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It is no exaggeration to say that our present is the future that Dorothea Lange’s images foretold. The crisis of agriculture in the face of toxic capitalism and climatic disaster that is at the center of her famous photographs might also have served to focus and sharpen "Countryside: The Future," where it is occasionally a subject but more often merely an unstated subtext. — Places Journal
In "Countryside: The Future and the Past," Deborah Gans reviews Countryside: The Future, at the Guggenheim Museum, the multimedia culmination of years of interdisciplinary, globe-spanning research led by OMA's Rem Koolhaas and Samir Bantal, director of its think tank, AMO... View full entry
While the 2020 Venice Biennale was postponed, many look forward to what 2021 has to offer with the announcement of the event's opening date on May 22. Carrying on with the theme "How will we live together," Hashim Sarkis, curator of the exhibition, shared, "the world is putting new... View full entry
An active member of LA's architecture and design scene, Jia Yi Gu is appointed as the MAK Center for Art and Architecture director. After a long search by the Center, she will take on directorial and curatorial responsibilities with her wide-ranging expertise in architectural curation... View full entry
The work of architect and designer Aldo Rossi, the first Italian winner of the Pritzker Prize in 1990, will be the star of the new major exhibition Aldo Rossi. The architect and the cities opening on March 10 at MAXXI, the National Museum of 21st Century Arts in Rome. The retrospective features a... View full entry
Previously featured on Archinect, artist Michael Velliquette has a new collection of paper sculptures that will be on display at the David Shelton Gallery in an exhibition called Creations are Numberless, I Vow to Free Them. Everywhere transience is plunging into the depth of being... View full entry
Certainly New Yorkers’ revaluation of the countryside had begun long before the “Decameron”-style outflows of remote-working urbanites and their families, fleeing the coronavirus last spring. [...] The phrase “farm to table” has been a cliché for years, and Park Slope idealists long ago exported their Marie Antoinette rural fantasies to the Hudson Valley. — The New York Times
With the coronavirus eating its way through America's hinterlands and the election unmasking a deeply entrenched urban-rural ideological divide, NYT art critic Jason Farago takes a second look at the Rem Koolhaas-starring exhibition Countryside, the Future which opened at the Solomon R. Guggenheim... View full entry
The Design Museum has launched a new virtual exhibition, We Design: People. Practice. Progress. to highlight the lack of racial and gender diversity in the design field. We Design tells stories about designers of different ages, genders, backgrounds, races, ethnicities, sexual... View full entry
There have been countless unknowns surrounding LACMA’s vast rebuilding project: the nature of the landscaping, whether the underside of the massive concrete structure would feel like a pleasant, shady spot or an oppressive freeway underpass, where the museum’s playful Alexander Calder fountain sculpture might go.
The biggest question mark has hovered over the form and nature of the galleries...
— Los Angeles Times
With the fate of Los Angeles' beloved LACMA museum making headlines since Swiss architect Peter Zumthor received the bid, public response to its redesign has been primarily negative and controversial. With construction well underway despite the recent pandemic, images of museum... View full entry
Denmark has opened its new exploratorium and "nature arena" called NATURKRAFT (translated Nature Power) where visitors will experience different aspects of nature and how its physical and aesthetic characteristics will shape the sustainable cities and communities of the future. Designed by... View full entry
“Stone,” says architect Amin Taha, “is the great forgotten material of our time. In 99% of cases, it’s cheaper and greener to use stone in a structural way, as opposed to concrete or steel, but we mostly just think of using it for cladding.” — The Guardian
Oliver Wainwright's takeaways from The New Stone Age, a current exhibition at the Building Centre in London. The "great forgotten material of our time" appears to be bracing for somewhat of a comeback with architects like Amin Taha of London-based practice GROUPWORK (also one of the exhibition's... View full entry
The architecture world has been abuzz lately over the recent public opening of Countryside, The Future, the new exhibition taking place at the Solomon R. Guggenheim Museum in New York City by the Office of Metropolitan Architecture (OMA). Let's take a look at some of the... View full entry
The Beverly Willis Architecture Foundation (BWAF) and the Architecture and Design Museum in Los Angeles (A+D) have announced the latest iteration of the Built by Women exhibition, a program designed to celebrate "the breadth of achievement by women at the building industry’s highest... View full entry
The Office of Metropolitan Architecture's (OMA) much-anticipated exhibition, Countryside, The Future, is set to open next week at the Solomon R. Guggenheim Museum in New York City. The exhibition, according to the museum website, explores "radical changes in the rural, remote, and wild... View full entry
Last week, the Danish Architecture Center opened it's anticipated exhibition Kids' City, a child-centric exhibition exploring architecture and construction. The exhibition investigates 6 typologies of urban architecture including bicycle infrastructure, playful daycare buildings, nature areas, and... View full entry
Recognized as the creative world's "jack of all trades," Virgil Abloh's multidisciplinary approach to design has positioned him as one of the industry's top rising talents. Over the last decade, his impact on the music and fashion industries has quickly created a robust following for the... View full entry