Seattle-based architect [Katrina Spade], originally from New England, has a vision that could radically reshape not just the death-care industry but the way we think about death itself.
She calls her plan the Urban Death Project, and it proposes a middle road between burial and cremation: compost. [...]
The centerpiece of the idea is an approximately three-story-high building in an urban center where people could bring their dead. — thestranger.com
The idea of the Future Cemetery is to create a place for people to connect with death. What that actually means and looks like is still in development, Troyer says, but in the first stage of the project they did everything from projections to audio installations. Now, they’re working on developing augmented reality experiences in cemeteries—elements that are only visible with certain devices and if you know they’re there. The idea is to allow people to add to their own cemetery experience... — theatlantic.com
Orhan Ayyüce penned a remembrance to his friend architect Larry Totah, titled Slow Weather of Architecture. Therein he describes "The House"...overlooking Pacific Ocean rather edgewise and build like a long drawing depicting a horizontally composed architecture. The fog, roof and the walls are more of Chumash hiring Hopi to build on their mountains for few exquisite basket full of shellfish to adorn the wedding dresses in Hopi villages like the ones a Don Juan dreamed of, a fair exchange"...
Amelia Taylor-Hochberg interviewed architectural photographer Bilyana Dimitrova, formerly Metropolis Magazine’s photo editor. The two discussed Architecture Photography in the 21st Century ahead of the exhibition 'Beyond the Assignment: Defining Photographs of Architecture and...
“It is amazing to realize you could walk around the site not knowing if there is a body underneath you,” Nelson said. “How do you commemorate that?” — The Seattle Times
Of the approximately 200 people buried at Saar Pioneer Cemetery, there are 89 unmarked graves, each unable to inform visitors of their presence and the role they played in Kent history. Collaborative artists Frances Nelson and Bradly Gunn seek to mark the unmarked by creating a series...
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