With a stated goal of "reconciling and choreographing how the human and environmental subject and their individual, transforming, ephemeral, and often contradictory characteristics continuously recompose a permanent work," The Open Workshop's Malleable Monuments exhibition is a tour of three years...
Not far from the Brandenburg Gate, Potsdamer Platz was a no man’s land during the Cold War. Then the Berlin Wall fell, and the German authorities made it a petting zoo for celebrity architecture. The corporate headquarters of Germany’s new global swagger.
But the ambitions for Potsdamer Platz, like the hopes and fears about a united Germany, turned out differently. The architecture was not so great. Many companies fled. — nytimes.com
IS THE NEW ARCHITECTURAL century still stuck in the end of the last one? Yes, but not for long. Asked to take stock of their discipline, architects largely agree that one era is winding down and another is beginning. [...]
“The time of the grand sculptural building is over,” says Mr. Sauerbruch, looking back on what he calls architecture’s “Mannerist period,” symbolized by figures such as Frank Gehry and Zaha Hadid. — online.wsj.com
"... If history has taught us that the realization of a utopia is necessarily its destruction, Can we regard this process as a continuously failing attempt of architectural hallucinations? Or is it a way to promote escapism from an inevitable dystopic reality? ..." — www.zawia.co
"Zawia#00:Change discusses the significantly changing realities imposed on all social, political and economic systems and their influence on design disciplines. Zawia#00:Change will attempt to demonstrate whether architects are ready to embrace changing ideals and new modes of operation, and whether they are willing to help better people’s lives rather than focusing on glorifying design or architecture." — www.zawia.co
SUBMIT NEWS: submit in 60 seconds!