Many have challenged the logic of a Swiss building in Los Angeles [...]
In a sense, all of the criticisms can be boiled down to a single accusation: quality architecture does not belong in Los Angeles. [...]
Contextualism in Los Angeles requires more innovation than matching roof heights or aligning cornices; its ecology is one of large and oversized cultural objects that act as signposts amid sprawl. — lareviewofbooks.org
Situating LACMA in "master builder" Peter Zumthor's career overall, architects Sharon Johnston and Mark Lee (of the LA-based firm Johnston Marklee) discuss what distinguishes his work in a city with a somewhat confused attitude towards icons and context.More on Zumthor's LACMA:Is Zumthor's...
What will Zumthor's plan do for the museum's art and its audience? An art museum presents our histories in visual form; is LACMA making room for enough stories? [...]
Los Angeles is one of the world's four major centers of art production. Yet the museum has no permanent-collection galleries that tell a California-authored story of contemporary art. [...]
The proposed Zumthor building is also awfully expensive given its modest gain in exhibition space. — latimes.com
Senior editor Orhan Ayyüce published the first in a series of mini-interviews for a new feature Touching Base: In which he profiled Volkan Alkanoglu, founding principal of Volkan Alkanoglu | DESIGN LLC. It was a reminder for Donna Sink of how small the world is, as her "husband's company...
Not to worry, Gowan said, we’ll just pop in extra entrances if and when we need them. — Los Angeles Review of Books
Veteran architecture critic Joseph Giovannini writes a long format, meticulous, repetitious, detailed, campy, foxy, fundamental, accurate, conjectural, civic, economic, organizational, institutional, back of the house, sobering, exemplifying, nerdy and most serious to date criticism of LACMA...
As the museum turns 50 this year and debate continues about LACMA Director Michael Govan's plan to replace the Pereira buildings (and a later addition by Hugh Hardy) with a giant new wing by Swiss architect Peter Zumthor, it's worth remembering how the original LACMA campus was greeted — as well as a few things about the Los Angeles into which it was born. — latimes.com
For the latest edition of Working out of the Box Archinect talked with Abraham Burickson, founder of Odyssey Works. He explained "Architecture school required total commitment, and in Odyssey Works that’s the case as well – absolute, total commitment. Because otherwise nothing new is...
It’s been a strange week, especially in Indiana. On this episode, before getting to the RFRA-ff, we hit on a neat architectural inversion: LA-heavyweight Morphosis designs a "middle-finger" luxury tower in the quaint mountain town of Vals, Switzerland, while the subtly grand Swiss museum-master...
Since opening the doors of its original William Pereira buildings in 1965, the Los Angele County Museum of Art has grown along with its home. The version of the city beloved by Reyner Banham and Pereira was alive then on the historic Miracle Mile, proselytizing megasized car-infrastructure and New...
Once a free-flowing, biomorphic design inspired by the La Brea Tar Pits and the work of the Brazilian architect Oscar Niemeyer, the design has become noticeably more angular and muscular in recent weeks. It now features double-height galleries made of white or light-gray concrete and poking up above the roofline of the rest of the museum [...]
"No one will call it a blob anymore," LACMA Director Michael Govan said ... "Peter hasn't given up the curve. But he's really, really reined it in." — latimes.com
Related news: Peter Zumthor pushes LACMA redesign to the curb to make room for tar pitsL.A. County supervisors approve initial funding for new LACMA buildingPeter Zumthor's $450,000,000 'Black Flower' for LACMA
Nicholas Korody penned an essay on White Space: The Architecture of the Art Fair, "the so-called photographic-seamless" and "The aura of art works". His conclusion "Art exists now in a strange truce, in which an object is used as the establishing point for a market as much as the market is...
The Board of Supervisors has approved a road map for the Los Angeles County Museum of Art as it plans a $600-million makeover that would tear down and rebuild most of its Miracle Mile campus [...].
If there are no serious bumps in the road ahead, the plan would yield a streamlined, curving 410,000-square-foot new museum building designed by Swiss architect Peter Zumthor that would open in 2023, spanning Wilshire Boulevard with an enclosed bridge that doubles as gallery space. — latimes.com
It would be better to reconsider this wholesale demolition. Especially as the proposed replacement, designed by the Swiss architect Peter Zumthor, leaves much to be desired. [...] Or maybe it’s the quintessential Angeleno building? After all, replacing an aging faithful spouse with a younger, more stylish trophy wife is an established Hollywood custom. — Zócalo Public Square
Architect Peter Zumthor has dramatically revised his design for a new Los Angeles County Museum of Art, creating a new bridge-like section of the building that would span Wilshire Boulevard.
The new design is meant to address concerns that the original plan would encroach on, and potentially damage, the La Brea Tar Pits at the neighboring Page Museum, casting a shadow over the largest pit. — latimes.com
Peter Zumthor has chosen Paraguayan architect Gloria Cabral as Architecture protégée for the 2014-2015 Rolex Arts Initiative. In each of the program's seven artistic fields, mentors selected three to four finalists, who were originally chosen from a total of 154 nominated applicants. Each mentor...
Twenty-five young artists from 21 countries have been selected as finalists for the 2014-2015 Rolex Mentor and Protégé Arts Initiative. — Rolex Mentor and Protégé Arts Initiative
Rolex recently unveiled the names of the 4 finalists for the Rolex Mentor and Protégé Arts Initiative in the field of architecture. From left to Right: Amritha Ballal, India; Gloria María Cabral Insaurralde, Paraguay; Orlando García, Colombia / United States; Hiba Shahzada, Jordan.
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