction, with hundreds of replicas of famous historic buildings and even of recent ones – such as the copy of Zaha Hadid's Guangzhou Opera House, under construction almost immediately after the original was completed. But in London, the Crystal Palace replica is only the most vast – and probably the least likely – of a smaller but still significant series of proposed reconstructions. — guardian.co.uk
A lot of Chinese people look up to the West as an ideal, so the construction of these towns could be seen as a way of accelerating their progress; a quick way of achieving through emulation. — psmag.com
China is also the land of the knock-off: knock-off designer handbags, knock-off blockbuster movies on DVDs, etc. But now, it seems the knock-off has gone off the charts in terms of proportion: entire buildings. — theworld.org
As we have previously mentioned, Zaha Hadid is the latest victim of piracy in China, with a upcoming copy of her Wangjing Soho complex... scheduled to be completed before the original. NPR explores this issue with McGill architecture prof Avi Friedman.
Star architect Zaha Hadid is currently building several projects across China. One of them, however, is being constructed twice. Pirates are the process of copying one of her provocative designs, and the race is on to see who can finish first. — spiegel online
Recently MovingCities went scanning the thematically and sketchy styled satellite towns [a Dutch, Nordic, Italian, Spanish, British, German, Canadian and even Chinese one] dotting the periphery of Shanghai. The text, published earlier in Bauwelt, can now be read online. A few extracts: Where in...
The original is a centuries-old village of 900 and a UNESCO heritage site that survives on tourism. The copycat is a housing estate that thrives on China's new rich. In a China famous for pirated products, the replica Hallstatt sets a new standard. — news24.com
In pre-industrial days, copying used to be a positive act. It was seen as a skill. Artists were looked upon as handworkers. Copying became a negative notion with the cult of the individual artist and the arrival of mass production, which made replication extremely cheap and easy. Copyright and intellectual property laws were created to protect the original. In those days, the amount of new products reaching the market was relatively small. — rennyramakers.com
SUBMIT NEWS: submit in 60 seconds!