For 45 years, Iran's most famous modern monument, the Azadi (Freedom) Tower in Tehran, has been the backdrop to every major news story coming out of the country...Hossein Amanat was a rising star in Iran's architectural scene when, in 1966, he won a national competition to design the monument...Its historical pull, he believes, lies in the tower's evolution as a 'symbol of Iran'...that is both intensely Iranian and Islamic at the same time. — BBC
If ongoing discussions with the United States and others prove successful, sanctions affecting the Iranian economy will likely be lifted, exposing the country to a forceful wave of globalization. But the shift from isolation to inclusion has already begun to transform Tehran. [...]
It’s a city that, at this moment, is intensely influenced by international relations, shaping itself into a burgeoning urban hub. — citylab.com
Senior editor Orhan Ayyüce published the first in a series of mini-interviews for a new feature Touching Base: In which he profiled Volkan Alkanoglu, founding principal of Volkan Alkanoglu | DESIGN LLC. It was a reminder for Donna Sink of how small the world is, as her "husband's company...
Leila Araghian was 26 when she came up with Tabiat bridge. Five years on, the 270-metre structure is a reality, despite sanctions, garnering awards and paving the way for a new, more avant garde generation of Iranian designers [...]
Tabiat (“nature”) bridge, the largest of its kind in Iran, was architect Leila Araghian’s first project. She designed it five years ago while a student, winning a local competition for a plan to connect two parks separated by a highway in north Tehran. — theguardian.com
For centuries, the spatial layout of house design in Iran reflected the patriarchal structure of the society through the rigid segregation between the andaruni and biruni, private and public space. [...] Modern architecture is also considered erotic because, unlike the spatially introverted pre-modern architecture of Iran, it faces outward with windows that shamelessly offer strangers a peek at the buildings’ private parts. — Your Middle East
Mohammad Reza Domiri Ganji [...] is capturing truly stunning photographs of the colorful, architecturally gorgeous interiors of historical Mosques throughout the Middle East. [...]
Using wide angle lenses, fisheye lenses and panoramic photography techniques he has traveled to some of the most historically significant mosques in and around his home country of Iran to capture the kaleidoscope-like architecture inside. — petapixel.com
"Born in 1907, as the son of the famous political man, statesman and man of letters Moḥammad Ali Foroughi, Mohsen Foroughi is one of the pioneer of modern architecture in Iran. an influential professor of architecture at the University of Tehran, and a noted collector of Persian art. He was...
A decision by a federal judge paves the way for the forfeiture of a 36-story Manhattan building that the U.S. alleges is secretly owned and controlled by the government of Iran.
The court agreed with the United States Attorney for the Southern District of New York that the owners are a front for the Iranian government and therefore in violation of the International Emergency Economic Powers Act, which restricts commerce with Iran. — npr.org
Revolutionary guards who are denied entry to an apartment have been known to scale a building’s walls with grappling hooks to dismantle receivers. It may seem like something out of a spy novel, but this cat-and-mouse game tells the deeper story of a complex exchange between the Islamic Republic and citizens of Tehran. In the absence of legitimate public space for discourse or demonstration, the satellite receiver opens a space for political dissent and cultural protest. — Places Journal
In contemporary Tehran, where the city's parks and plazas have been delegitimized by censorship and surveillance, the true public realm is inside the home. On Places, architect Rudabeh Pakravan examines the spatial politics of satellite television in Iran, with a close look at "the satellite man"...
Unlike conventional concrete, Iranian concrete is mixed with quartz powder and special fibers - transforming it into high performance concrete that can withstand higher pressure with increased rigidity.
Due to its combination, the new Iranian-made concrete is an excellent building material with peaceful applications like the construction of safer bridges, dams, tunnels, increasing the strength of sewage pipes, and even absorbing pollution. — presstv.ir
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