Using his authority under the Antiquities Act, the president created a protected area spanning roughly 704,000 acres in central Nevada’s Basin and Range, as well as smaller ones in California’s Berryessa Snow Mountain and Texas’ Waco Mammoth. [...]
Broadly supported by environmentalists, [Basin and Range] is also home to a major earthen sculpture, “City” which the artist Michael Heizer has worked to create over nearly half a century. — washingtonpost.com
All in all, these new monuments cover more land than the state of Rhode Island, adding significant mileage to Obama's public lands legacy. The Basin and Range (Nevada), Berryessa Snow Mountain (California) and Waco Mammoth (Texas) monuments cover lands that are either completely or mostly...
Located in Garden Valley, Nevada, Michael Heizer’s City is one of the most significant works of art in the United States. Begun by Heizer in 1972, the project is now in its final stage of completion. It will, in the future, be accessible by the public. [...]
To see the land developed into a site for military, energy, or waste purposes, would ruin it forever. After 43 years of work, can it really be destroyed like this? — unframed.lacma.org
Notable American museums publicly expressed their support on Twitter via #protectCITY. The LACMA petition to protect Michael Heizer's City and the Basin and Range can be reached here.Previously on Archinect: Michael Heizer's massive desert sculpture, "City", will make you cry
“He didn’t like people coming into the studio and seeing the paintings before they were finished,” he said. “This is one of the most ambitious artworks ever envisioned, certainly in the United States.”
Heizer's mammoth masterpiece in the desert is called "City."
“It was in 1994 when I first saw it, unfinished,” Govan said. “You do cry. You think, what an incredibly beautiful ambition.” — ksl.com
I’m just happier than heck to see this thing go.- logistical superintendent Rick Albrecht — NBC LA
As the rock’s massive, centipede-like transporter inched onto Granite Hill Drive, lit by over 300 string lights, the mood was less public art project and more engineering-feat-meets-the-Rose Parade. More than 100 people –- truckers, police escorts, media and museum workers, as well as art...
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