Russian police say they're looking for the intellectually minded miscreants who graffitied "Kant is a moron"—along with a flower and heart—on the philosopher's home outside Kaliningrad.
With Arthur Schopenhauer dead for 155 years, however, authorities start off with few strong leads. — theatlantic.com
The derelict house does look like an easy target for vandalism, but apparently the philosopher never even actually lived inside. The Atlantic points out that the local structure Kant lived in was destroyed sometime in the 19th century, and the tagged building was in fact a new one built on the...
But how to draw the distinction between unauthorized graffiti and murals? Late last year, city officials issued thousands of dollars worth of fines before admitting they couldn't tell the difference between vandalism and authorized artwork (they eventually dismissed the fines). To correct this, Castañeda-López says the city is working on the seemingly Herculean task of creating a registry for all Detroit's existing street art. — metrotimes.com
Upon the recent controversial demolition of the "5 POINTZ" graffiti mecca in Long Island City, NY, a group of architects consisting of Arianna Armelli, Ishaan Kumar, David Sepulveda and Wagdy Moussa came up with the idea of DEFACED. In the proposal, DEFACED is an organization that is dedicated to...
In July, Anasagasti hired a lawyer and filed a copyright-infringement lawsuit, accusing American Eagle of stealing his work and seeking monetary damages. If it sounds novel to apply copyright to graffiti art, that’s because it is: Lawyers who work in this area say it’s not clear anyone has ever tried this in court. Copyright law, as its name suggests, lays out the rules for when it’s okay to copy something. But does it extend to art that's on public walls? — theatlantic.com
There has long been a subculture of so-called “urban explorers” who have made a game of accessing off-limits places. [...] Urban explorers take photos mainly to document that they’ve been there, while for Deas the image is the whole point. The outlaw Instagrammers have more in common with graffiti artists, another subculture of underground creatives who make their work in the cracks of the urban landscape. — nymag.com
5 Pointz, New York City’s “graffiti mecca,” is being demolished right now. This morning, a backhoe began tearing into the building that has served as a legal spot for aerosol artists for over two decades. In 2011, the property owner announced that he will be developing the site and transforming it into a massive residential condo complex. — animalnewyork.com
But, with all this push to quantize and characterize, there are dangers. Cities clearly are more than a new kind of physics problem. They are also creations of the human imagination and, as such, they live or die by the quality of the imagination we bring to them.
Thats why no discussion of the health of cities can be complete without thinking about the role of art — public art. — npr.org
If you loved 5Pointz, grab a box of tissues because you aren't going to be happy with what's planned for the soon to be demolished building. New renderings of what will replace the former art mecca have emerged, and unsurprisingly, the towers are as ho hum residential as they come. The new design is the work of New York-based HTO Architect, and once complete, will hold 1,000 apartments within two towers of 41 and 47 stories each. — 6sqft
Using images provided by cultural organizations worldwide, some of which were captured with Google’s Street View camera technology, [the Google Cultural Institute's Street Art Project] includes street art from around the globe, including work that no longer exists [...]
Google is the latest organization to wade into debates about how or whether to institutionalize, let alone commercialize, art that is ephemeral and often willfully created subversively. — nytimes.com
As more journalists are being arrested in Egypt, artists are under threat as well. [...]
Political slogans and portraits of people who have died since the January 25 revolution are painted over by the government and replaced immediately by artists. The walls of Mohamed Mahmoud Street leading to Tahrir Square are layers of colorful murals over asymmetrical blotches of white paint. And despite its attempt to silence, the dictatorial white ironically makes a great primer for many of the artworks. — blog.vandalog.com
In the 13th Arrondisement in Paris, the brightly painted "Tour Paris 13" building -- is easy to spot from a distance. Described as the largest group exhibition of street art, Gallery Itinerance gathered over 100 urban artists representing 16 nationalities to use their artistic skills to repaint...
The artists behind New York’s graffiti haven 5 Pointz have learned that their last-ditch legal effort to save the outdoor gallery will likely fail.
“The building, unfortunately, is going to have to come down,” federal judge Frederic Block said in New York’s eastern district court on Friday. [...]
“I’m getting the sense that the traditional academic way of looking at things needs to be updated,” Block said. — The Guardian
"I am a naturally peaceful person, but I wouldn't be that upset if 'Vladimir' accidentally met with a baseball bat," - an art lover @twitter — The Guardian
The Guardian reported "A man has defaced a multimillion-pound Mark Rothko mural hanging in the Tate Modern gallery in front of onlookers. A police investigation is now under way into the vandalism of the US artist's work. The graffiti on the painting appears to read "a potential piece of...
Deitch’s Disneyesque barrio gave New Yorkers who would never dream of getting off the subway north of 96th Street that delightful frisson of proximity to the underclass, just as the graffiti cult provides affluent viewers with the sense that they are in touch with authentic ghetto culture. — Heather MacDonald, City Journal
Here is a totally hilarious, angry finger-wag from the libertarian/neo-con City Journal. It calls out the "petite" Jeffrey Deitch and LA's Museum of Contemporary Art because, apparently, ensconcing graffiti *within* the museum walls is not enough for the author as a containment of the...
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