Scott Merrill, an architect known for his originality and creative application of architectural precedents, has been named the recipient of the 2016 Richard H. Driehaus Prize at the University of Notre Dame. Merrill, the 14th Driehaus Prize laureate, will be awarded the $200,000 prize and a bronze miniature of the Choregic Monument of Lysikrates during a ceremony on March 19 (Saturday) in Chicago. — University of Notre Dame School of Architecture
Scott Merril, the founder and principal designer of Merrill, Pastor & Colgan in Vero Beach Florida, has been awarded the 2016 Richard H. Driehaus Prize at the University of Notre Dame.Now in it's 14th year, the Driehaus Prize is something like an alternative Pritzker awarded to "a living...
New York has seen twenty-first-century buildings in early-twentieth-century drag before, but 30 Park Place stands out, both for its size [...] and for its location—cheek-by-jowl with some of the most ambitious buildings to emerge from the current high-rise boom [...]
“We’re transposing a nineteen-thirties language to lower Manhattan, which has gotten overrun with glass and abstraction,” the architect said in a recent interview. “People want to look at buildings and make connections.” — newyorker.com
Robert A.M. Stern Architects in the Archinect news:Robert A.M. Stern to step down as Dean of Yale School of ArchitectureThis $250M mega penthouse might become New York's priciest homeNYC’s Most Expensive Condo to Be Listed at $130 Million"Unfashionably Fashionable" - Justin...
Tokyo is known for its mix of modern and traditional architecture, but for long-term residents it is easy to feel like the concrete is winning out. [...]
The buildings done by acclaimed Tokyo-based architect Kengo Kuma are different. [...]
Kuma’s campaign to bring Japanese-ness back to architecture has had fascinating results. — qz.com
Terry, 77, is Prince Charles’ favourite architect, a purveyor of classical confections from his drawing board in the quaint Essex village of Dedham. Scruton, 71, a philosopher of aesthetics, is a vocal enemy of modern architecture and author of The Classical Vernacular: Architectural Principles in an Age of Nihilism (as well as I Drink Therefore I Am: A Philosopher’s Guide to Wine). — The Guardian
Long accustomed to basing its reputation on the grandeur of its old buildings, the city now finds it almost impossible to agree on how to build new ones.
In recent months, traditionalists have blocked efforts to introduce contemporary architecture in the historic core [...]. Modernists are rolling their eyes at new buildings that copy traditional styles, arguing that they pervert a record of architectural progress long documented in mortar and stone. — nytimes.com
In a warren of rooms inside a 400-year-old townhouse on the Essex-Suffolk border, a counter-revolution against the most dramatic rebuilding of the London skyline in decades is gathering strength.
Eschewing computer power for sharp pencils and tracing paper, father and son architect team Quinlan and Francis Terry are drafting classically inspired designs for some of the capital’s most prominent sites in a fightback against plans for hundreds of new skyscrapers. — theguardian.com
Outside a few rare examples such as Ronchamp, I sense that Modernism has failed to deliver an architecture that connects with most Catholics and other traditional Christians. Much of this has to do with fact that Modernism as a cultural movement is inherently atheistic as it is based on a secular materialist philosophy. — newgeography.com
The White House may be the centre of great power, but it is not in itself that big or that shouty. It’s just a nice, white house, rather elegant, with a fine sweeping drive, but utterly dwarfed by the US Treasury next door – a fact that is, in itself, a bit of a clue to the relative significance of wealth in American society. [...]
If the White House gleams simply because of the influence of the man inside it, the rest of the Washington complex is designed to make its case for significance. — telegraph.co.uk
John Hill’s book “A Guide to Contemporary New York City Architecture” is filled with examples of the crazy new forms of the last decade, like Frank Gehry’s white wind-filled “sail” on the West Side Highway in Chelsea. [...]
And yet, the United States is in the middle of a great revival of traditional architecture — Georgian, neo-Classical, Arts and Crafts and so forth — that is almost absent from Mr. Hill’s stimulating and enjoyable work. So, what isn’t contemporary about traditional design? — nytimes.com
American architect Thomas H. Beeby has been named the recipient of the 2013 Richard H. Driehaus Prize at the University of Notre Dame. Beeby has designed an array of cultural, academic, religious, residential, and commercial buildings. — bustler.net
Much of the debate involves modernist architecture's role in landmark settings of a traditional character. Preservation professionals often advocate modernist additions to these settings, while at the grass-roots level there is strong support for keeping the new work traditional. — online.wsj.com
Is there an establishment bias against traditional architecture? Modernist Michael Taylor talks pastiche and passion with traditionalist Robert Adam — guardian.co.uk
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