Amid Cairo's brick buildings and heaping piles of trash is a sprawling work of art, which, at first, looks messy and incoherent.
But when you stand on the nearby hillside and read the spray-painted Arabic "calligraffiti," as its creator Tunisian-French artist eL Seed calls it, the message reads loud and clear: "If one wants to see the light of the sun, he must wipe his eyes."
[...] in total secrecy from the Egyptian government due to the country's strict laws forbidding artistic expression. — techinsider.io
All images by the artist, eL Seed. For more images click here.More Cairo-related stories in the Archinect news:Does Foster + Partner's Maspero District masterplan neglect the local residents?Egypt's challenges to build its new capital cityEgypt’s street artists now risk even more
[Tarek] looks down at the glossy graphics, and then up again, before gesturing around at his neighbours. “Where are we in this picture?” he asks...
Norman Foster’s practice has chosen to partner with a government widely condemned by international human rights groups for its brutal crackdowns on dissent and widespread use of torture; in return, the company seems to believe it can carve out a place for itself in the vanguard of a progressive new era of urban design...
Is it right? — the Guardian
Jack Shenker and Ruth Michaelson take a more in-depth, on-the-ground look at the political context of the Maspero District masterplan, which I discussed a few weeks ago. The Foster and Partners-designed project would remake a part of Cairo that was the site of numerous protests since 2011. The...
Foster + Partners has won a competition to redesign the area around the Egyptian Radio and Television Union (ERTU) headquarters in Cairo’s Maspero area, according to an announcement made yesterday by the Egyptian Ministry of State for Urban Renewal and Informal Settlements (MURIS).“On the...
Cairo is an unruly urban sprawl that has spun out of control. Now, officials want to build a new capital in the desert -- a potent symbol of President Sisi's regime. But will it ever happen? [...]
The old Cairo is an ugly city, an affront to the senses. [...] a city of contradictions, created from the bottom up, even though that had never been the intention. It has been growing wildly since the 1960s -- from 3.5 million back then to 18 million now -- against the will of the country's rulers. — spiegel.de
Most Egyptians have always lived in the fertile stretch along the Nile, the nation’s breadbasket which accounts for less than 10 per cent of Egypt’s territory. But urban growth has become the chief threat to agricultural land as farmers haphazardly – and illegally – build new houses to make room for the next generation.
Construction surged even more amid a security vacuum that followed the 2011 popular uprising that ousted the country’s long-time autocrat, Hosni Mubarak. — thenational.ae
...last week at an economic development conference, the Egyptian government announced it was planning a giant new building project to the east of Cairo. The new city, which could eventually cover 700 km sq, doesn't currently have a name, and is being referred to simply as "The Capital"...If all goes to plan, the city will serve as the new administrative and financial capital of Egypt. — City Metric
Egypt is in the throes of a severe housing shortage [...]. But one thing the country has an abundance of is lonesome desert, and developers are turning there to construct immense projects that stick out in the emptiness like skyscrapers on Mars.
London-based photographer Manuel Alvarez Diestro has a yen for the monumental [...] naturally he was interested in the colossal structures rising on the outskirts of Egyptian cities. — citylab.com
As more journalists are being arrested in Egypt, artists are under threat as well. [...]
Political slogans and portraits of people who have died since the January 25 revolution are painted over by the government and replaced immediately by artists. The walls of Mohamed Mahmoud Street leading to Tahrir Square are layers of colorful murals over asymmetrical blotches of white paint. And despite its attempt to silence, the dictatorial white ironically makes a great primer for many of the artworks. — blog.vandalog.com
Aerial footage from a helicopter of the largest demonstration in history when millions of Egyptians gathered in Tahrir square and other squares in Cairo demanding the fall of the Muhammad Morsi and Ikhwan (Muslim Brotherhood regime.)
"Zawia#00:Change discusses the significantly changing realities imposed on all social, political and economic systems and their influence on design disciplines. Zawia#00:Change will attempt to demonstrate whether architects are ready to embrace changing ideals and new modes of operation, and whether they are willing to help better people’s lives rather than focusing on glorifying design or architecture." — www.zawia.co
Zawia is a periodical, English and Arabic publication and collaborative events on architecture, design & urbanism. The first volume Zawia#00:Change is out now! It features contributions from Saskia Sassen, Stefano Boeri, Joseph Grima, WAI architecture think tank, Carlo Ratti, Markus...
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