Amid the dust and clamor is the steel skeleton of Aitken’s “Mirage,” which takes the form of a 1960s-style suburban California ranch house. The seven-room structure, to be fully mirrored on the outside and inside, is perched on a hillside with city and desert views, which are key to the piece. The structure has gaping holes where doors and windows might be, and its interior walls are built on angles to reflect the sky and contrasting surrounding terrain... — The L.A. Times
Remarkable projects come from remarkable people and Inhotim is the creation of Bernardo Paz, a mining magnate who has lavishly installed his contemporary art collection across several hillsides in Minas Gerais, an estate of some 5000 acres. Paz has commissioned many architects, to make pavilions specially designed for individual artists, and others that house several artists’ works, all cushioned within the lush vegetation of a botanic garden. — tate.org.uk
Opening on September 15, “The Source” is a six-screen installation housed in a circular pavilion built by architect David Adjaye on Liverpool’s Albert Dock, for which Aitken has filmed conversations with 15 creatives including musician Jack White, architect Jacques Herzog, contemporary artist Thomas Demand, actor Tilda Swinton, photographer William Eggleston and the artist Mike Kelley, who died soon after the interview. — ft.com
The house is the world’s first temple to “Acid Modernism,” the aesthetic the California-born Aitken conceived for himself and Gemma Ponsa, his companion of the last six years. “The goal was to create a warm, organic modernism that’s also perceptual and hallucinatory,” he said of the design. “We thought that would be a wonderful environment to live in.” — nytimes.com
As if Diller Scofidio + Renfro’s giant inflatable balloon set to rise (sometime) from its roof, Up-style, weren’t a sufficiently kinetic addition to the Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington D.C., the institution announced in a press release yesterday that artist Doug Aitken will turn the building’s circular facade into an enormous 360-degreen screen for nearly two months this spring. — blogs.artinfo.com
SUBMIT NEWS: submit in 60 seconds!