In Venice, Sandmeier wanted to tell the story of a whole neighborhood, not just emphasize the architectural merits of any one structure, and in doing so build a history of architects and artists working together. "Buildings are important for different reasons. Sometimes it's the architecture, sometimes it is the history, and sometimes it is the context," she explains. "Venice is a place with such rich cultural context that underlies the whole community, there is a lot to talk about." — kcet.org
Mimi Zeiger reports from the self-guided tour "Venice Eclectic: Modern Architecture from the '70s and '80s", part of "Curating the City Modern Architecture in L.A.," the Conservancy's ongoing contribution to Pacific Standard Time: Modern Architecture in Los Angeles. View full entry »
The house is the world’s first temple to “Acid Modernism,” the aesthetic the California-born Aitken conceived for himself and Gemma Ponsa, his companion of the last six years. “The goal was to create a warm, organic modernism that’s also perceptual and hallucinatory,” he said of the design. “We thought that would be a wonderful environment to live in.” — nytimes.com
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