A handful of scientists and policy makers are...grappling with the long-term environmental effect of an economy that runs increasingly on gotta-have-it-now gratification [...]
The environmental cost can include the additional cardboard — 35.4 million tons of containerboard were produced in 2014 in the United States, with e-commerce companies among the fastest-growing users — and the emissions from increasingly personalized freight services. — NY Times
Two years after the 2011 earthquake destroyed Christchurch's neo-Gothic cathedral, the building has been resurrected. It has also undergone something of a public transfiguration. [...]
In the past few years cardboard has also become increasingly popular in small-scale design. Hipster boutiques, museum gift shops and high profile public events such as the State of Design Festival now stock cardboard lighting, storage units, stools and kids' toys. — Sydney Morning Herald
The Cardboard Cathedral in Christchurch, New Zealand opened its doors to the public for the first time on August 6. Designed by Japanese architect, Shigeru Ban, the cathedral is a temporary replacement of the original Christchurch Cathedral, the city's symbol that was destroyed by a 6.3-magnitude...
We have received photos and a video of a pretty stunning temporary pavilion built with 3,000 corrugated hexagonal cardboard boxes for the annual “Fallas” festival in the Spanish city of Valencia. The pavilion design was a collaborative effort between Miguel Arraiz García of bipolaire arquitectos and David Moreno Terrón of Pink Intruder. — bustler.net
More than 50 students will attempt to break the nationwide record of 1,655 boxes, currently held by BYU
The battle to build the world’s largest cardboard structure has been an ongoing rivalry between three schools: UNLV, Harvard University, and BYU.
UNLV students have been preparing for weeks to manipulate the cardboard into realistic architectural concepts, using lessons learned in a fundamentals of design course. — news.unlv.edu
The project, called Night Blooms, is the work of Wil Natzel, an architect with a taste for the eclectically romantic and for unusual materials.
“My larger approach to architecture is embedded in the history of architectural ornamentation,” he says, “As an alternative to a city filled with purely performative architecture” — being the boring walls, doors, stairs, pathways, and other bits that define the spaces we use. — wired.com
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