The Garage Museum of Contemporary Art announced yesterday that its forthcoming permanent home inside the Soviet-era eatery in the capital’s central Gorky Park is due to open in June 2015. [...]
And Rem Koolhaas, who was tasked with transforming the abandoned restaurant's ruin for the museum, is leaving it largely untouched. — blouinartinfo.com
This year's Biennale reveals that neither modernism nor contemporary architectural practice is as it seems. The best architecture today may not be revolutionary, but then today more than ever the desirability of revolutions are in doubt. Situated modernism has for many years been and continues to dominate architectural practice with the opposite of flattening results. — newrepublic.com
While most attention falls on the national pavilions at the Venice Biennale, the city itself hosts an uncertain number of simultaneous, satellite events, operating somewhat under the public's radar but still orbiting around the Biennale's curatorial center. There are the Biennale-recognized roster...
The documentary Lagos Wide and Close - An Interactive Journey into an Exploding City, arose from Rem Koolhaas' 2001 visit to Lagos, Nigeria with filmmaker Bregtje van der Haak, hoping to document a phase in one of Africa's fastest growing cities. The doc's unique direction allows viewers to...
This year's Venice Biennale of Architecture, curated by Rem Koolhaas, officially opened on June 7, under the theme "Fundamentals". The deluge of criticism and reporting coming out of the Biennale will surely continue until it closes November 23, but so far reactions from the architectural...
An exploded false ceiling and a lineup of lavatories become the stars as Koolhaas delves into the overlooked innards of today's buildings – and shows how architecture has become nothing more than cardboard — theguardian.com
As the 14th edition of the Venice Biennale of Architecture prepares to open, the pavilions of the Giardini might be the perfect venue for an analysis of the architectural manifestations of national identity. [...]
Architecture is a curious world in which the things we hate might look very similar, to a less-inured eye, to the things we love. It is a question of degrees, of finesse. Koolhaas exemplifies the paradox. — ft.com
To sever instances of “architecture” from the deaths of indentured construction workers on a building site in Qatar, or from the property lines measured out at Twin Lakes, is an elemental act, comparable to flushing a toilet, turning on the water, or switching on a light... Understanding these infrastructures, and contesting their hegemony with that knowledge, is therefore as basic as it gets. — Places Journal
For the 2014 Venice Architecture Biennale, curator Rem Koolhaas has chosen as his theme "fundamentals," meaning the "inevitable elements of all architecture ... the door, the floor, the ceiling, etc." To this list Reinhold Martin proposes Fundamental #13: real estate, the land itself, without...
“We've never been this vulgar,” says the practice's founding partner Rem Koolhaas, sitting in the building's boardroom, flanked either side by neat men in military denim jackets, like officers from some future fashion police. [...] brazenly conflating G-Star's brand values with their own, aligning their manifestos, house styles, ways of working and even presenting a shared aesthetic of raw industrial chic – with concrete and steel fragments of OMA buildings overlaid on to G-Star models. — theguardian.com
The wait is finally over. After a unanimous decision from the jury, Rem Koolhaas of OMA has the winning design for the new Berlin Media Campus of German publishing house Axel Springer. OMA's concept won against those of two notable finalists, Bjarke Ingels Group (BIG) and Buro Ole Scheeren. A contract will be issued once it has been decided if and when the construction project can be implemented. — bustler.net
vado retro is moved to wonder "with the rash of notable building demolition that has and continues to occur, is there a checklist of what makes a building valuable enough not to demolish?...is it because buildings are more about image and visuals than spatial experience that we are willing to rid ourselves of award winning pieces of architecture/art?...maybe buildings don't really matter that much"
The latest edition of ShowCase: features Pocinho Rowing High Performance Center by Alvaro Andrade. Mohammad Hadi Ataei really liked it commenting "Great minimalist work". Additionally, - Mike "The Poet" Sonksen, @mikethepoetLA published Take a Walk: on L.A.'s Grand...
Under his tutelage, designers learn to privilege approach over style. Rather than work with drawings, like most traditional architecture firms, OMA employees first "Diagram" a building—identify the structure's basic components and how they fit together—and then proceed to build it. It's an analytical method that results in buildings that are sometimes ungainly but never unexciting and reject the signature styles associated with many other renowned architects. — online.wsj.com
While collaborations between architects and skaters aren't too rare, the symbiosis typically happens in the realm of ramp/rail/ledge/obstacle design. To have an architectural heavyweight like Rem Koolhaas come out and give his blessings to a skateboard deck design, which pays homage to OMA's...
Curated by architect and historian Joseph Abram, in collaboration with Rem Koolhaas’ OMA/AMO, the exhibition celebrates the work of Perret, in particular his extended use of reinforced concrete.
The exhibition analyzes, through more than 400 original documents such as sketches, pictures, scale models and personal letters, eight buildings conceived by Perret. These include the Théâtre des Champs-Elysées in Paris, along with the Hôtel de Ville and the Eglise Saint Joseph in Le Havre. — wwd.com
Like one skyline perched on another, the latest mega-building by Rem Koolhaas towers over the starchitect playground of Rotterdam. But why was it even built? — theguardian.com
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